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Views from the Choir Loft

Tenth Anniversary Celebration • “Summorum Pontificum”

Fr. David Friel · August 13, 2017

HE TENTH anniversary of Pope Benedict XVI’s motu proprio, Summorum Pontificum, is being marked in a variety of ways in different places. Some parishes and universities have hosted lectures, concerts, and discussion groups. Others have arranged for solemn Masses to commemorate the historic promulgation.

The occasion will be marked in Philadelphia with a solemn Pontifical Mass in the Extraordinary Form on September 14, 2017, the feast of the Exaltation of the Cross. This is the date on which the motu proprio came into effect, after having been published on July 7, 2007.

This Mass will be offered by Most. Rev. Joseph N. Perry, auxiliary bishop of Chicago, at the Cathedral Basilica of Ss. Peter & Paul (18th Street & Benjamin Franklin Parkway, Philadelphia).

Philadelphia’s Cathedral will also be the site for this week’s solemn high choral Assumption Mass, organized each year by Mater Ecclesiae Parish (Berlin, NJ). Music for this celebration will be provided by the Ars Laudis Festival Chorus and Orchestra, under the direction of Dr. Timothy McDonnell. The Mass Ordinary will be Franz Schubert’s Mass No. 3 in B-flat Major.

Mass for the Blessed Mother’s feast will begin at 7 PM on August 15, 2017 in the Cathedral Basilica. All are welcome.

One decade removed from Summorum Pontificum, now is a good time to go back and re-read the document and the accompanying letter. Both texts are noteworthy for the pastoral concern that prompts and shapes them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Pope Benedict XVI, Summorum Pontificum, Traditional Latin Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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