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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Nostalgia Is Not Rigid

Dr. Alfred Calabrese · December 1, 2016

606 Larger AM NOSTALGIC for lots of things. That’s why I’m going to see the new movie musical La La Land when It comes out. They say the lead actors remind us of the great dance partners of bygone days, Astaire and Rogers or Gene Kelly and Cyd Charisse. I like movies of the 1930s and 1940s, especially around the holidays. I watch lots of them; The Bells of St. Mary’s, It’s a Wonderful Life, White Christmas. I really love that time period, sometimes imagining myself living then, sort of nostalgically. Why? I wasn’t even born when these movies were made. I have no memory of those times. How could I be nostalgic for them? Is there something wrong with me?

I also enjoy studying American history, especially the eras of both World Wars. I sometimes wish I had lived during those times, not because they were great times in which to live (they weren’t, for obvious reasons) but because I’d like to have had the opportunity to know my ancestors when they were young, to be part of those family stories I heard about and experienced only briefly after they were much older. I’d also like to have known some of the composers of those days. I have an admiration for the sacrifices of the people of that era. I admire their work ethic. But is there some other strange reason I have these pangs of nostalgia? Am I being too rigid? Am I being defensive about something? Should I dig deeper? Maybe there is something wrong with me psychologically.

I work and live in a Vatican II parish in a Vatican II diocese. I’ve been to exactly four Extraordinary Form Masses in my entire life (at least that I am old enough to remember). I have no need to advocate for or against which form of Mass is better than another. My personal musical preferences are for those prescribed in the traditions of the Church: polyphony and chant and Latin. But I am also a strong advocate for English cathedral anthems and good hymnody when appropriate. I like my liturgies well-rehearsed and soberly executed. I appreciate traditional vestments and I feel that rubrics matter. But no matter the style of music or the language used, above all I am a champion for beauty and for all involved to give only their very best effort to the worship of God.

I don’t think young people (or most people, frankly) are drawn to the pre-conciliar Mass because of nostalgia. I think they’re looking for a deeper understanding of the faith, and richer way to experience it. Perhaps they’re looking for a way to connect with their ancestors, or with the saints! Some people find this in the Traditional Mass while others find it in a beautifully celebrated Novus Ordo.

I’ve met some of these young people. I wouldn’t consider them rigid. Rather, I submit that they are anything but. Often criticized, sometimes ostracized, and usually misunderstood, could it be that they are actually counter cultural, out-of-the-box non-conformists? This can be said of anyone who goes against the prevailing winds of society and pop culture. You don’t have to attend the Latin Mass to be one of these people. Simply being a young person who attends Mass regularly and tries to live the way the Church teaches is countercultural. Instead of wondering what’s wrong with folks, especially the younger ones who actually love to attend Mass, shouldn’t we just be extremely happy that they do? But maybe I’m just being too rigid. I’ll dig deeper.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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