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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

2nd Macau International Choir Festival

Andrew Leung · April 27, 2017

CTL 2nd Macau International Choir Festival UILDING ON THE SUCCESS of last year’s choir festival, the Second Macau International Choir Festival will be held from December 6 to December 10. This year, the Diocese of Macau and the cathedral parish will join as the co-organizers of the festival. The Catholic Church has always been the greatest patron of music; Macau, as the first Catholic diocese in the Far East, is going to take part in the promotion of sacred music.

This year, participants would have the opportunity to sing for the diocesan Mass on the Solemnity of the Immaculate Conception, the patron of the Diocese of Macau, at the historic Cathedral of the Nativity of Our Lady. Participating choirs will also have the chance to perform in other historical sites including: the Church of St. Lawrence (the first parish in Macau, over 400 years old), the Church of St. Dominic (built by Dominicans 400 years ago, former motherhouse of the missionary friars in the Far East) and the Ruins of St. Paul (landmark of Macau and the ruins of the first theological institute in the Far East, founded by the Jesuits in 1583).

The Macau International Choir Festival is a non-competitive festival. The festival is a unique endeavor in an international choral scene that will combine different artistic innovation, professional performance development and intercultural collaborations of different choirs from the world in the magic of the island of Macau.

For more information and registration, please contact Barrie Briones at cantatamacau@outlook.com. The deadline for registration is August 20, 2017.

CTL 2nd Macau International Choir Festival 3 ERSONALLY, I found hosting guest choirs for choral liturgies a very efficient way to promote sacred music. We are very blessed to be an international city and be able to have visiting choirs from around the world. Holding concerts and choral services really help increasing the faithful’s appreciation for the music of the Church. Since my arrival at the Macau Cathedral last September, we have had three different choirs visited us already and we are looking forward to the others from Hong Kong, Japan, Singapore and the UK in the coming year.

And for your interest, here are two videos of our previous guest choirs’ programs, back in December, at the Macau Cathedral. (We were visited recently by the Schola Cantorum of the Oratory School too and were blessed to be able to hear them during the Choral Mass, but the video has not yet been uploaded.) Enjoy!

Lessons and Carols Service by St. John’s Voices of the University of Cambridge

Lessons and Carols Service by the Choir of Corpus Christi College, University of Cambridge

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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