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Views from the Choir Loft

St. Agnes in NYC Entrusted to Opus Dei

Andrew Leung · June 10, 2016

CTL St Agnes NYC JUST RECEIVED THE NEWS that the Prelature of Opus Dei has accepted Cardinal Dolan’s invitation to assume responsibility for the pastoral care and administration of the Church of Saint Agnes in Manhattan. This parish is known for their beautiful music and traditional liturgies. Here is the text of the press release of the Archdiocese of New York:

For Immediate Release: May 31, 2016

The Prelature of Opus Dei has accepted Cardinal Timothy Dolan’s invitation to assume responsibility for the pastoral care and administration of Saint Agnes, the well-known parish serving the area around Grand Central Terminal.

Founded in 1873, and located at 143 East 43rd Street, Saint Agnes is perhaps best known as the Church where the late Archbishop Fulton J. Sheen would often celebrate Mass. The original church was destroyed in a devastating fire in 1992, and the current church building was constructed on the same site and opened in 1998.

Father Michael J. Barrett will serve as pastor of the parish, beginning on July 1. He will be joined by other Opus Dei priests who will offer Mass and the sacraments to the parishioners, who include, in addition to the residents of the area, those who work in the area as well as many commuters who use Grand Central as their transportation hub each day. As pastor, Father Barrett will also be responsible for the temporal administration of the parish.

Father Barrett, age 63, was born in New York and grew up in the Saint Barnabas parish area in the Bronx. He graduated from Columbia University in 1974, and worked on Wall Street as an account executive for Merrill Lynch, before moving to Rome in 1983 to pursue studies in moral theology. He was ordained as a priest for Opus Dei in 1985 at St. Peter’s Basilica by St. John Paul II. Father Barrett received a doctorate in moral theology in 1987 from the Pontifical University of the Holy Cross. Upon returning to the United States, he did pastoral work for Opus Dei in Texas, and then in 1999, at the request of the Archbishop of Galveston-Houston, he became the director of Holy Cross Chapel and Catholic Resource Center in downtown Houston. Since 2013 he has served in Los Angeles as theological adviser to Archbishop Jose Horacio Gomez.

Opus Dei is an international Catholic organization—technically, a “personal prelature”—that helps people come closer to God in their work and everyday activities. St. John Paul II canonized its founder, St. Josemaria Escriva in 2002, calling him “the saint of everyday life.” Pope Francis described St. Josemaria as a “precursor of the Second Vatican Council” for placing emphasis on the universal call to holiness – the idea that holiness is not something just for priests and religious but for lay men and women as well. Opus Dei provides a variety of activities to help people in their efforts to live out their faith in their everyday lives. These activities include weekend retreats, classes in Catholic teaching and spirituality, and opportunity for spiritual direction and sacramental confession. Opus Dei is headed internationally by its prelate, Bishop Javier Echevarria, who resides in Rome. Opus Dei opened its first center in New York City in 1964, with the authorization of Cardinal Francis Spellman. Members of Opus Dei, along with others, run the Rosedale Achievement Center (for girls) and Crotona Achievement Center (for boys), two educational programs for youth in the Bronx. The national offices of Opus Dei are in Manhattan, on 34th Street and Lexington Avenue.

Father Myles Murphy, who has been serving as pastor of Saint Agnes, will become pastor of Our Lady of Victory parish in lower Manhattan on July 1, succeeding Monsignor Marc Filacchione, who is completing his 12 year term as pastor of that parish.

The news was printed on the parish bulletin and posted on the official website of Opus Dei this past weekend.

Personally, I think this is a great news! I have always enjoyed the formation provided by the Opus Dei and I think the people of St. Agnes would, too. I have quite a few friends who are priests and members of the prelature. In Hong Kong, Opus Dei runs some of the best youth groups, and these are not the “ordinary” youth groups the parishes have. They help young people at different ages through intellectual discussions on theology, catechetics, philosophy and personal prayer life. Seriously, how many youth group, that you know of, discuss writings of Aristotle and St. Thomas Aquinas?

In churches and oratories run by the Opus Dei, you can always find priests in the confessionals. They are always ready to offer sacraments and spiritual directions. Opus Dei priests always offer very reverent, traditional and beautiful Novus Ordo Mass. Here is a good example from last year. However, they are not known for celebrating the Tridentine Mass. But I am sure they will take good care of the pastoral needs of the faithful. Let us pray for Fr. Murphy and all the priests who are serving the parish currently, also for Fr. Barrett and other Opus Dei priests who will be assisting him.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“As often as possible they gathered together the children of the village and sat them down in the cabin. Father Brébeuf would put on a surplice and biretta and chant the Our Father, which Father Daniel had translated into Huron rhymes, and the children would chant it after him. Next, he taught them the sign of the cross, the Hail Mary, the Apostles’ Creed, and the Commandments.”

— Biography of St. Jean de Brébeuf

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