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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

EF Divine Office Resource • Daily Recordings of Lauds

Guest Author · February 28, 2017

338 Jonathan Kadar Kallen MAGINE WAKING UP one morning and being able to listen to an mp3 of the day’s Lauds while you prepare breakfast or get ready for work. Or perhaps today you have time to spare, and can follow along with a handy translation from DivinumOfficium.com, or the chant notation from the PDF of the 1949 Antiphonale Romanum. Maybe it’s even your responsibility to get next Tuesday’s recording done and posted in time, like you signed up for. Sound unrealistic?

    * *  Dominus Regnavit Blog

You might be surprised. Since November 27th, 2016, the Dominus regnavit blog has indeed been posting daily recordings of sung Lauds, according to the liturgical books in effect in 1962. Not having a monastery on hand (and anyhow, using the Roman secular form of the office), this project is setup in such a way that everyone is encouraged to help out with providing the necessary recordings. And the great thing is, because the whole site is based on free resources, keeping the project going is quite as simple as making sure that someone will record and post the next mp3. (It could be you!)

Be that as it may, whether you incline to listen to a day’s Lauds, poke around the explanatory materials, or consider contributing a recording, I hope you may find this new blog project a useful contribution to the many great chant resources already available. Do stop by sometime!

I would like to append, as something of a footnote to the picture which accompanies this article, a passage quoted in Britt’s The Hymns of the Breviary and Missal (1922):

“Cock-crowing had for the early Christians a mystical significance. It said ‘The night is far spent, and the day is at hand.’ And thus the cock became, in the Middle Ages, the standing emblem of the preachers of God’s word. The old heathen notion that the lion could not bear the sight of the cock, easily adapted itself to this new symbolism. Satan, the roaring lion (I Peter 5, 8) fled away terrified, at the faithful preaching of God’s word. Nor did it pass unnoticed, that this bird, clapping its wings upon its sides, first rouses itself, before it seeks to rouse others.”

Thus, for example, it is still sung as part of the hymn for Sunday Lauds in the fall and winter months, “Gallo canente spes redit. / At the crowing of the cock, hope returns.”

…which is a cheering thought.


We hope you enjoyed this guest article by Jonathan Kadar-Kallen.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

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