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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Theology of the Organ

Dr. Lucas Tappan · June 14, 2016

445 Tappan ECENTLY, a generous family donated their late mother’s house organ to our parish and last Saturday, my assistant (who works for an organ building company), one of my recently graduated choristers, and I took the newly-acquired 3 ranks of lead (plus wind chests) to the organ shop for repair and maintenance. We hope to install the organ in our parish’s office chapel by the end of next month. As I pounded dents out of several pipes, it occurred to me that it might be useful to post on what I call the theology of the organ.

Most readers of Views from the Choir Loft believe in the primacy of the organ among instruments in the Roman Rite, but if asked to give reasons for why the organ should have such a primacy, I fear many could do little more than quote documents or defer to tradition—and we know how well that works. Unfortunately, most Catholics in the US today believe that tradition is a bad thing (at least in the Church). Morevoer, if the organ became a tradition in the the Roman Rite, why couldn’t the guitar follow the same process of inculturation? Recourse to quoting ecclesiastical documents falls on deaf ears of Catholics, who view obedience as something medieval. Like high school teenagers, too many of our congregations are only pleased with the latest fads. Fortunately, there are good theological reasons and arguments for why the organ once again should enjoy pride of place in our worship. I don’t pretend that these reasons will convert your died-in-the-wool, anti-treasury-of-sacred-music types, but I have found that they open a door for dialogue with fellow Catholics who bear genuine goodwill. Thankfully, Dr. Kevin Vogt the Director of Music at St. Michael the Archangel Catholic Church in Leawood, KS, has written beautifully on the matter.

Dr. Vogt is the man primarily responsible for bringing to fruition the magnificent Pasi, dual-temperament organ at the Cathedral of St. Cecilia in Omaha, NE, and he is truly one of the great minds of the age. He wrote his doctoral thesis on the organ project at St. Cecilia’s, but the document also contains a section on what I would describe as the Theology of the Organ, found here (specifically see chapter 2, pages 150-172). Some of it might be a little dense for the faint of heart, but it is ENTIRELY worth the read. He presents his insights (peppered liberally with Ratzinger quotes) within the context of Msgr. Francis Mannion’s call for a “renewal of the sacramental, heavenly, cosmic, glorious, catholic, paschal and traditional dimensions of the Roman Catholic liturgy.” Dr. Vogt proposes “that the organ could play an important role in this renewal, and [he constructs] a symbolic theology of the organ in terms of:

(1) COSMOLOGY—concerning music and the created universe;

(2) CHRISTOLOGY—concerning the doctrine of Jesus Christ as the incarnate Logos;

(3) PNEUMATOLOGY—concerning the agency of the Holy Spirit; and

(4) ESCHATOLOGY—concerning the heavenly liturgy of the New Jerusalem.

It really is beautiful stuff and I encourage everyone to study it, take it to heart, memorize it and then begin to share it. Let’s put the organ back on the pedestal it rightfully deserves.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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