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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Something That Would Fix So Much … But Nobody Mentions It

Jeff Ostrowski · February 16, 2016

750 Queen of Hearts HEN I WAS GROWING UP, my brothers and I hated the villains in television shows, especially the annoying ones. But now I realize that people watching the shows are supposed to hate the villains; that’s why they say “the villain you love to hate.” I suspect this is why the topic of Watergate—a subject I know a lot about—endlessly fascinates historians, who continue producing documentaries about it. After all, Nixon was such a captivating villain! He was passionate, complicated, sneaky, intelligent, and had severe emotional issues. 1

When it comes to Church music, addressing one liturgical abuse would fix a whole bunch of problems instantly—but this abuse is not being promoted by a “bad guy” like Richard Nixon. The villain is…SILENCE.

That’s right: silence. Nobody cares. Nobody will listen. Nobody will lift a finger.

EVER SINCE VATICAN II, CHURCH LAW has required approval from the local bishop to replace the Mass texts—but this requirement has been ignored. Indeed, the Bishops’ Liturgy Committee confirmed on 20 November 2012 that we are not obligated to follow the GIRM. To get around this, they said each local bishop gives his “tacit approval” to texts he’s never seen. To make matters worse, the USCCB “approval” on the front page of some hymnals doesn’t apply to any of the music! But the answer is silence. Nobody cares. As a result, 90% of Church musicians are not taught what Church law requires.

Try sending the following letter to your bishop’s office. You won’t receive a response:

    * *  PDF Download • Sample Letter to your Ordinary

Many liturgical blogs claim they wish to improve the sacred liturgy. Yet, the crucial issue—this purported “tacit approval” which has been abused by 90% of parishes for 40+ years—is never mentioned. Here at Watershed, we will continue doing what we can (in our own small way) to promote authentic Church music. But it’s strange how few seem willing to talk about this most serious liturgical abuse.



NOTES FROM THIS ARTICLE:

1   The documentaries often show “good guys” denigrating Nixon, but neglect to mention that many of these men have been caught playing fast and loose with truth. After all, why complicate things? It’s easier to simply make Nixon the “bad guy” and the ones against him the “good guys.” Please note: I’m not excusing Nixon’s deplorable behavior. I’m merely pointing out that many of his enemies were pretty unsavory human beings, too.

Here’s something you might not know. The whole point of Watergate was proving that “nobody, no matter how high up in government, is above the law.” However, at least one highly placed man never got punished for his crimes. You see, the famous source that gave information to Bob Woodward about Watergate was referred to as “Deep Throat”—and people sought his true identity until 2005. It turns out “Deep Throat” was Mark Felt, of the FBI. The reason he waited so many years to reveal his identity was that his actions were highly illegal. Moreover, “spilling” information about cases to the press was against the FBI code of conduct, considered by his colleagues to be extremely dishonorable. Mark Felt went on trial later on for other crimes he committed—having nothing to do with Watergate—but Ronald Reagan pardoned him.

Someone amazingly came to Mark Felt’s defense, giving money to his legal defense fund and even testifying on his behalf in court. That man was Richard Milhous Nixon.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hilgartner 20 November 2012, Hymns Replacing Propers, Traditionis Custodes Vernacular, USCCB approval Last Updated: October 15, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

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