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Views from the Choir Loft

2-1 Suspension in Guerrero Motet

Jeff Ostrowski · February 20, 2017

HOSE WHO STUDY music history enjoying finding early uses of more modern chords. Giovanni Gabrieli used the Major-Minor Seventh chord. (Orlando di Lasso did as well, though infrequently.) In this remarkable motet by Francisco Guerrero, written circa 1555AD, Guerrero uses a 2-1 suspension in measure 33. We know it’s not a mistake, because the line in question is a perfect canon with the voice above it:

352 suspension Guerrero


Click here to read the full text, from John 17: 1-3. Guerrero’s setting in many ways reflects the text, which is quite powerful. It is the only part of Scripture I know where our Lord refers to Himself as “Jesus Christ.”

JESUS CHRIST is God, in spite of the heretical teachings of Arius. The Council of Nicaea formulated a Creed all Catholics know—after Arius was given a chance to make his arguments—and also formulated (according to many accounts) twenty canons, which are summarized as:

Canon 1: On the admission, or support, or expulsion of clerics mutilated by choice or by violence.

Canon 2: Rules to be observed for ordination, the avoidance of undue haste, the deposition of those guilty of a grave fault.

Canon 3: All members of the clergy are forbidden to dwell with any woman, except a mother, sister, or aunt.

Canon 4: Concerning episcopal elections.

Canon 5: Concerning the excommunicate.

Canon 6: Concerning patriarchs and their jurisdiction.

Canon 7: confirms the right of the bishops of Jerusalem to enjoy certain honors.

Canon 8: concerns the Novatians.

Canon 9: Certain sins known after ordination involve invalidation.

Canon 10: Lapsi who have been ordained knowingly or surreptitiously must be excluded as soon as their irregularity is known.

Canon 11: Penance to be imposed on apostates of the persecution of Licinius.

Canon 12: Penance to be imposed on those who upheld Licinius in his war on the Christians.

Canon 13: Indulgence to be granted to excommunicated persons in danger of death.

Canon 14: Penance to be imposed on catechumens who had weakened under persecution.

Canon 15: Bishops, priests, and deacons are not to pass from one church to another.

Canon 16: All clerics are forbidden to leave their church. Formal prohibition for bishops to ordain for their diocese a cleric belonging to another diocese.

Canon 17: Clerics are forbidden to lend at interest.

Canon 18: recalls to deacons their subordinate position with regard to priests.

Canon 19: Rules to be observed with regard to adherents of Paul of Samosata who wished to return to the Church.

Canon 20: On Sundays and during the Paschal season prayers should be said standing.

I am by no means an expert on this period of history, but I don’t believe St. Athanasius was allowed to attend the Council of Nicaea because he was only a deacon at that time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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