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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three False Ideas about “Ad Orientem” Celebration

Andrew Leung · July 14, 2016

CTL False Ideas about Ad Orientem HIS PAST WEEK, I saw many discussions on the internet about Cardinal Sarah’s address at the Sacra Liturgia conference in London. Today I saw some people celebrating and rejoicing over the clarification by the Vatican. Jeff has already shared his reflection on the Vatican statement and I totally agree with him. The Cardinal Prefect of the CDW never forces anyone to celebrate the Mass “ad orientem”—he was simply making a suggestion and encouragement as a scholar, just like when Cardinal Ratzinger encouraged us in his book, The Spirit of the Liturgy. The clarification was made because of the “hardness of hearts” of some people and others who are misinterpreting the cardinal’s speech.

In Cardinal Sarah’s lecture, he stressed the importance of liturgical catechesis before implementing “ad orientem” worship. In my discussions with others, I realized that a lot of people dislike the idea of “ad orientem” because of three misconceptions or false ideas. These misconceptions can be solved through correct catechesis.

CTL False Ideas about Ad Orientem 2 (I) “I have to see everything” – A lot of people don’t like Masses celebrated “ad orientem” because they can’t see what is going on on the altar. I would ask them, “what are you hoping to see?” Mass is not a show! If the priests follow the rubrics, every Mass should be the same. What really happens at a Mass is internal and cannot be seen. The bread and wine turn into the Body and Blood of our Lord substantially while their external appearances remain the same. The Mass should be an act of faith, not an act of sight.

(II) “The priest celebrates the entire Mass “ad orientem” – Many Catholics have heard a lot about the “facing east” idea; both good things and bad things. But how many have actually experienced an Ordinary Form Mass celebrated “ad orientem?” In the Novus Ordo, the priest begins the Introductory Rite at the presider’s chair, which faces the people in most cases. The Liturgy of the Word takes place at the ambo facing the people. The part celebrated “ad orientem” is the Liturgy of the Eucharist, the sacrifice. It is the unbloody sacrifice of Christ to God the Father, and that is why the priest, being the alter Christus, turns his face towards God when he offers the sacrifice. After the Liturgy of the Eucharist, the priest returns to the presider’s chair for the Concluding Rite.

CTL False Ideas about Ad Orientem 3 (III) “Turning his back to people is a sign of rejection” – As I explained above, the priest celebrates Mass “ad orientem” so that he can face towards God. The “ad orientem” celebration is about facing God, not turning the back to the faithful. Turning the back to people is not always a sign of rejection, it is also a sign of leadership. I am pretty sure that Moses led God’s people out of Egypt facing the “Promised Land.” If Moses was facing the Israelites the entire time, they would have never gotten out of Egypt. I am sure that King David’s back was to his soldiers when he led them into battles. In the case of a Mass, the priest is our leader and he leads us to God. And besides, the priest is instructed by the rubrics to turn towards the people when he addresses them in the Liturgy of the Eucharist (at Oratre fratres; Pax Domini sit semper; and Ecce Agnus Dei).

HILE THE CURRENT EDITION OF THE ROMAN MISSAL assumes that Masses are to be celebrated “ad orientem,” it is also permitted to celebrate “facing the people”. So, both ways are allowed. To my brothers and sisters who still think that worshiping “ad orientem” is wrong and can’t accept this way of celebration of the Mass, please take a moment to think about how many saints have celebrated or attended Masses “facing east.” They have proven that this orientation cannot be wrong and I pray through their intercessions that the Holy Sacrifice of the Mass can continue to unify the people of God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Robert Cardinal Sarah, Sacra Liturgia Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

Recent Posts

  • Music is the “Humble Handmaid” of the Mass
  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”

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