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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Works of Mercy

Andrew Leung · April 28, 2016

CTL Musical Works of Mercy AST WEEK, I suggested an enjoyable way to pray during the Year of Mercy; and this week, I would like to make some suggestions that are not as relaxing, but require active works from us. As followers of Christ, we are all called to sanctify ourselves and others around us. One way to do that, especially during this Jubilee Year of Mercy, is to perform the works of mercy. Works of mercy are acts of both penance and charity, and they help lead us and others to greater holiness. There are two categories of works of mercy: corporal works of mercy which concerns the material needs of others and spiritual works of mercy which concerns the spiritual needs.

My suggestions are based on the seven spiritual works of mercy. Sacred music is for the glory of God and the sanctification, the edification of the faithful, just as St. Pius X said. Here are a few ways that we, church musicians, can help others spiritually through music:

1. To instruct the ignorant – Through doctrinal and orthodox liturgical music, we can help people learn more about the Catholic faith. This can be accomplished through singing the Creed and traditional hymnodies. Even though hymnodies come from the Protestant tradition, they are very effective in this regard. And of course, the Creed is our believes and singing the profession of faith help us to think more deeply on the text.

2. To counsel the doubtful and to admonish sinners – Through the sacred scripture in the church music, those who are doubtful can be counseled. We can also help people to listen to the Word of God, to reflect on their own lives and to live more like Christ. We perform this work of mercy every time when we chant the propers.

3. To bear wrongs patiently and to forgive offences willingly – As musicians, we are constantly being judged by others. When we face negative comments, let’s try to be polite and stay positive. We are called to be charitable to others even when they offend us with words.

4. To comfort the afflicted – Through the beauty of the Church’s music, we can bring the afflicted brothers and sisters comfort and lead to God, who is the source of all beauty. True sacred music can heal wounded souls and feed spiritual hungers.

5. To pray for the living and the dead – I have stressed the importance of prayer many times. Prayer is the key element of sacred music. We must remember to make our singing prayers to God. And when we pray, don’t just pray for ourselves, but also for those who are around us and the Church Suffering.

Hopefully, most of us are already doing these works of mercy as we provide music for liturgies. But it is never too late to start!

“Be merciful, just as your Father is merciful.” — Luke 6:36

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Whether celebrated with priest and people facing each other or with priest and people together facing the same direction, every Eucharist is Christ coming to meet us, gracing us with a share in his own divine life.”

— Most Rev’d Arthur J. Serratelli (1 December 2016)

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