• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Three False Ideas about “Ad Orientem” Celebration

Andrew Leung · July 14, 2016

CTL False Ideas about Ad Orientem HIS PAST WEEK, I saw many discussions on the internet about Cardinal Sarah’s address at the Sacra Liturgia conference in London. Today I saw some people celebrating and rejoicing over the clarification by the Vatican. Jeff has already shared his reflection on the Vatican statement and I totally agree with him. The Cardinal Prefect of the CDW never forces anyone to celebrate the Mass “ad orientem”—he was simply making a suggestion and encouragement as a scholar, just like when Cardinal Ratzinger encouraged us in his book, The Spirit of the Liturgy. The clarification was made because of the “hardness of hearts” of some people and others who are misinterpreting the cardinal’s speech.

In Cardinal Sarah’s lecture, he stressed the importance of liturgical catechesis before implementing “ad orientem” worship. In my discussions with others, I realized that a lot of people dislike the idea of “ad orientem” because of three misconceptions or false ideas. These misconceptions can be solved through correct catechesis.

CTL False Ideas about Ad Orientem 2 (I) “I have to see everything” – A lot of people don’t like Masses celebrated “ad orientem” because they can’t see what is going on on the altar. I would ask them, “what are you hoping to see?” Mass is not a show! If the priests follow the rubrics, every Mass should be the same. What really happens at a Mass is internal and cannot be seen. The bread and wine turn into the Body and Blood of our Lord substantially while their external appearances remain the same. The Mass should be an act of faith, not an act of sight.

(II) “The priest celebrates the entire Mass “ad orientem” – Many Catholics have heard a lot about the “facing east” idea; both good things and bad things. But how many have actually experienced an Ordinary Form Mass celebrated “ad orientem?” In the Novus Ordo, the priest begins the Introductory Rite at the presider’s chair, which faces the people in most cases. The Liturgy of the Word takes place at the ambo facing the people. The part celebrated “ad orientem” is the Liturgy of the Eucharist, the sacrifice. It is the unbloody sacrifice of Christ to God the Father, and that is why the priest, being the alter Christus, turns his face towards God when he offers the sacrifice. After the Liturgy of the Eucharist, the priest returns to the presider’s chair for the Concluding Rite.

CTL False Ideas about Ad Orientem 3 (III) “Turning his back to people is a sign of rejection” – As I explained above, the priest celebrates Mass “ad orientem” so that he can face towards God. The “ad orientem” celebration is about facing God, not turning the back to the faithful. Turning the back to people is not always a sign of rejection, it is also a sign of leadership. I am pretty sure that Moses led God’s people out of Egypt facing the “Promised Land.” If Moses was facing the Israelites the entire time, they would have never gotten out of Egypt. I am sure that King David’s back was to his soldiers when he led them into battles. In the case of a Mass, the priest is our leader and he leads us to God. And besides, the priest is instructed by the rubrics to turn towards the people when he addresses them in the Liturgy of the Eucharist (at Oratre fratres; Pax Domini sit semper; and Ecce Agnus Dei).

HILE THE CURRENT EDITION OF THE ROMAN MISSAL assumes that Masses are to be celebrated “ad orientem,” it is also permitted to celebrate “facing the people”. So, both ways are allowed. To my brothers and sisters who still think that worshiping “ad orientem” is wrong and can’t accept this way of celebration of the Mass, please take a moment to think about how many saints have celebrated or attended Masses “facing east.” They have proven that this orientation cannot be wrong and I pray through their intercessions that the Holy Sacrifice of the Mass can continue to unify the people of God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Robert Cardinal Sarah, Sacra Liturgia Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • “Reminder” — Month of Febr. (2026)
  • Seminary Music Directors Gather in Houston
  • 💲 5.00 💵
  • Dom Pothier • Photo from 1904

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.