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Views from the Choir Loft

Funeral Mass • Justice Antonin Scalia

Jeff Ostrowski · February 20, 2016

736 Fr Paul Scalia HE FUNERAL for Justice Antonin Scalia took place on 20 February 2016 in the Basilica of the Immaculate Conception. The Mass was said—and homily delivered—by Fr. Paul Scalia. One of the readings was by Justice Clarence Thomas, who attended two Catholic seminaries in his youth. For the record, I had tremendous admiration for Scalia and listened to his presentations over and over—to the point that I felt I knew him. He will be missed.

Fr. Paul Scalia, who resembles his father, did a beautiful job singing the Mass, and the entire Mass was certainly dignified. Some of the musical selections were quite beautiful. The Responsorial Psalm by Richard Rice actually came from the Chabanel Psalm website. Other choices struck me as a bit uninspired.

It’s difficult to understand why the Mass was Ordinary Form since Justice Scalia was known to attend the Extraordinary Form exclusively. Moreover, while the musical selections were (generally speaking) fine, they were nothing compared to Requiem settings by Victoria, Guerrero, Morales, and so forth. 1 Perhaps the problem is me; I find the traditional Requiem so powerful & consoling, nothing else comes close.

You can view the full video of the Funeral Mass:

    * *  VIDEO • Funeral Mass for Justice Antonin Scalia

You can download the entire Funeral Program:

    * *  PDF Download • PROGRAM (Justice Scalia’s Funeral)

738 Justice Scalia Funeral Mass


Random Observations :

— White vestments. (Allowed for the Ordinary Form)

— The Basilica is filled with people, all the way back to the doors.

— Mass is offered facing the people, although the current edition of the Roman Missal (Ordinary Form) seems to indicate otherwise.

Here’s a summary, provided by the CMAA forum:

The Knell is tolled.

Organ music.

A men’s schola chants the Introit “Requiem aeternam” according to the Graduale Romanum.

Organ music.

Hymn “O God Our Help in Ages Past.”

Welcoming Remarks by Donald Cardinal Wuerl.

Collect is sung by Father Scalia.

1st reading: Wisdom, read by Leonard Leo (a friend of Justice Scalia).

Psalm 23:1-6: sung by the National Shrine choir.

2nd reading: Romans 5 — read by Justice Clarence Thomas.

Verse: sung by the National Shrine choir.

Gospel: Deacon Colin Davis (a seminarian for the diocese of Arlington).

Homily: Fr. Scalia.

Offertory motet: Beati quorum via (Stanford).

Preface dialogue: chanted.

Sanctus: XVIII (chanted, with organ).

The Roman Canon (EP I).

Memorial Acclamation: When… (chanted, with organ).

Amen (chanted, with organ).

Our Father (chanted sonorously by all present).

Peace Dialogue (chanted).

Sign of Peace (omitted).

Agnus Dei — Victoria, Missa Quarti Toni (National Shrine choir).

A treble schola chants the Communion verse “Lux Aeterna” according to the Graduale Romanum

Communion Hymn: Jesus, My Lord, My God, My All (Faber)

Communion motets: Franck’s Panis Angelicus and Mozart’s Ave Verum.

Post-communion dialogue: chanted.

In Paradisum: English, sung by the National Shrine choir.

Recessional: O God Beyond All Praising (Holst).

The casket is asperged by Cardinal Wuerl, Archbishop Vigano, Bishop Loverde and Bishop Higgins, and draped in the American flag and—as the knell tolls again—is carried out of the basilica, past a long line of concelebrating priests chanting the Salve Regina. The casket is saluted by Supreme Court Police and placed in the hearse.



NOTES FROM THIS ARTICLE:

1   I’m not trying to be a curmudgeon. I’m simply pointing out that there’s no comparison between truly great settings of the “Missa Pro Defunctis” and several of the utilitarian musical choices for this Funeral. Singing Victoria’s Requiem, for example, would seem the least that should have been done to honor Justice Scalia. Obviously, this is just my opinion, and I could be wrong. I’m not infallible.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

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