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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Something That Would Fix So Much … But Nobody Mentions It

Jeff Ostrowski · February 16, 2016

750 Queen of Hearts HEN I WAS GROWING UP, my brothers and I hated the villains in television shows, especially the annoying ones. But now I realize that people watching the shows are supposed to hate the villains; that’s why they say “the villain you love to hate.” I suspect this is why the topic of Watergate—a subject I know a lot about—endlessly fascinates historians, who continue producing documentaries about it. After all, Nixon was such a captivating villain! He was passionate, complicated, sneaky, intelligent, and had severe emotional issues. 1

When it comes to Church music, addressing one liturgical abuse would fix a whole bunch of problems instantly—but this abuse is not being promoted by a “bad guy” like Richard Nixon. The villain is…SILENCE.

That’s right: silence. Nobody cares. Nobody will listen. Nobody will lift a finger.

EVER SINCE VATICAN II, CHURCH LAW has required approval from the local bishop to replace the Mass texts—but this requirement has been ignored. Indeed, the Bishops’ Liturgy Committee confirmed on 20 November 2012 that we are not obligated to follow the GIRM. To get around this, they said each local bishop gives his “tacit approval” to texts he’s never seen. To make matters worse, the USCCB “approval” on the front page of some hymnals doesn’t apply to any of the music! But the answer is silence. Nobody cares. As a result, 90% of Church musicians are not taught what Church law requires.

Try sending the following letter to your bishop’s office. You won’t receive a response:

    * *  PDF Download • Sample Letter to your Ordinary

Many liturgical blogs claim they wish to improve the sacred liturgy. Yet, the crucial issue—this purported “tacit approval” which has been abused by 90% of parishes for 40+ years—is never mentioned. Here at Watershed, we will continue doing what we can (in our own small way) to promote authentic Church music. But it’s strange how few seem willing to talk about this most serious liturgical abuse.



NOTES FROM THIS ARTICLE:

1   The documentaries often show “good guys” denigrating Nixon, but neglect to mention that many of these men have been caught playing fast and loose with truth. After all, why complicate things? It’s easier to simply make Nixon the “bad guy” and the ones against him the “good guys.” Please note: I’m not excusing Nixon’s deplorable behavior. I’m merely pointing out that many of his enemies were pretty unsavory human beings, too.

Here’s something you might not know. The whole point of Watergate was proving that “nobody, no matter how high up in government, is above the law.” However, at least one highly placed man never got punished for his crimes. You see, the famous source that gave information to Bob Woodward about Watergate was referred to as “Deep Throat”—and people sought his true identity until 2005. It turns out “Deep Throat” was Mark Felt, of the FBI. The reason he waited so many years to reveal his identity was that his actions were highly illegal. Moreover, “spilling” information about cases to the press was against the FBI code of conduct, considered by his colleagues to be extremely dishonorable. Mark Felt went on trial later on for other crimes he committed—having nothing to do with Watergate—but Ronald Reagan pardoned him.

Someone amazingly came to Mark Felt’s defense, giving money to his legal defense fund and even testifying on his behalf in court. That man was Richard Milhous Nixon.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hilgartner 20 November 2012, Hymns Replacing Propers, Traditionis Custodes Vernacular, USCCB approval Last Updated: October 15, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

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  • “American Catholic Hymnal” (1991)

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