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Views from the Choir Loft

Musical Works of Mercy

Andrew Leung · April 28, 2016

CTL Musical Works of Mercy AST WEEK, I suggested an enjoyable way to pray during the Year of Mercy; and this week, I would like to make some suggestions that are not as relaxing, but require active works from us. As followers of Christ, we are all called to sanctify ourselves and others around us. One way to do that, especially during this Jubilee Year of Mercy, is to perform the works of mercy. Works of mercy are acts of both penance and charity, and they help lead us and others to greater holiness. There are two categories of works of mercy: corporal works of mercy which concerns the material needs of others and spiritual works of mercy which concerns the spiritual needs.

My suggestions are based on the seven spiritual works of mercy. Sacred music is for the glory of God and the sanctification, the edification of the faithful, just as St. Pius X said. Here are a few ways that we, church musicians, can help others spiritually through music:

1. To instruct the ignorant – Through doctrinal and orthodox liturgical music, we can help people learn more about the Catholic faith. This can be accomplished through singing the Creed and traditional hymnodies. Even though hymnodies come from the Protestant tradition, they are very effective in this regard. And of course, the Creed is our believes and singing the profession of faith help us to think more deeply on the text.

2. To counsel the doubtful and to admonish sinners – Through the sacred scripture in the church music, those who are doubtful can be counseled. We can also help people to listen to the Word of God, to reflect on their own lives and to live more like Christ. We perform this work of mercy every time when we chant the propers.

3. To bear wrongs patiently and to forgive offences willingly – As musicians, we are constantly being judged by others. When we face negative comments, let’s try to be polite and stay positive. We are called to be charitable to others even when they offend us with words.

4. To comfort the afflicted – Through the beauty of the Church’s music, we can bring the afflicted brothers and sisters comfort and lead to God, who is the source of all beauty. True sacred music can heal wounded souls and feed spiritual hungers.

5. To pray for the living and the dead – I have stressed the importance of prayer many times. Prayer is the key element of sacred music. We must remember to make our singing prayers to God. And when we pray, don’t just pray for ourselves, but also for those who are around us and the Church Suffering.

Hopefully, most of us are already doing these works of mercy as we provide music for liturgies. But it is never too late to start!

“Be merciful, just as your Father is merciful.” — Luke 6:36

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

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