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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Terrifying “But” Of Vatican II

Jeff Ostrowski · May 16, 2016

495 Pope Paul VI IMAGE NLY FOUR BISHOPS voted against Sacrosanctum Concilium, the very first Vatican II document promulgated. All the rest of the bishops—2,147 of them!—voted in favor of this document. Our readers probably know that Vatican II said Gregorian chant must be given “pride of place” at Mass under ordinary circumstances. Yet some forget the important qualifier which follows immediately—and this “but” strikes terror in the hearts of progressive liturgists.

A false understanding has taken root regarding the use of Gregorian chant. Visit any Catholic church on Sunday and you’ll see how rare it is for plainsong to be given pride of place. Most people assume there must be a loophole in Vatican II documents saying something like, “But if you don’t want to use Gregorian chant, that’s okay.”

Let’s consider what Vatican II actually said, in article 116:

“The Church acknowledges Gregorian chant as specially suited to the Roman Liturgy: therefore, under normal circumstances, it should be given pride of place in liturgical services.  But other kinds of sacred music, especially polyphony, are by no means excluded from liturgical celebrations, so long as they accord with the spirit of the liturgical action.”

Progressive liturgists hate what comes after the “but.”

After all, it’s hard enough for them to explain away the whole “pride of place” business. They usually launch into a lecture about how “normal circumstances” never exist in real life, each situation is different, and so forth. 1 Things become worse for them when they see that awful “but,” because it mentions SACRED music, and specifically mentions POLYPHONY.

How is it that so few Ordinary Form parishes use any plainsong? How is it that so few Ordinary Form churches use polyphony? When asked, professional liturgists often reply with a false answer: “Vatican II got rid of those things.” A leading progressive liturgist even called Gregorian chant a type of WEAPON. (Click here if you think I’m kidding.)

I HAVE ALREADY WRITTEN about the incontrovertible fact of false diversity vs. true diversity. Yet, many imply that ancient things must be discarded in favor of modern things. If that’s the case, why not discard the Bible? After all, the Bible is even more ancient than Gregorian chant!

I’m not opposed to modern music. Indeed, I myself compose, and Watershed promotes many contemporary composers. It’s a question of balance. So many Ordinary Form parishes use 99% contemporary songs while ignoring what Vatican II called the “musical treasure of inestimable value, greater even than that of any other art” (§112, Sacrosanctum Concilium).



NOTES FROM THIS ARTICLE:

1   They do something similar with regard to liturgical inculturation, which Vatican II says can play a role “particularly in mission lands.” I’ll never forget one progressive liturgist exclaiming: “But if you think about it, the entire world is mission country!” In other words, let’s keep twisting the meaning of the document until it means what we want.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

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