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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Terrifying “But” Of Vatican II

Jeff Ostrowski · May 16, 2016

495 Pope Paul VI IMAGE NLY FOUR BISHOPS voted against Sacrosanctum Concilium, the very first Vatican II document promulgated. All the rest of the bishops—2,147 of them!—voted in favor of this document. Our readers probably know that Vatican II said Gregorian chant must be given “pride of place” at Mass under ordinary circumstances. Yet some forget the important qualifier which follows immediately—and this “but” strikes terror in the hearts of progressive liturgists.

A false understanding has taken root regarding the use of Gregorian chant. Visit any Catholic church on Sunday and you’ll see how rare it is for plainsong to be given pride of place. Most people assume there must be a loophole in Vatican II documents saying something like, “But if you don’t want to use Gregorian chant, that’s okay.”

Let’s consider what Vatican II actually said, in article 116:

“The Church acknowledges Gregorian chant as specially suited to the Roman Liturgy: therefore, under normal circumstances, it should be given pride of place in liturgical services.  But other kinds of sacred music, especially polyphony, are by no means excluded from liturgical celebrations, so long as they accord with the spirit of the liturgical action.”

Progressive liturgists hate what comes after the “but.”

After all, it’s hard enough for them to explain away the whole “pride of place” business. They usually launch into a lecture about how “normal circumstances” never exist in real life, each situation is different, and so forth. 1 Things become worse for them when they see that awful “but,” because it mentions SACRED music, and specifically mentions POLYPHONY.

How is it that so few Ordinary Form parishes use any plainsong? How is it that so few Ordinary Form churches use polyphony? When asked, professional liturgists often reply with a false answer: “Vatican II got rid of those things.” A leading progressive liturgist even called Gregorian chant a type of WEAPON. (Click here if you think I’m kidding.)

I HAVE ALREADY WRITTEN about the incontrovertible fact of false diversity vs. true diversity. Yet, many imply that ancient things must be discarded in favor of modern things. If that’s the case, why not discard the Bible? After all, the Bible is even more ancient than Gregorian chant!

I’m not opposed to modern music. Indeed, I myself compose, and Watershed promotes many contemporary composers. It’s a question of balance. So many Ordinary Form parishes use 99% contemporary songs while ignoring what Vatican II called the “musical treasure of inestimable value, greater even than that of any other art” (§112, Sacrosanctum Concilium).



NOTES FROM THIS ARTICLE:

1   They do something similar with regard to liturgical inculturation, which Vatican II says can play a role “particularly in mission lands.” I’ll never forget one progressive liturgist exclaiming: “But if you think about it, the entire world is mission country!” In other words, let’s keep twisting the meaning of the document until it means what we want.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“What really matters in life is that we are loved by Christ and that we love Him in return. In comparison to the love of Jesus, everything else is secondary. And, without the love of Jesus, everything is useless.”

— Pope John Paul II (1979)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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