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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Funeral Mass • Justice Antonin Scalia

Jeff Ostrowski · February 20, 2016

736 Fr Paul Scalia HE FUNERAL for Justice Antonin Scalia took place on 20 February 2016 in the Basilica of the Immaculate Conception. The Mass was said—and homily delivered—by Fr. Paul Scalia. One of the readings was by Justice Clarence Thomas, who attended two Catholic seminaries in his youth. For the record, I had tremendous admiration for Scalia and listened to his presentations over and over—to the point that I felt I knew him. He will be missed.

Fr. Paul Scalia, who resembles his father, did a beautiful job singing the Mass, and the entire Mass was certainly dignified. Some of the musical selections were quite beautiful. The Responsorial Psalm by Richard Rice actually came from the Chabanel Psalm website. Other choices struck me as a bit uninspired.

It’s difficult to understand why the Mass was Ordinary Form since Justice Scalia was known to attend the Extraordinary Form exclusively. Moreover, while the musical selections were (generally speaking) fine, they were nothing compared to Requiem settings by Victoria, Guerrero, Morales, and so forth. 1 Perhaps the problem is me; I find the traditional Requiem so powerful & consoling, nothing else comes close.

You can view the full video of the Funeral Mass:

    * *  VIDEO • Funeral Mass for Justice Antonin Scalia

You can download the entire Funeral Program:

    * *  PDF Download • PROGRAM (Justice Scalia’s Funeral)

738 Justice Scalia Funeral Mass


Random Observations :

— White vestments. (Allowed for the Ordinary Form)

— The Basilica is filled with people, all the way back to the doors.

— Mass is offered facing the people, although the current edition of the Roman Missal (Ordinary Form) seems to indicate otherwise.

Here’s a summary, provided by the CMAA forum:

The Knell is tolled.

Organ music.

A men’s schola chants the Introit “Requiem aeternam” according to the Graduale Romanum.

Organ music.

Hymn “O God Our Help in Ages Past.”

Welcoming Remarks by Donald Cardinal Wuerl.

Collect is sung by Father Scalia.

1st reading: Wisdom, read by Leonard Leo (a friend of Justice Scalia).

Psalm 23:1-6: sung by the National Shrine choir.

2nd reading: Romans 5 — read by Justice Clarence Thomas.

Verse: sung by the National Shrine choir.

Gospel: Deacon Colin Davis (a seminarian for the diocese of Arlington).

Homily: Fr. Scalia.

Offertory motet: Beati quorum via (Stanford).

Preface dialogue: chanted.

Sanctus: XVIII (chanted, with organ).

The Roman Canon (EP I).

Memorial Acclamation: When… (chanted, with organ).

Amen (chanted, with organ).

Our Father (chanted sonorously by all present).

Peace Dialogue (chanted).

Sign of Peace (omitted).

Agnus Dei — Victoria, Missa Quarti Toni (National Shrine choir).

A treble schola chants the Communion verse “Lux Aeterna” according to the Graduale Romanum

Communion Hymn: Jesus, My Lord, My God, My All (Faber)

Communion motets: Franck’s Panis Angelicus and Mozart’s Ave Verum.

Post-communion dialogue: chanted.

In Paradisum: English, sung by the National Shrine choir.

Recessional: O God Beyond All Praising (Holst).

The casket is asperged by Cardinal Wuerl, Archbishop Vigano, Bishop Loverde and Bishop Higgins, and draped in the American flag and—as the knell tolls again—is carried out of the basilica, past a long line of concelebrating priests chanting the Salve Regina. The casket is saluted by Supreme Court Police and placed in the hearse.



NOTES FROM THIS ARTICLE:

1   I’m not trying to be a curmudgeon. I’m simply pointing out that there’s no comparison between truly great settings of the “Missa Pro Defunctis” and several of the utilitarian musical choices for this Funeral. Singing Victoria’s Requiem, for example, would seem the least that should have been done to honor Justice Scalia. Obviously, this is just my opinion, and I could be wrong. I’m not infallible.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

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