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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Nostalgia Is Not Rigid

Dr. Alfred Calabrese · December 1, 2016

606 Larger AM NOSTALGIC for lots of things. That’s why I’m going to see the new movie musical La La Land when It comes out. They say the lead actors remind us of the great dance partners of bygone days, Astaire and Rogers or Gene Kelly and Cyd Charisse. I like movies of the 1930s and 1940s, especially around the holidays. I watch lots of them; The Bells of St. Mary’s, It’s a Wonderful Life, White Christmas. I really love that time period, sometimes imagining myself living then, sort of nostalgically. Why? I wasn’t even born when these movies were made. I have no memory of those times. How could I be nostalgic for them? Is there something wrong with me?

I also enjoy studying American history, especially the eras of both World Wars. I sometimes wish I had lived during those times, not because they were great times in which to live (they weren’t, for obvious reasons) but because I’d like to have had the opportunity to know my ancestors when they were young, to be part of those family stories I heard about and experienced only briefly after they were much older. I’d also like to have known some of the composers of those days. I have an admiration for the sacrifices of the people of that era. I admire their work ethic. But is there some other strange reason I have these pangs of nostalgia? Am I being too rigid? Am I being defensive about something? Should I dig deeper? Maybe there is something wrong with me psychologically.

I work and live in a Vatican II parish in a Vatican II diocese. I’ve been to exactly four Extraordinary Form Masses in my entire life (at least that I am old enough to remember). I have no need to advocate for or against which form of Mass is better than another. My personal musical preferences are for those prescribed in the traditions of the Church: polyphony and chant and Latin. But I am also a strong advocate for English cathedral anthems and good hymnody when appropriate. I like my liturgies well-rehearsed and soberly executed. I appreciate traditional vestments and I feel that rubrics matter. But no matter the style of music or the language used, above all I am a champion for beauty and for all involved to give only their very best effort to the worship of God.

I don’t think young people (or most people, frankly) are drawn to the pre-conciliar Mass because of nostalgia. I think they’re looking for a deeper understanding of the faith, and richer way to experience it. Perhaps they’re looking for a way to connect with their ancestors, or with the saints! Some people find this in the Traditional Mass while others find it in a beautifully celebrated Novus Ordo.

I’ve met some of these young people. I wouldn’t consider them rigid. Rather, I submit that they are anything but. Often criticized, sometimes ostracized, and usually misunderstood, could it be that they are actually counter cultural, out-of-the-box non-conformists? This can be said of anyone who goes against the prevailing winds of society and pop culture. You don’t have to attend the Latin Mass to be one of these people. Simply being a young person who attends Mass regularly and tries to live the way the Church teaches is countercultural. Instead of wondering what’s wrong with folks, especially the younger ones who actually love to attend Mass, shouldn’t we just be extremely happy that they do? But maybe I’m just being too rigid. I’ll dig deeper.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

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