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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Sing the Mass

Dr. Lucas Tappan · July 5, 2016

LMT Missal NE COULD ENTITLE THIS POST An Open Letter to Pastors, but regardless, I offer the following both as a plea as well as a challenge to all of our priests.

Fathers, I know that most of you are overwhelmed in your work to the point of breaking. You were taught in seminary to save souls, but when you dare to challenge your flocks to greatness, you turn around to find that few have your backs. You are required to be de facto CEOs of your parishes and schools, which allows you almost no time to form meaningful relationships with your parishioners so that they trust you when you spur them on to greater things. Or, as soon as they begin to trust you you are transferred. This begs the question, why would you ever want to spend the time and energy to fix the music in your parishes. I know that many writers in the traditional camp claim that by changing the music in your parishes, overnight your churches will swell in numbers and everything will be alright. That’s not true. You will more than likely loose parishioners (although you will also gain a few). Of the people who remain in your parishes, some will grumble and hope for your eventual transfer. However, you must remember that you weren’t ordained to seek the status quo, but to be great just as you ask your parish families to be great.

Whether your particular parishes are rich or poor, big or small, love sacred music or hate it, there is one thing that I challenge all of you to do, and that is to sing the Mass. Most people who know me personally know that I believe that if a priest could do only one thing to change his parish for the good, I believe it would be to reinstate ad orientem worship. Most of you are not prepared to do that, I realize. However, the second best thing you could do would be to sing the Mass (and please start with the Preface Dialogue and Preface). If you are afraid of any backlash, just pick one thing (the Preface Dialogue and Preface) and sing it for the next year at all of your Sunday Masses. If someone asks you why you sing the Mass and you are afraid to begin a liturgical discussion, you can honestly answer that you just like to sing. Those who enjoy it will congratulate you, while those who don’t won’t usually jump ship over such a matter.

If you do this each year for the 6 years you might find yourself at a parish, between you and your congregations, the Preface Dialogue and Preface (year 1), the Collect , Prayer over the Gifts and the Prayer after Communion (year 2), the Dialogue before and after the Gospel (year 3),  the Lord’s Prayer (year 4), the Introductory Rites and Closing Rites (year 5) and finally any other small dialogues in the Mass (year 6) will be sung. You could do this without ever challenging your volunteer musicians, praise bands, or whoever or whatever else makes music in your parishes to change anything. At the same time, you will have changed the way your parishioners perceive what is really going on when you celebrate your Sunday Masses. They will at least understand that something out of the ordinary is taking place!

What are you waiting for? Get to it!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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