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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Works of Mercy

Andrew Leung · April 28, 2016

CTL Musical Works of Mercy AST WEEK, I suggested an enjoyable way to pray during the Year of Mercy; and this week, I would like to make some suggestions that are not as relaxing, but require active works from us. As followers of Christ, we are all called to sanctify ourselves and others around us. One way to do that, especially during this Jubilee Year of Mercy, is to perform the works of mercy. Works of mercy are acts of both penance and charity, and they help lead us and others to greater holiness. There are two categories of works of mercy: corporal works of mercy which concerns the material needs of others and spiritual works of mercy which concerns the spiritual needs.

My suggestions are based on the seven spiritual works of mercy. Sacred music is for the glory of God and the sanctification, the edification of the faithful, just as St. Pius X said. Here are a few ways that we, church musicians, can help others spiritually through music:

1. To instruct the ignorant – Through doctrinal and orthodox liturgical music, we can help people learn more about the Catholic faith. This can be accomplished through singing the Creed and traditional hymnodies. Even though hymnodies come from the Protestant tradition, they are very effective in this regard. And of course, the Creed is our believes and singing the profession of faith help us to think more deeply on the text.

2. To counsel the doubtful and to admonish sinners – Through the sacred scripture in the church music, those who are doubtful can be counseled. We can also help people to listen to the Word of God, to reflect on their own lives and to live more like Christ. We perform this work of mercy every time when we chant the propers.

3. To bear wrongs patiently and to forgive offences willingly – As musicians, we are constantly being judged by others. When we face negative comments, let’s try to be polite and stay positive. We are called to be charitable to others even when they offend us with words.

4. To comfort the afflicted – Through the beauty of the Church’s music, we can bring the afflicted brothers and sisters comfort and lead to God, who is the source of all beauty. True sacred music can heal wounded souls and feed spiritual hungers.

5. To pray for the living and the dead – I have stressed the importance of prayer many times. Prayer is the key element of sacred music. We must remember to make our singing prayers to God. And when we pray, don’t just pray for ourselves, but also for those who are around us and the Church Suffering.

Hopefully, most of us are already doing these works of mercy as we provide music for liturgies. But it is never too late to start!

“Be merciful, just as your Father is merciful.” — Luke 6:36

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The old Roman rite had the offering by the people and then, as offertory-prayer, what we call the “Secret.” The name “Secreta” means that it was said in a low voice, because the offertory-psalm was being sung. For the same reason it is not preceded by “Oremus.”

— Father Adrian Fortescue

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