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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Special “Gaudeamus” For 31 May

Jeff Ostrowski · May 7, 2016

HE FOLLOWING is a special version of the “Gaudeamus” (one of my favorite chants) and will be sung for a Solemn Mass offered by our District Superior on 31 May in Los Angeles. You are invited to attend, and we’d love to see you there.


If you visit the St. Goupil website, you can download the musical score.

Some believe the “translation mess” is the result of Vatican II, but that’s not entirely true. In the 1940s, Pope Pius XII approved a new translation of the Psalter for use in the Divine Office. As far as I know, he didn’t approve new antiphons, so the clerics would use one translation for the antiphon and another for the psalm, even when the psalm contained the antiphon. I’ve spoken to many priests (ordained in the 1940s and 1950s) who have a very low opinion on the Pius XII psalter. To them, it was an artless “piece of garbage” that had no value. My understanding is that Pius XII never imposed this new translation on the Church.

What’s interesting is that the feast of the Queenship of the Blessed Virgin Mary—created in the 1950s—replaces the psalm verse for “Gaudeamus” with the Pius XII translation. It’s strange to modify such an ancient chant. Moreover, when that same verse is used for the votive Mass, they did not change it:

521 31 May GAUDEAMUS


Nobody has been able to explain why they would change the verse in one ancient chant but not the other. In early February, I emailed several priests about this topic. 1 Here’s a response by one:

Dear Jeff:

Stranger things have happened, and are happening. Years ago I wrote to the Sacred Congregation for Divine Worship and Discipline of the Sacraments, asking them why the Gospel for the Last Sunday of Pentecost (Matthew 24: 15-35) was nowhere to be found in the NOVUS ORDO lectionary. Believe me, it isn’t there. They eventually wrote back and agreed with me, saying that I was right and that it might possibly be included in some future edition of the lectionary. So far I don’t think this has happened.

Also, I Corinthians 11: 27-29 (about receiving the Eucharist unworthily) is not found in the NOVUS ORDO lectionary! Is it any wonder that so many Catholics go to Communion, but never go to confession?

With regard to your original question, I know they tried to use the Pius XII psalter for new Feasts, e.g. the feast of St. Pius X.

Here’s how the feast appeared in a Solesmes book from 1957. Notice the antiphon for II Vespers is “Beata Mater,” which is the cantus firmus for our 31 May Solemn Mass.



NOTES FROM THIS ARTICLE:

1   All of them were ordained in the 1950s and all have advanced degrees in Latin.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sacred Music Symposium Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Whether celebrated with priest and people facing each other or with priest and people together facing the same direction, every Eucharist is Christ coming to meet us, gracing us with a share in his own divine life.”

— Most Rev’d Arthur J. Serratelli (1 December 2016)

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