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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Shocking Developments From Westminster

Jeff Ostrowski · July 13, 2016

326 Nichols Sarah AD ORIENTEM E ALWAYS TRY our best to avoid speculation, gossip, and “personality conflicts” on this blog—but I suppose there’s an exception for every rule. My article today is that exception, and let me remind everyone what is printed at the bottom of each article we post. 1

I have to be 100% honest here: I am shocked by the recent article in the Catholic Herald. Cardinal Nichols had been so welcoming to Cardinal Sarah, who was appointed by Pope Francis as Prefect of the Congregation for Divine Worship in 2014. To then read that Catholic Herald piece is just … well, shocking!

If Cardinal Nichols had simply sent a letter saying why he prefers “versus populum,” I believe that would have been a better choice.

But to strongly contradict one of the highlights of Cardinal Sarah’s presentation in such a way, I find … well, shocking!

CARDINAL NICHOLS DID PRECISELY the opposite of what Jorge Cardinal Medina Estévez instructed on 10 April 2000:

This Dicastery wishes to state that Holy Mass may be celebrated versus populum or versus apsidem. Both positions are in accord with liturgical law; both are to be considered correct.

It should be borne in mind that there is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

The “Dicastery” mentioned is none other than the Congregation for Divine Worship. In his capacity as CDW Prefect, Cardinal Medina led this congregation to create the 2000 (2002) GIRM, and obtained its approval by the pope. 2

Cardinal Nichols was attempting to be vigorous in following the directives of the Church with regard to the Ordinary Form. Unfortunately, he relied on a false translation, mixing up feminine & neuter, which has been explained in this article. Will Cardinal Nichols be just as vigorous when it comes to other Church directives? For example, what about the mandates of Sacrosanctum Concilium regarding Gregorian chant and Latin? (They are not phrased as suggestions.) What about the directives found in Sacramentum Caritatis and Redemptionis Sacramentum? I sincerely hope to see other letters dealing with these, because many look to the Archdiocese of Westminster for guidance.

This has already been a weird (pointless?) post on my part, so let me also toss in a cartoon which I think is cute:

330 Bus Ad Orientem




NOTES FROM THIS ARTICLE:

1   Every article posted by our contributors—printed at the very bottom—makes clear:

“Opinions expressed by blog contributors do not necessarily represent those of Corpus Christi Watershed.”

2   Essentially, Cardinal Medina was the one who added that “quod” sentence (to eliminate the destruction of altars already in existence) even though the precise words may have been suggested by someone else.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Robert Cardinal Sarah, Vincent Cardinal Nichols Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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