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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fota X Conference (and other Summer Opportunities)

Fr. David Friel · May 7, 2017

DD ANOTHER event to the list of liturgy conferences planned for this summer. In addition to Sacra Liturgia Milano, the CMAA Sacred Music Colloquium, the Los Angeles Sacred Music Symposium, and the Wethersfield Institute Chant Workshop, the annual Fota Conference has just been announced.

For the tenth consecutive year, liturgical scholars, students, and enthusiasts will gather in Cork, Ireland for a three-day conference hosted by the St. Colman’s Society for Catholic Liturgy. You can view my recap of last year’s excellent Fota IX conference, which I was fortunate to attend.

The subject for this year’s Fota conference is Resourcing the Prayers of the Roman Liturgy: Patristic Sources. Papers will be delivered by speakers including: Prof. Manfred Hauke (Lugano), Prof. Dieter Boehler (Frankfurt), Fr. Joseph Briody (Boston, MA), Gregory diPippo (New Liturgical Movement), Dr. Johannes Nebel (Austria), Fr. Jao-Paolo Mendanca Dantas, (Fortaleza, Brazil), and Fr. Kevin Zilverberg (St. Paul, MN).

For those keeping score at home, here is a chronological lineup of liturgy-related opportunities for Summer 2017:

Sacra Liturgia – Milan, Italy (June 6-9)

CMAA Sacred Music Colloquium – St. Paul, MN (June 19-24)

Sacred Music Symposium – Los Angeles, CA (June 26-30)

CMAA Ward Method Summer Course – Pittsburgh, PA (June 26-30)

Wethersfield Institute Chant Workshop – Amenia, NY (June 27-30)

Teaching Gregorian Chant to Children – St. Joseph’s Seminary Dunwoodie (July 5-8)

Fota X Conference – Cork, Ireland (July 8-10)

This summer will see chant activity in a wide array of areas: East coast, West coast, Midwest, Ireland, and Italy. Each of these events promises to introduce the treasury of the Church’s music to many new people. These workshops will also deepen the knowledge and experience of many folks already working with chant in their parishes and institutions.

The placement of these opportunities across the United States and Europe is very good news for the renewal of sacred music. It is simple evidence that there is a widespread need being met. May the Lord bring forth much fruit from each of these events!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fota Liturgy Conference, Gregorian Chant, Sacred Music Colloquium, Sacred Music Symposium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Catholic liturgy has been overthrown under the pretext of rendering it more acceptable to the secularised masses.”

— Professor Louis Bouyer (writing in 1975)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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