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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Phrasing of the Sanctus

Fr. David Friel · February 7, 2016

E DISCUSS the Propers of the Mass often on these pages. Today’s first reading in the Ordinary Form, though, draws our special attention to part of the ordinary of the Mass: the Sanctus.

The reading is from Isaiah, chapter 6, wherein we read about Isaiah’s call to become a prophet. The story is recounted in terms of a vision that Isaiah experiences, which places God upon “a high and lofty throne.” In the midst of this sight, the Seraphim begin crying out to one another: “Holy, holy, holy Lord God of hosts!” This vision from the 8th century before Christ has been part of Jewish and Catholic worship ever since.

The grammar of this sentence is important, and it is one of the 2011 Roman Missal’s numerous improvements over the former Sacramentary. The Roman Missal gives this for the text of the Sanctus:

Holy, holy, holy Lord God of hosts.

Formerly, the Sacramentary had given the text as follows:

Holy, holy, holy Lord, God of power and might.

Leaving aside the imprecision of the translation, “God of power and might,” the more important correction in this text concerns the comma. Take note that there is no comma between “Lord” and “God of hosts.” This is not by accident. The Hebrew original is: Kadosh Kadosh Kadosh Adonai Tz’vaot. While the Hebrew language does not include punctuation such as commas, it is clear from context that the words Adonai Tz’vaot constitute a single title for God.

The comma between “Lord” and “God” in the Sacramentary, therefore, changes the sense of what is being prayed in the Hebrew original. On the rendering of the Sacramentary, “holy” is reduced to a mere adjective, describing “Lord.”

In the new missal, however, “Lord God of hosts” is understood as a unit, a single appellation for the Mighty One. The word “holy,” then, can also be understood not just as an adjective, but also as a sort of proclamation of God’s intrinsic otherness. It is a statement that the Lord God of hosts is sacred, sacred, sacred.

This understanding is also reflected in the NABRE Scripture translation: “Holy, holy, holy is the LORD of hosts.” The inclusion of the verb to be brings out more fully the proclamational nature of the triple “holy” and the sense of “LORD God of hosts” as a single unit.

Attention should be given to the grammar of this statement by any composer who sets out to write music for the Sanctus. The musical phrasing should treat “Holy, holy, holy” as a unit distinct from “Lord God of hosts.” The same attention should be paid by singers, who should take the grammar of this sentence into consideration for proper phrasing and breathing.

This was not done in many of the published Mass settings that were quickly (and often clumsily) reworked to fit the 2011 re-translation of the Missal. Music directors, therefore, should be careful to consider this point when evaluating which setting of the Sanctus to sing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: ICEL New Translation of the Roman Missal, Propers, Roman Missal Third Edition Last Updated: December 6, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

It is necessary to address Bishop Trautman’s statement that “recent directives of the Congregation aimed at ICEL’s work appear to require a word-for-word, syntax-for-syntax correspondence between the Latin and the English texts.” I am happy to clarify that this certainly is not the intention of the Congregation, since the successful translation of the liturgical texts cannot be achieved by such a wooden mechanism.

— Jorge Cardinal Medina Estévez (13 May 2000)

Recent Posts

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  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

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