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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Square Note App

Fr. David Friel · April 9, 2017

ELL PHONES and other mobile devices these days serve manifold purposes. For some, they double and triple as cameras and internet browsers. For others, they also function as gaming devices, tip calculators, searchable Rolodexes, stereo systems, navigation systems, and portable televisions. But, have you ever used your mobile device as a Graduale Romanum?

Now you can, if you would like.

Recently, I stumbled upon an app called Square Note, which markets itself to church musicians and those who wish to learn more about chant. The app allows users to see a wide array of chants, with their texts and square notation. The chants are grouped in four major sections.

First, the Mass propers for the Ordinary Form encompass the whole temporal cycle and part of the sanctoral. Secondly, Mass propers are also available for the temporal cycle of the Extraordinary Form. Also included is a Kyriale section complete with all eighteen chant Masses and six chant creeds. Finally, the app offers a collection of “Other Chants,” which includes multiple versions of the Marian antiphons, certain Eucharistic chants, and several tones for the Te Deum.

One of the most useful features of the app is its capability of searching the texts of all the chants. Searches can be limited to the titles, or incipits, of the chants, or searches may be opened to include the full text of all the chants. For students of the liturgy, this tool is especially valuable.

Another feature that can be useful is the playback mode offered for each piece. Although this would unsettle purists, I can imagine the playback being useful for beginners. The tone quality of the playback is, of course, choppy and mechanistic, so its overuse ought to be avoided. I’ve known many schola directors who will not use a piano to find pitches or sound out passages, and there is real wisdom in their approach. For some, though, the playback mode offered in Square Note could be the help they need to get off the ground. Square Note even allows the user to adjust the pitch and tempo of the playback tool.

This app is the handiwork of Fr. Matthew Spencer, O.S.J. and Bro. Stephen Spencer, O.S.J., both members of the Holy Spouses Province of the Oblates of St. Joseph in the United States of America. It is a developing product, too, as more chants continue to be added to the collections.

The app is available for $2.99 in the Apple App Store or on Google Play. Click here to explore more fully the riches of this “Rituale in your pocket.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Gregorian Chant, Propers, Resources for training in Church music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    17th Sunday in Ordinary Time (Year C)
    All of the chants for 27 July 2025, which is the 17th Sunday in Ordinary Time (Year C), have been added to the feasts website, as usual under a convenient “drop down.” The COMMUNION ANTIPHON—both text and melody—are particularly beautiful and exceedingly ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski
    Errors in Latin: “17th Sund. Ordinary”
    The COMMUNION for the 17th Sunday in Ordinary Time (Year C) contains several typos in the Jogues Illuminated Missal with regard to the Latin text. That particular COMMUNION ANTIPHON is extremely ancient, and the English Adaptation is utterly gorgeous. For the record, it’s normal for books to contain typos; even books by Father Fortescue and Monsignor Knox have errors. Books by Solesmes Abbey—surely among the finest ever produced—contain many printing errors. Click here to see a few examples of typos.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Older priests, therefore, should receive younger priests as true brothers and help them in their first undertakings and priestly duties. The older ones should likewise endeavor to understand the mentality of younger priests, even though it be different from their own, and follow their projects with good will.”

— Pope Saint Paul VI (7 dec 1965)

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