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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Opening Our Hearts At Christmas

Guest Author · December 22, 2016

538 Scrooge N THE 2003 Christmas comedy Elf, Will Ferrell’s character—Buddy the Elf—has a favorite saying: “The best way to spread Christmas cheer is singing loud for all to hear.” At one point in the film, when Buddy first meets Jovie at Macy’s, she scoffs at this saying. He responds innocently, “If you sing alone, you can sing in front of people; it’s no different!” then begins to sing off-key in full voice. The grumpy floor manager pops out from behind a shelf and yells, “Hey! There’s no singing on the north pole!”

In the first chapter of Charles Dickens’ A Christmas Carol, Ebenezer Scrooge is sitting in his office when a boy stops outside his door to sing a Christmas carol:

“…but at the first sound of God bless you, merry gentleman! May nothing you dismay! Scrooge seized the ruler with such energy of action that the singer fled in terror.”

…so offended is Scrooge by the joviality of the boy, and so threatened by the song’s expression of goodwill. Later on, upon meeting the Ghost of Christmas Past, Scrooge is blinded by the great light emitting from the head of the spirit, symbolizing Truth (among other things). Scrooge asks the Ghost to wear its cap so as to shield him from this light; the Ghost responds, “Would you so soon put out, with worldly hands, the light I give?” As the Ghost takes Scrooge through his past, we see the first glimpse of his eventual transformation when he views himself as a young boy. Seeing his young self, he is reminded of the singer from the night before. Scrooge remarks:

“Poor boy…I wish…but it’s too late now… There was a boy singing a Christmas Carol at my door last night. I should like to have given him something: that’s all.”

In his book Reflections on the Spirituality of Gregorian Chant, Dom Jacques Hourlier pours forth great wisdom regarding the power of music to affect us deeply. (Though Dom Hourlier speaks specifically about chant, much of what he has to say can be said, I believe, about all great sacred music.) Through sacred music, Dom Hourlier writes, one comes to “apprehend the fullness of language that merely spoken words can never adequately express.” Music educates us to a deeper meaning of the words; the marriage of music and words “transports (us) a thousand leagues beyond the dictionary.” Dom Hourlier goes on to say that the “richness and beauty (of music) give rise to prayer.” The synthesis of these two qualities—education and prayer—is that sacred music sanctifies those who listen and sing. In a very real way, it makes us more holy. Sacred music brings us together, in Dom Hourlier’s words, “from the horizontal point of view, since it unites people in its beauty, and from the vertical, because it leads us all to God.”

Most Catholics are readily familiar with Psalm 95, “If today you hear his voice, harden not your hearts…” Consider this Psalm and the two misers. There is no question that the store manager and Scrooge have hardened hearts. By shunning the music of Christmas, they are extinguishing the light that is the very essence of these songs and of singing, and all they have to offer mankind. (Scrooge, in fact, quite literally extinguishes the light of the Ghost of Christmas Past, by forcing him under his cap.) Thus, they are blotting out the voice of God, who speaks to us through all good things, who is “full of grace and truth.” We praise God and give thanks through singing the sacred music of Christmas; we offer the gift of music back to him. Yet, we can never understate the fact that we receive something through the experience of singing as well. Music plays a vital role in the drama of the liturgical year; when we live the liturgical year to its very fullest, it has the power to change our lives. Christmas without music would be incomplete. The music of Christmas forms us and aligns us to its joyful spirit of love and charity. At this time of year, all of us should bear in mind the potential for music to affect us deeply, and so let us finish the boy caroler’s song through music and in our lives:

“Now to the Lord sing praises,
All you within this place
Like we true loving brethren,
Each other to embrace,
For the merry time of Christmas
Is coming on a-pace.
O tidings of comfort and joy.”


We hope you enjoyed this guest article by Cody Willmot Mead.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“I, (Name), do declare that I do believe that there is not any Transubstantiation in the Sacrament of the Lord’s Supper, or in the elements of the bread and wine, at or after the consecration thereof by any person whatsoever.”

— ‘From England’s Anti-Catholic Oath (1673)’

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