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Views from the Choir Loft

Tenth Anniversary Celebration • “Summorum Pontificum”

Fr. David Friel · August 13, 2017

HE TENTH anniversary of Pope Benedict XVI’s motu proprio, Summorum Pontificum, is being marked in a variety of ways in different places. Some parishes and universities have hosted lectures, concerts, and discussion groups. Others have arranged for solemn Masses to commemorate the historic promulgation.

The occasion will be marked in Philadelphia with a solemn Pontifical Mass in the Extraordinary Form on September 14, 2017, the feast of the Exaltation of the Cross. This is the date on which the motu proprio came into effect, after having been published on July 7, 2007.

This Mass will be offered by Most. Rev. Joseph N. Perry, auxiliary bishop of Chicago, at the Cathedral Basilica of Ss. Peter & Paul (18th Street & Benjamin Franklin Parkway, Philadelphia).

Philadelphia’s Cathedral will also be the site for this week’s solemn high choral Assumption Mass, organized each year by Mater Ecclesiae Parish (Berlin, NJ). Music for this celebration will be provided by the Ars Laudis Festival Chorus and Orchestra, under the direction of Dr. Timothy McDonnell. The Mass Ordinary will be Franz Schubert’s Mass No. 3 in B-flat Major.

Mass for the Blessed Mother’s feast will begin at 7 PM on August 15, 2017 in the Cathedral Basilica. All are welcome.

One decade removed from Summorum Pontificum, now is a good time to go back and re-read the document and the accompanying letter. Both texts are noteworthy for the pastoral concern that prompts and shapes them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Pope Benedict XVI, Summorum Pontificum, Traditional Latin Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

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