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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fota X Conference (and other Summer Opportunities)

Fr. David Friel · May 7, 2017

DD ANOTHER event to the list of liturgy conferences planned for this summer. In addition to Sacra Liturgia Milano, the CMAA Sacred Music Colloquium, the Los Angeles Sacred Music Symposium, and the Wethersfield Institute Chant Workshop, the annual Fota Conference has just been announced.

For the tenth consecutive year, liturgical scholars, students, and enthusiasts will gather in Cork, Ireland for a three-day conference hosted by the St. Colman’s Society for Catholic Liturgy. You can view my recap of last year’s excellent Fota IX conference, which I was fortunate to attend.

The subject for this year’s Fota conference is Resourcing the Prayers of the Roman Liturgy: Patristic Sources. Papers will be delivered by speakers including: Prof. Manfred Hauke (Lugano), Prof. Dieter Boehler (Frankfurt), Fr. Joseph Briody (Boston, MA), Gregory diPippo (New Liturgical Movement), Dr. Johannes Nebel (Austria), Fr. Jao-Paolo Mendanca Dantas, (Fortaleza, Brazil), and Fr. Kevin Zilverberg (St. Paul, MN).

For those keeping score at home, here is a chronological lineup of liturgy-related opportunities for Summer 2017:

Sacra Liturgia – Milan, Italy (June 6-9)

CMAA Sacred Music Colloquium – St. Paul, MN (June 19-24)

Sacred Music Symposium – Los Angeles, CA (June 26-30)

CMAA Ward Method Summer Course – Pittsburgh, PA (June 26-30)

Wethersfield Institute Chant Workshop – Amenia, NY (June 27-30)

Teaching Gregorian Chant to Children – St. Joseph’s Seminary Dunwoodie (July 5-8)

Fota X Conference – Cork, Ireland (July 8-10)

This summer will see chant activity in a wide array of areas: East coast, West coast, Midwest, Ireland, and Italy. Each of these events promises to introduce the treasury of the Church’s music to many new people. These workshops will also deepen the knowledge and experience of many folks already working with chant in their parishes and institutions.

The placement of these opportunities across the United States and Europe is very good news for the renewal of sacred music. It is simple evidence that there is a widespread need being met. May the Lord bring forth much fruit from each of these events!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fota Liturgy Conference, Gregorian Chant, Sacred Music Colloquium, Sacred Music Symposium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Goupil deserves the name of martyr not only because he has been murdered by the enemies of God and His Church while laboring in ardent charity for his neighbor, but most of all because he was killed for being at prayer and notably for making the Sign of the Cross.

— St. Isaac Jogues (after the martyrdom of Saint René Goupil)

Recent Posts

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  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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