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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Opening Our Hearts At Christmas

Guest Author · December 22, 2016

538 Scrooge N THE 2003 Christmas comedy Elf, Will Ferrell’s character—Buddy the Elf—has a favorite saying: “The best way to spread Christmas cheer is singing loud for all to hear.” At one point in the film, when Buddy first meets Jovie at Macy’s, she scoffs at this saying. He responds innocently, “If you sing alone, you can sing in front of people; it’s no different!” then begins to sing off-key in full voice. The grumpy floor manager pops out from behind a shelf and yells, “Hey! There’s no singing on the north pole!”

In the first chapter of Charles Dickens’ A Christmas Carol, Ebenezer Scrooge is sitting in his office when a boy stops outside his door to sing a Christmas carol:

“…but at the first sound of God bless you, merry gentleman! May nothing you dismay! Scrooge seized the ruler with such energy of action that the singer fled in terror.”

…so offended is Scrooge by the joviality of the boy, and so threatened by the song’s expression of goodwill. Later on, upon meeting the Ghost of Christmas Past, Scrooge is blinded by the great light emitting from the head of the spirit, symbolizing Truth (among other things). Scrooge asks the Ghost to wear its cap so as to shield him from this light; the Ghost responds, “Would you so soon put out, with worldly hands, the light I give?” As the Ghost takes Scrooge through his past, we see the first glimpse of his eventual transformation when he views himself as a young boy. Seeing his young self, he is reminded of the singer from the night before. Scrooge remarks:

“Poor boy…I wish…but it’s too late now… There was a boy singing a Christmas Carol at my door last night. I should like to have given him something: that’s all.”

In his book Reflections on the Spirituality of Gregorian Chant, Dom Jacques Hourlier pours forth great wisdom regarding the power of music to affect us deeply. (Though Dom Hourlier speaks specifically about chant, much of what he has to say can be said, I believe, about all great sacred music.) Through sacred music, Dom Hourlier writes, one comes to “apprehend the fullness of language that merely spoken words can never adequately express.” Music educates us to a deeper meaning of the words; the marriage of music and words “transports (us) a thousand leagues beyond the dictionary.” Dom Hourlier goes on to say that the “richness and beauty (of music) give rise to prayer.” The synthesis of these two qualities—education and prayer—is that sacred music sanctifies those who listen and sing. In a very real way, it makes us more holy. Sacred music brings us together, in Dom Hourlier’s words, “from the horizontal point of view, since it unites people in its beauty, and from the vertical, because it leads us all to God.”

Most Catholics are readily familiar with Psalm 95, “If today you hear his voice, harden not your hearts…” Consider this Psalm and the two misers. There is no question that the store manager and Scrooge have hardened hearts. By shunning the music of Christmas, they are extinguishing the light that is the very essence of these songs and of singing, and all they have to offer mankind. (Scrooge, in fact, quite literally extinguishes the light of the Ghost of Christmas Past, by forcing him under his cap.) Thus, they are blotting out the voice of God, who speaks to us through all good things, who is “full of grace and truth.” We praise God and give thanks through singing the sacred music of Christmas; we offer the gift of music back to him. Yet, we can never understate the fact that we receive something through the experience of singing as well. Music plays a vital role in the drama of the liturgical year; when we live the liturgical year to its very fullest, it has the power to change our lives. Christmas without music would be incomplete. The music of Christmas forms us and aligns us to its joyful spirit of love and charity. At this time of year, all of us should bear in mind the potential for music to affect us deeply, and so let us finish the boy caroler’s song through music and in our lives:

“Now to the Lord sing praises,
All you within this place
Like we true loving brethren,
Each other to embrace,
For the merry time of Christmas
Is coming on a-pace.
O tidings of comfort and joy.”


We hope you enjoyed this guest article by Cody Willmot Mead.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

By far, the event that caused the biggest increase in requests for indults from the morning Mass requirement was the Second World War. The unusual requirements of providing Mass during wartime led to some unique legislation accommodating the time of Mass. Already in 1940, Pope Pius XII issued a motu proprio addressing the situation of holding Mass in countries where a “Black-out” had been ordered.

— Father Shawn P. Tunink

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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