• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Symposium 2017 Was A Spectacular Success!

Jeff Ostrowski · July 6, 2017

HE SECOND ANNUAL Sacred Music Symposium exceeded anything we could have imagined. Eighty marvelous people from all over North America spent a week in Los Angeles singing, praying, learning, and encouraging one another. The days were jam-packed (almost too full), the presentations inspired, and the liturgical ceremonies outstanding in every way. It is without a doubt the most magnificent thing I’ve ever been part of.

The following video has photographs by Cynthia Ostrowski:


Recordings can never do justice to the choirs, directed by Dr. Calabrese and Dr. Buchholz.

Consider the following video, which has the FIRST HOSANNA (which Guerrero also uses for the Second Hosanna, as we saw in the video above). In real life, when the basses entered I was overwhelmed by their deep, powerful sound, which almost knocked me off my feet!  But microphones don’t accurately reproduce such things:

    * *  Mp3 File • First Hosanna (Live Recording)


The sheer amount of information shared by the presenters was stupefying, and I won’t attempt to summarize. The world premiere performances for works by Kevin Allen were stunning—and you’ll be hearing more about these at a later date. Using my iPhone, I did attempt to capture a few moments here and there:

127 Asencio Family Horst Buchholz HE INSANELY HIGH NUMBER of young participants is profoundly problematic for those who claim “only nostalgic Catholics” cherish the Church’s treasury of sacred music. These young people gladly spent their vacation—as well as considerable money—on this conference!  By the way, FSSP seminarians and priests simultaneously conducted an Altar Server Training Camp, which was filled to capacity.

The Ascensio family has uploaded some photographs of the event.

From Pennsylvania:

All I’m able to think about these days is how magnificent it was to experience such a crowd who shares the same goals as I do. The enthusiasm and love for sacred music I saw in you and many others just confirmed that I know this is what God wants me to do; to help form our children’s choir here. Learning everything I did at this symposium is nothing short of a huge blessing.

What made this symposium so special is that God was the main focus in it. I have no doubt that the reason you are succeeding so well with your choir and all that you do (other than the remarkable and unique talent you have and effort you put into everything) is because you are working as a team with God. You’re doing all that is pleasing to God, and He will continue to reward and provide for you.

I cannot say enough good about my experience at the symposium. My words surely fail when I attempt to express just how wonderful it was to be there, and how much I brought back with me. Thank you for everything and God reward and bless you abundantly!


From Minneapolis:

I came to this symposium for personal growth, both spiritually and musically and it did not disappoint! Not being overly familiar with Gregorian Chant, it was wonderful to immerse myself in it and then to sing the Solemn Vespers services each day. The Extraordinary form of the Mass was a beautiful experience and the music was so incredibly great! The presenters at the symposium were first rate and working the music with them was very insightful. No matter how long you have been a music minister, there is always much to learn, to discuss and to experience. I enjoyed every minute of this symposium!


From Charlottesville:

What a symposium! I had high hopes for the quality of the music and lectures, but even those expectations were exceeded. I don’t even know where to begin… The lectures were incredibly packed with information and helpful for the choir director trying to navigate his music program to greatness, which is what Our Lord deserves. What I really appreciated was the wide diversity of topics, ranging from the theoretical to the practical, from the academic to the “real world” problems encountered in music ministry. The lecturers were engaging—and all brought their own unique contributions to the table—providing us with a rich feast of information to digest at the conference and beyond. My favorite topics were the children choir lectures, the music theory sections (usually with Dr. Buchholz), and the repertoire portions.

I am also grateful for the spiritual renewal it brought about. I had fallen into a slump with regards to music ministry because I lacked direction and faced some discouraging obstacles. Having tasted beauty itself in the elegant duet of silence and music at the Masses and the solemn Vespers, I left with a sense of peace and a burning desire to steer the liturgy towards contemplation once again. I rediscovered an old love thanks to all the efforts and prayers associated with the symposium. God bless you for this precious gift!


From Virginia:

I wanted to take a minute to write you an email and profoundly thank for all the hard work you put into the Symposium. It was a transformative experience I was not quite expecting, whose spiritual implications I am only now beginning to realize. To put it simply, I was pierced by the beauty of the liturgy in a way I have never before experienced. I briefly spoke with you that while I have always had a respect for the Old Rite, but I have been sadly inexperienced in its beauty. I not only was overwhelmed by its beauty, but sensed the depth of the spirituality behind it. I wish to incorporate this spirituality into my life and that of my family. I am greatly appreciate of all the work you do, and you dedication to bringing back the beauty that I am now reassured has not been completely lost. During the Symposium, I greatly appreciated the shared experience (and the vocal workout!) with all of the wonderful people that I met—and will offer all of you to our Blessed Mother’s protection. I am in a bit of an overwhelmed daze in these days following the Symposium, as I try to understand and listen to what the Holy Spirit is doing in my life through it. This has been something I will never forget.


From Arizona:

What a wonderful week! We learned and experienced such beautiful people and things. To ‘rediscover’ chant and its many facets at this stage has been a delight! May God continue to bless you all in His service. Amen.


From Indiana:

I just wanted to thank you so much for allowing me to attend the 2017 Symposium. I had the most amazing week! I learned so much from all the topics presented by the speakers and by the practice sessions. All the staff were stupendous, and I told our monsignor that I really need to attend every year. Thank you for all the hard work you do for the Glory of God and His Church.


From Orange County, CA:

Today’s world is marked by an incessant frenetic pace, the quick, cheap and easy being the rule of the day. Sadly, even the Church’s liturgy has not been immune to this spirit of the times. As one who has long abhorred this trend, what a grace it was to participate with so many like-minded Catholics in the 2017 Sacred Music Symposium. The week was packed with excellent presentations, expert advice for beautifying liturgical music, and culminated with sublime liturgies under world-class direction. Several times I kept having to remind myself: yes, this event is taking place in the 21st century; yes, we are all Catholics committed to restoring the good, the true and the beautiful; and yes, we know the great sacred treasury of the past will be the basis for a glorious future. The best part? This shared experience was a source of supernal graces and blessings. My one complaint? It all went by too fast.


From San Antonio, TX:

The Los Angeles Sacred Music Symposium was truly a heavenly experience. Rehearsing and singing beautiful sacred polyphony with strong Catholics from around the globe was an amazing blessing, and the profound beauty in both Masses was simply celestial. I would like to thank Jeff Ostrowski, Dr. Buchholz, Dr. Calabrese, and all who participated for their unwavering commitment and devotion, and I look forward to next year’s Symposium with eager anticipation.


From Arizona:

First off thank you for your boundless and infectious enthusiasm and for bringing this symposium to fruition. By week’s end, we were exhausted but wonderfully fed, just not with food for the body but most importantly food for the soul. Without this sharing of knowledge and enthusiasm, we as Catholic choir directors, organists and liturgists become tired, maybe a bit jaded and definitely not always the best version of who we are called to be. This is the education that Catholic musicians need to make a difference. I will treasure the new friends made this past week. We were energized and excited to share our experiences with each other; a testament to the power of great Catholic sacred music.

Dr. Buchholz and Dr. Calabrese…both fabulous clinicians providing continuity, direction and excellent knowledge for the second year. Dr. Tappan for sharing his experience and methodology of building solid children and adult choirs. Pete’s Immaculate Heart of Mary parish school choir demonstrated some of the most correct vocal techniques for children’s voices, just beautiful. Singing Vespers each afternoon! What a great tradition that we as Catholic music ministers might begin to reintroduce into our parishes even if just once a month…these traditions run deep for a reason. The music chosen for masses was of course beautiful, well chosen and holy. How blessed were we to sing for the nuptial mass at the San Fernando Mission. Until we meet again hopefully next year…many blessings.


From Salt Lake City:

The symposium was fantastic. There was too much to take in in one year, so I am looking forward to next year. The music, from the ancient chants to Kevin Allen’s brand new Gloria, was divine and thoroughly uplifting. Chanting Vespers was a new experience and I loved it! The rehearsals with Drs. Calabrese and Buchholz were very instructive and their dedication was inspiring.


From Detroit:

I would like to start off by thanking the staff/organizers of the symposium for putting on a great week of talks & presentations. I came with the intention to be inspired and educated and I ended up leaving meeting new friends & colleagues who share the same knowledge and love for Sacred Music in the Catholic Church. My hope is to implement what I have learned into my volunteer choirs as soon as possible—as well as to share what I’ve learned with my colleagues back home in Detroit. May God continue to bless Corpus Christi Watershed!! I look forward to the next Sacred Music Symposium!!


From Las Vegas:

The 2017 Sacred Music Symposium was truly one of the best experiences of my life. The growth of my spiritual life during this week was life-changing. I immensely enjoyed attending the conferences, Vespers, and Low Mass each day. The Solemn High Mass on Thursday was truly a taste of Heaven, and the music lifted us up to God! I really enjoyed spending time with likeminded people from around the world, including my friends, who also attended the Sacred Music Symposium. A huge thank you to all who made this wonderful event possible! I will never forget this inspiring experience and can’t wait until the Sacred Music Symposium 2018.


From Orange County, CA:

I am a Catholic music director at my parish in Orange County. I’m so blessed to be a part of a parish that accepts and values traditional Catholic music as part of it’s liturgy—but it is difficult sometimes to maintain high expectations and to plug on day after day. Well, I got a full recharge from my experience with Mr. Ostrowski and the expert faculty at the Sacred Music Symposium! Each talk was well worth it’s weight in gold. Their professionalism and their genuine love for Music taught volumes. I received so much confirmation and hope that what I do at home is actually very important and that my love of good liturgical music doesn’t make me a “sideliner” or a fringe artist. As a composer myself, it was a delight to meet Kevin Allen and to be able to premiere several of his works. Seeing new liturgical music that is so rich in the tradition of the Catholic Church and that remains modern seems to be in short supply today, but that is not the case at all. Sometimes we need to meet others of like mind and of like heart to renew our confidence. The talk series on children’s choirs given by Dr. Tappan gave me so much confidence and assurance in how to proceed with my own teen choir.

Watching how other directors lead their choir is very instructive as well! We had rehearsals each day, and I learned volumes just being “under the baton” of Drs. Buchholz and Calabrese. All the faculty were so professional, demanded good, beautiful music—but did so with kindness and patience, and also a lot of humor. It gave me an example of what a church choir should aim for: a family of dedicated artists—neither sacrificing quality for community, nor focusing on perfection to the detriment of the people involved. If I’ve gone on about the faculty, please don’t think I didn’t learn things from my co-attendees! Hearing their stories, talking shop with them, and having the speakers of the Symposium mixing and mingling was just as renewing and educational. Overall, everyone present had the same dedication and love of the Church that we would hope we could instill in our own music ministries and choirs. I know that this year, my choirs won’t know what hit them! If I could just put into practice this year one of the things that I learned at this Symposium, it would be a resoundingly successful year!


From Texas:

I wanted to take a minute to thank you for all the hard work you put into the Sacred Music Symposium. I can’t imagine the time and effort that it must have taken, and it is very much appreciated. Not only was the week an opportunity to learn, but to grow closer to God, and to be reminded why we musicians do what we do.

It was absolutely wonderful to attend so many beautiful liturgies in the Extraordinary form (the mass of the ages!), and being able to help provide music for them? Truly an honor. I am SO glad we were able to do Vespers every night! What a joy! And to be able to sing such amazing music by Kevin Allen and Guerrero under the metaphorical batons of Dr. Calabrese and Dr. Buchholz was just incredible. I learned something new every time Dr. Calabrese got on the box to conduct!

We musicians at smaller churches with growing programs would not be able to do ANYTHING without your help. You have changed the way that we look at sacred music in the present day. And for that, I will be eternally grateful. I hope you will continue to put on these symposiums, and I will continue to attend and someday help in any way that I can! After such a joyful and music-filled week, I am feeling refreshed and motivated to change the world!

The following mentions an event that took place on the Symposium bus:

Splendid music and superb companionship! The best evidence for this is the singing on the bus as we returned Friday afternoon. It just happened—after a week so full of useful insights as to be exhausting. Guerrero’s Renaissance polyphony and Kevin Allen’s world premiere GLORIA and other well-chosen Symposium items resounded in the bus. How enthusiastically? The Gloria has solo passages for the organ, and these were sung also to keep the piece going. The youngest singer on the bus (12 years old, I think) called out a request for the oldest music in parts, the medieval CREDO sections based on Machaut. Since careful planning created the potential for this unplanned glee, the conference organizer (who was not present!) deserves much credit for results beyond his expectation—even before participants get home and start applying new information and renewed energy.

130 bus


We are grateful to Almighty God for the success of this Sacred Music Symposium!

In a special way, we thank the priests of FSSP.la, who are responsible for this conference.

129 g 129 e 129 d 129 c 129 b 129 a

129 n 129 m 129 L 129 k 129 j 129 i

The following picture was taken during a rehearsal with Dr. Alfred Calabrese:

90708 Calabrese Sacred Music Symposium


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up