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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Where do you obtain your Psalms?

Jeff Ostrowski · September 27, 2016

NGLISH HAS LAWS of accentuation we seldom think about. For example, notice how the accent shifts: hypocrite, hypocrisy, hypocritical. Those of us who grew up speaking English know this by instinct. In Latin, the placement of the accent can change the meaning. For example, ádvenit has a different meaning than advénit. Likewise, the word cónditor has a different meaning than condítor.

A truly excellent resource is Catholic Bible Online, but accents are not given. So where does one find accented psalms when extra verses for liturgical music are needed?

My favorite source is the 1942 BREVIARY by the Desclée brothers:

    * *  (Part A) Desclée Breviary — HIEMALIS “Winter”

    * *  (Part B) Desclée Breviary — VERNA “Spring”

    * *  (Part C) Desclée Breviary — ÆSTIVA “Summer”

    * *  (Part D) Desclée Breviary — AUTUMNALIS “Fall”

If those massive files are too large your computer, download the 1888 Pustet Breviary:

    * *  (1 of 4) 1888 • Pustet Breviary (“Winter”)

    * *  (2 of 4) 1888 • Pustet Breviary (“Spring”)

    * *  (3 of 4) 1888 • Pustet Breviary (“Summer”)

    * *  (4 of 4) 1888 • Pustet Breviary (“Autumn”)

Those Breviaries are helpful when it comes to Latin syllabification—indeed, there’s no better source. By the way, one of the reasons I’m hooked on the Catholic Bible Online (SEE ABOVE) has to do with acrostics. Do you see the way Msgr. Ronald Knox imitates the Hebrew pattern, where each line begins with a subsequent letter of the alphabet? I never realized Psalm 33 was also an acrostic in the Hebrew.

GETTING BACK TO the Desclée Breviary, notice how every single page is done with unbelievable attention to detail. Consider the beautiful «Æ» employed for the hymn ÆTERNE RERUM CONDITOR:

990 Desclée Breviary


Henri and Jules Desclée were remarkable beyond words. Many readers will be familiar with their intimate relationship with the Abbey of Solesmes, which led to the production of so many stunning liturgical publications. The breviary above is peppered with artwork sometimes shared amongst various books. However, there is so much more to the story of the Desclée family, and this article is a good starting point.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

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