Views from the Choir Loft

Summer Sacred Music Workshop • This Weekend!

Andrew Leung · July 21, 2016

HE WORKSHOP is finally here. The Summer Sacred Music Workshop 2016 will be held at the Basilica of Saints Peter and Paul in Chattanooga this weekend, from Friday afternoon to Saturday evening. Information including the full schedule of this year’s workshop can be found on the official website of Southeastern Sacred Music. I am sad to inform everyone that I won’t be able to attend this workshop. I will stay in touch with the faculty members and post a report about the event later. I am also hoping to release here, on Views from the Choir Loft, the two plenary talks: “The Spiritual Fruits of Gregorian Chant” by Dr. Jennifer Donelson and “The Revolution of Obedience” by Fr. David Carter.

Everyone is invited to join the Solemn Vespers at the basilica at 7pm on Friday. Fr. Samuel Weber, OSB, has been commissioned to develop the program for this Sung Vespers. It will be premiered on the very first Feast of St. Mary Magdalene.

Following Vespers, there will be an organ recital featuring four talented organist: Joseph D’Amico, Bruce Ludwick Jr., Ericka McCarty and Andrea Tierney. This organ recital will showcase the basilica’s historic pipe organ as the King of Instruments of sacred music. A range of musical styles and levels of difficulty will be presented, as an inspiration for all parishes and aspiring organists. There is also an “Open Mic” opportunity for organists attending the workshop.

The Closing Mass at 4pm on Saturday is also open to the public. The Sung Mass will be offered in the Ordinary Form of the Roman Rite by Fr. David Carter, the rector of the basilica. The music, including the Propers, Gregorian Ordinaries and two motets, will be provided by the participants.

Don’t miss these events and the basilica’s holy door if you are in the area! Please keep all the attendees in your prayers, for safe travels and fruitful experience.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

“Reminder” — Month of April (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

Simplified Accompaniment (Easter Hymn)

Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.

—Jeff Ostrowski

PDF Download • “Quasi Modo Sunday”

The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.

—Jeff Ostrowski

PDF Download • “Anima Christi”

I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.

—Jeff Ostrowski

PDF • “Liturgical Law” (467 Pages)

On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!

—Jeff Ostrowski

“Gregorian Chant Quiz” • 24 March 2026

How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!

—Jeff Ostrowski

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)