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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does the Mass Demand a Certain Level of Dignity?

Jeff Ostrowski · June 18, 2016

Recently, a blog called “Byzantine Texas” posted a photograph which some have wrongly claimed is a Byzantine Mass in a pool:

438 Byzantine Mass


Sadly, we have seen Roman Catholic “Pool Masses” captured in photos. Such instances relate to a church music topic.

UPDATE: According to an email I just received, this was from the “Episcopal Diocese of Southern Ohio.” As I said when I initially posted, I have no doubt the full details will be revealed eventually.

I CAME ACROSS an article attempting to justify folk music at Mass with the following arguments:

“We make Mass accessible to everyone.”

“Our responsibility at the Roman Catholic liturgy is to share Christian joy.”

“We bring to the liturgy music for the folk.” [sic]

I started to ask myself how anyone—myself included—could argue against such motives. After all, isn’t sharing joy a good thing? One could certainly cite official Church documents from Vatican II which mandate that Gregorian chant be given first place in liturgical services (followed closely by classical polyphony). However, let’s be honest: nobody seems to care what Vatican II said.

A more fruitful result might be achieved by a different path:

“For the purposes of this discussion, let’s assume your argument is correct. Let’s assume the purpose of liturgical music is making people feel happy. If that’s true, is there any music you would prohibit? After all, rap music makes some people happy. Polka makes other people happy. Other people feel happy when they listen to acid jazz, while others prefer bluegrass.”

Once you’ve taken them down that road, you can suggest that music for Mass should possess a certain level of DIGNITY. However, exercise caution here. 1

When I took my children to a water park, one child kept being rude. Rather than waiting his turn, he pushed the other children out of his way. I was appalled by his behavior, and wondered what kind of parents raised him. I renewed in my heart a desire to bring up polite children, in spite of what others might do. This is our situation with church music, I believe. Anyone can find examples of priests allowing inappropriate music in church. (Indeed, even some cathedrals allow scandalous music.) However, we must do what’s right—no matter what others do.



NOTES FROM THIS ARTICLE:

1   Certain people—especially “professional” liturgists—become extremely angry when you start down this path. They especially loathe being asked whether any musical style is inappropriate for Mass. And they can become irate when you demand specific reasons why such-and-such a style of music is inappropriate for Mass. If they were honest, they would admit that any musical style is suitable for Mass in their view.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgy Shaming Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

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