• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The Devil Gets in the Details

Dr. Lucas Tappan · April 26, 2016

LMT Disaster Sign AST SUNDAY, the Most Pure Heart of Mary Schola Cantorum presented its annual Spring Concert, consisting of Pergolesi’s Stabat mater and Schubert’s Mass No. 2 in G Major. It was a wonderful concert—I knew beforehand it would be because the morning couldn’t have been a greater comedy of errors.

My plan was to wake up early and make my meditation before going to the local coffee shop in order to mentally prepare for the day and spend some time with the concert music. I made sure that the only Mass I had to provide music for that morning was the usual choir Mass at 11:30 a.m., and I didn’t have to meet the choristers until 10:00 a.m. It couldn’t have been better planned. Now enter the devil.

All night long our children made sure my wife and I were on a continual adventure, which included my having to drive giant, boy eating spiders out of my oldest son’s bed as he screamed, “Daddy, don’t let them get me!” After hitting random spots on the bed and assuring him he was safe I went back to bed, but it wasn’t long before the next child woke up. I spent several hours lying uncomfortably in a twin bed with him wondering how I was ever going to get up on time. Shortly after 7:00 a.m., long after my wake up call, I dragged my body out of bed and thanked God that everyone was still asleep and that I would be able to get out of the house before the daily commotion began. Right then I heard, “Good morning Daddy!” There was our youngest son standing with a big grin on his face ready to start the day. I knew if I didn’t leave right then my morning would be shot, yet I knew that on judgment day I would wish that I had spent this time with him. So I put him in the stroller and we went for a 30 minute constitutional. It was in the upper 60s and the light played through the giant trees of our older neighborhood as we passed numerous people out on their porches drinking a cup of coffee. I tried my best to enjoy it, knowing full well that my plans were shot. I finally got out of the house, but not before everyone was awake and I had given out hugs and kisses and well wishes for the day. It was now almost 9 a.m.

I should have skipped the coffee and gone straight to church and spent some quiet time with God, but instead I rationalized that I really needed that  cup of coffee, and anyway, I would still have time to get everything done, right? Not so. When I got to church I made a short list of things I needed to do, but realized it wasn’t as short as I had thought, so I had to skip the time in the chapel and just dive in. I was so flustered I kept forgetting things and had to make several trips between buildings retrieving items. When I got back to the practice room at 10:00 I didn’t find a single chorister. Where were they? Well, there was a mix up and they didn’t realized I had already unlocked the door to the building, so they were all standing outside. As I traipsed into the building I was hit by the furnace blowing full heat everywhere, even thought it was going to be in the 80s that day (and already was inside the building).

We dove into rehearsal and things were somewhat back to normal when I grabbed for my coffee, actually a large “Death by Chocolate” cafe mocha, sitting on the piano (I know, I know, I shouldn’t have put the coffee on the piano). As I took the cup and lifted it to my mouth, the lid popped of and in my surprise I squeezed the cup and my “Death by Chocolate” attacked—everything and everywhere. It was all over my good suit, my white shirt, one of my favorite ties—the piano, piles of music, the conductor’s stand and the floor. We tried to clean it up, but all we could find were those typical brown paper towels found in public restrooms, which barely work at drying hands, much less mopping up 20 oz. of coffee (and why does 20 oz. of liquid on the floor seem more like 2 gallons?). At this point I could only laugh and thank God that I hadn’t been wearing my suit jacket, which strategically worn would cover large blotches of coffee during the concert that afternoon (you guessed it, no time to go home and change between Mass and call time).

In a similar vein, as our choir prepared for our Rome pilgrimage last fall, I struggled for a month as everything in my life seemed to go wrong and I made myself physically sick with worry. Shortly before we left I went to spiritual direction and discussed this with my director, who after some discernment told me it really sounded like the devil was attacking something he didn’t want to happen. After that moment, the attack seemed to stop and the choir had a wonderful time in Rome. The same thing happened Sunday—God was giving me a chance to simply trust Him, so I did the best I could. Happily enough, the day ended on a wonderful note and everyone was pleased with a job well done. I am sure that each of you have similar experiences all the time. Just remember to laugh, thank the Good Lord and keep your coffee off of the piano!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

Recent Posts

  • Consultor to the Vatican Council Enters the Fray • (Vis-à-vis Jeff’s Pipe Organ Assertion)
  • Palm Sunday • “Repertoire for Children’s Choir”
  • PDF Download • Communion (4th Snd. Lent)
  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.