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Views from the Choir Loft

Nostalgia Is Not Rigid

Dr. Alfred Calabrese · December 1, 2016

606 Larger AM NOSTALGIC for lots of things. That’s why I’m going to see the new movie musical La La Land when It comes out. They say the lead actors remind us of the great dance partners of bygone days, Astaire and Rogers or Gene Kelly and Cyd Charisse. I like movies of the 1930s and 1940s, especially around the holidays. I watch lots of them; The Bells of St. Mary’s, It’s a Wonderful Life, White Christmas. I really love that time period, sometimes imagining myself living then, sort of nostalgically. Why? I wasn’t even born when these movies were made. I have no memory of those times. How could I be nostalgic for them? Is there something wrong with me?

I also enjoy studying American history, especially the eras of both World Wars. I sometimes wish I had lived during those times, not because they were great times in which to live (they weren’t, for obvious reasons) but because I’d like to have had the opportunity to know my ancestors when they were young, to be part of those family stories I heard about and experienced only briefly after they were much older. I’d also like to have known some of the composers of those days. I have an admiration for the sacrifices of the people of that era. I admire their work ethic. But is there some other strange reason I have these pangs of nostalgia? Am I being too rigid? Am I being defensive about something? Should I dig deeper? Maybe there is something wrong with me psychologically.

I work and live in a Vatican II parish in a Vatican II diocese. I’ve been to exactly four Extraordinary Form Masses in my entire life (at least that I am old enough to remember). I have no need to advocate for or against which form of Mass is better than another. My personal musical preferences are for those prescribed in the traditions of the Church: polyphony and chant and Latin. But I am also a strong advocate for English cathedral anthems and good hymnody when appropriate. I like my liturgies well-rehearsed and soberly executed. I appreciate traditional vestments and I feel that rubrics matter. But no matter the style of music or the language used, above all I am a champion for beauty and for all involved to give only their very best effort to the worship of God.

I don’t think young people (or most people, frankly) are drawn to the pre-conciliar Mass because of nostalgia. I think they’re looking for a deeper understanding of the faith, and richer way to experience it. Perhaps they’re looking for a way to connect with their ancestors, or with the saints! Some people find this in the Traditional Mass while others find it in a beautifully celebrated Novus Ordo.

I’ve met some of these young people. I wouldn’t consider them rigid. Rather, I submit that they are anything but. Often criticized, sometimes ostracized, and usually misunderstood, could it be that they are actually counter cultural, out-of-the-box non-conformists? This can be said of anyone who goes against the prevailing winds of society and pop culture. You don’t have to attend the Latin Mass to be one of these people. Simply being a young person who attends Mass regularly and tries to live the way the Church teaches is countercultural. Instead of wondering what’s wrong with folks, especially the younger ones who actually love to attend Mass, shouldn’t we just be extremely happy that they do? But maybe I’m just being too rigid. I’ll dig deeper.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

«In the same quarter where he was crucified there was a garden.» (John 19:41) — The word “garden” hinted at Eden and the fall of man, as it also suggested through its flowers in the springtime the Resurrection from the dead.

— Fulton J. Sheen

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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