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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Ad Orientem” • Archbishop Naumann’s Letter

Jeff Ostrowski · December 6, 2016

VER SINCE I RELEASED an article about Bishop Libasci’s letter, my inbox has been exploding. I had no idea there was such a groundswell of support for “ad orientem,” especially among younger priests. What’s even more surprising is the extremely positive feedback priests are reporting. Indeed, several Midwestern bishops publicly celebrated “ad orientem” even before the special appeal by Cardinal Sarah, who was appointed Prefect of the Congregation for Divine Worship by Pope Francis in 2014.

Some bishops are making an appeal for “uniformity” in Catholic worship, as Bishop Doherty’s terse letter does. Archbishop Naumann’s letter (SEE BELOW) seems to encourage uniformity, yet makes clear that “ad orientem” has equal footing with “versus populum.”

But the uniformity emphasis is hard to reconcile with numerous statements from the USCCB. Consider this official statement signed by Bishop Serratelli:

23 April 2009 — The reformed liturgy offers a variety of options, encourages ministerial creativity, and at times admits a diversity of forms. The participation aid should be so designed as not to establish, once and for all, a single or rigid pattern of liturgical celebration. […] The arrangement or selection of liturgical texts must not result in the suppression of alternatives and options for the congregation (or for the celebrant and other ministers, as applicable).

The following letter is the most extensive treatment I’ve seen:

588 Archbishop Naumann ad orientem A

588 Archbishop Naumann ad orientem B


When I lived in Kansas, my friend ARCHBISHOP KELEHER hadn’t retired yet. Because I’ve only visited Kansas twice since 2005, I don’t feel qualified to comment on the current liturgical situation. Nevertheless, if there’s an authentic move towards liturgical uniformity, I hope more dioceses will start enforcing what Vatican II mandated:

116. The Church acknowledges Gregorian chant as specially suited to the Roman liturgy: therefore, under normal circumstances, it should be given first place in liturgical services.

There are more items which could use some “uniformity.” For example, Vatican II mandated the retention of Latin; it is not optional.

Several related articles:

* *  Chief Reasons For Mass “Facing The People”

* *  Bishop of Manchester • Letter Re: “Ad Orientem”

* *  Why I’m Rejoicing over Catholic Herald Errors

* *  Does Your Bishop Enforce The GIRM?

* *  Showdown in Arkansas over “Ad Orientem”

* *  Indisputable Facts About “Ad Orientem” Celebration

* *  When To Face the Altar & When To Face The People

* *  Screenshots Proving “Versus Populum” Was Allowed By The 1572 Missal

* *  Additional Articles • Re: “Ad Orientem” Celebration

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

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  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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