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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Nostalgia Is Not Rigid

Dr. Alfred Calabrese · December 1, 2016

606 Larger AM NOSTALGIC for lots of things. That’s why I’m going to see the new movie musical La La Land when It comes out. They say the lead actors remind us of the great dance partners of bygone days, Astaire and Rogers or Gene Kelly and Cyd Charisse. I like movies of the 1930s and 1940s, especially around the holidays. I watch lots of them; The Bells of St. Mary’s, It’s a Wonderful Life, White Christmas. I really love that time period, sometimes imagining myself living then, sort of nostalgically. Why? I wasn’t even born when these movies were made. I have no memory of those times. How could I be nostalgic for them? Is there something wrong with me?

I also enjoy studying American history, especially the eras of both World Wars. I sometimes wish I had lived during those times, not because they were great times in which to live (they weren’t, for obvious reasons) but because I’d like to have had the opportunity to know my ancestors when they were young, to be part of those family stories I heard about and experienced only briefly after they were much older. I’d also like to have known some of the composers of those days. I have an admiration for the sacrifices of the people of that era. I admire their work ethic. But is there some other strange reason I have these pangs of nostalgia? Am I being too rigid? Am I being defensive about something? Should I dig deeper? Maybe there is something wrong with me psychologically.

I work and live in a Vatican II parish in a Vatican II diocese. I’ve been to exactly four Extraordinary Form Masses in my entire life (at least that I am old enough to remember). I have no need to advocate for or against which form of Mass is better than another. My personal musical preferences are for those prescribed in the traditions of the Church: polyphony and chant and Latin. But I am also a strong advocate for English cathedral anthems and good hymnody when appropriate. I like my liturgies well-rehearsed and soberly executed. I appreciate traditional vestments and I feel that rubrics matter. But no matter the style of music or the language used, above all I am a champion for beauty and for all involved to give only their very best effort to the worship of God.

I don’t think young people (or most people, frankly) are drawn to the pre-conciliar Mass because of nostalgia. I think they’re looking for a deeper understanding of the faith, and richer way to experience it. Perhaps they’re looking for a way to connect with their ancestors, or with the saints! Some people find this in the Traditional Mass while others find it in a beautifully celebrated Novus Ordo.

I’ve met some of these young people. I wouldn’t consider them rigid. Rather, I submit that they are anything but. Often criticized, sometimes ostracized, and usually misunderstood, could it be that they are actually counter cultural, out-of-the-box non-conformists? This can be said of anyone who goes against the prevailing winds of society and pop culture. You don’t have to attend the Latin Mass to be one of these people. Simply being a young person who attends Mass regularly and tries to live the way the Church teaches is countercultural. Instead of wondering what’s wrong with folks, especially the younger ones who actually love to attend Mass, shouldn’t we just be extremely happy that they do? But maybe I’m just being too rigid. I’ll dig deeper.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

Recent Posts

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