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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Devil Gets in the Details

Dr. Lucas Tappan · April 26, 2016

LMT Disaster Sign AST SUNDAY, the Most Pure Heart of Mary Schola Cantorum presented its annual Spring Concert, consisting of Pergolesi’s Stabat mater and Schubert’s Mass No. 2 in G Major. It was a wonderful concert—I knew beforehand it would be because the morning couldn’t have been a greater comedy of errors.

My plan was to wake up early and make my meditation before going to the local coffee shop in order to mentally prepare for the day and spend some time with the concert music. I made sure that the only Mass I had to provide music for that morning was the usual choir Mass at 11:30 a.m., and I didn’t have to meet the choristers until 10:00 a.m. It couldn’t have been better planned. Now enter the devil.

All night long our children made sure my wife and I were on a continual adventure, which included my having to drive giant, boy eating spiders out of my oldest son’s bed as he screamed, “Daddy, don’t let them get me!” After hitting random spots on the bed and assuring him he was safe I went back to bed, but it wasn’t long before the next child woke up. I spent several hours lying uncomfortably in a twin bed with him wondering how I was ever going to get up on time. Shortly after 7:00 a.m., long after my wake up call, I dragged my body out of bed and thanked God that everyone was still asleep and that I would be able to get out of the house before the daily commotion began. Right then I heard, “Good morning Daddy!” There was our youngest son standing with a big grin on his face ready to start the day. I knew if I didn’t leave right then my morning would be shot, yet I knew that on judgment day I would wish that I had spent this time with him. So I put him in the stroller and we went for a 30 minute constitutional. It was in the upper 60s and the light played through the giant trees of our older neighborhood as we passed numerous people out on their porches drinking a cup of coffee. I tried my best to enjoy it, knowing full well that my plans were shot. I finally got out of the house, but not before everyone was awake and I had given out hugs and kisses and well wishes for the day. It was now almost 9 a.m.

I should have skipped the coffee and gone straight to church and spent some quiet time with God, but instead I rationalized that I really needed that  cup of coffee, and anyway, I would still have time to get everything done, right? Not so. When I got to church I made a short list of things I needed to do, but realized it wasn’t as short as I had thought, so I had to skip the time in the chapel and just dive in. I was so flustered I kept forgetting things and had to make several trips between buildings retrieving items. When I got back to the practice room at 10:00 I didn’t find a single chorister. Where were they? Well, there was a mix up and they didn’t realized I had already unlocked the door to the building, so they were all standing outside. As I traipsed into the building I was hit by the furnace blowing full heat everywhere, even thought it was going to be in the 80s that day (and already was inside the building).

We dove into rehearsal and things were somewhat back to normal when I grabbed for my coffee, actually a large “Death by Chocolate” cafe mocha, sitting on the piano (I know, I know, I shouldn’t have put the coffee on the piano). As I took the cup and lifted it to my mouth, the lid popped of and in my surprise I squeezed the cup and my “Death by Chocolate” attacked—everything and everywhere. It was all over my good suit, my white shirt, one of my favorite ties—the piano, piles of music, the conductor’s stand and the floor. We tried to clean it up, but all we could find were those typical brown paper towels found in public restrooms, which barely work at drying hands, much less mopping up 20 oz. of coffee (and why does 20 oz. of liquid on the floor seem more like 2 gallons?). At this point I could only laugh and thank God that I hadn’t been wearing my suit jacket, which strategically worn would cover large blotches of coffee during the concert that afternoon (you guessed it, no time to go home and change between Mass and call time).

In a similar vein, as our choir prepared for our Rome pilgrimage last fall, I struggled for a month as everything in my life seemed to go wrong and I made myself physically sick with worry. Shortly before we left I went to spiritual direction and discussed this with my director, who after some discernment told me it really sounded like the devil was attacking something he didn’t want to happen. After that moment, the attack seemed to stop and the choir had a wonderful time in Rome. The same thing happened Sunday—God was giving me a chance to simply trust Him, so I did the best I could. Happily enough, the day ended on a wonderful note and everyone was pleased with a job well done. I am sure that each of you have similar experiences all the time. Just remember to laugh, thank the Good Lord and keep your coffee off of the piano!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I never cared a tinker’s cuss what the Congregation may have decided about the order in which the acolyte should put out the candles after Vespers.”

— Dr. Adrian Fortescue (24 Nov. 1919)

Recent Posts

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  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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