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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Ad Orientem” • Archbishop Naumann’s Letter

Jeff Ostrowski · December 6, 2016

VER SINCE I RELEASED an article about Bishop Libasci’s letter, my inbox has been exploding. I had no idea there was such a groundswell of support for “ad orientem,” especially among younger priests. What’s even more surprising is the extremely positive feedback priests are reporting. Indeed, several Midwestern bishops publicly celebrated “ad orientem” even before the special appeal by Cardinal Sarah, who was appointed Prefect of the Congregation for Divine Worship by Pope Francis in 2014.

Some bishops are making an appeal for “uniformity” in Catholic worship, as Bishop Doherty’s terse letter does. Archbishop Naumann’s letter (SEE BELOW) seems to encourage uniformity, yet makes clear that “ad orientem” has equal footing with “versus populum.”

But the uniformity emphasis is hard to reconcile with numerous statements from the USCCB. Consider this official statement signed by Bishop Serratelli:

23 April 2009 — The reformed liturgy offers a variety of options, encourages ministerial creativity, and at times admits a diversity of forms. The participation aid should be so designed as not to establish, once and for all, a single or rigid pattern of liturgical celebration. […] The arrangement or selection of liturgical texts must not result in the suppression of alternatives and options for the congregation (or for the celebrant and other ministers, as applicable).

The following letter is the most extensive treatment I’ve seen:

588 Archbishop Naumann ad orientem A

588 Archbishop Naumann ad orientem B


When I lived in Kansas, my friend ARCHBISHOP KELEHER hadn’t retired yet. Because I’ve only visited Kansas twice since 2005, I don’t feel qualified to comment on the current liturgical situation. Nevertheless, if there’s an authentic move towards liturgical uniformity, I hope more dioceses will start enforcing what Vatican II mandated:

116. The Church acknowledges Gregorian chant as specially suited to the Roman liturgy: therefore, under normal circumstances, it should be given first place in liturgical services.

There are more items which could use some “uniformity.” For example, Vatican II mandated the retention of Latin; it is not optional.

Several related articles:

* *  Chief Reasons For Mass “Facing The People”

* *  Bishop of Manchester • Letter Re: “Ad Orientem”

* *  Why I’m Rejoicing over Catholic Herald Errors

* *  Does Your Bishop Enforce The GIRM?

* *  Showdown in Arkansas over “Ad Orientem”

* *  Indisputable Facts About “Ad Orientem” Celebration

* *  When To Face the Altar & When To Face The People

* *  Screenshots Proving “Versus Populum” Was Allowed By The 1572 Missal

* *  Additional Articles • Re: “Ad Orientem” Celebration

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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  • How Does The Vatican “Rhythm” Actually Sound?
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  • “Adeste Fideles” • Too Many Translations!

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