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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is the Latin Mass Dead?

Andrew Leung · January 28, 2016

CTL Is the Latin Mass Dead 1 OU PROBABLY HAVE HEARD people said that “Latin is a dead language”. Some people would even apply that “theory” to the Traditional Latin Mass and say that “the Latin Mass is dead”. Do you think that is true? I think it is true in a sense, but not fully. The Latin Mass nowadays (this wasn’t the case before the Council) is very lively. One can easily find young and big families in the pews, and people participating fully and actively. However, it is also true in a sense that the Latin Mass is “dead”.

The “growth”, rubrical growth, of the Extraordinary Form stopped in 1962. Please correct me if I am wrong. But the rubrics, the missal and the liturgical calendar haven’t been developing since 1962. It is dead and we don’t have to worry about people editing and changing it. The recent change on the Mandatum Rite is a good example, the rite in the 1962 Missal is remaining unchanged. Likewise, other changes made to the Ordinary Form Mass will not affect the Extraordinary Form rubrically. This is one of the reasons why I like the Latin Mass.

The Ordinary Form of the Mass has been around for almost fifty years now, and it is still being changed every few years. Some of these changes are good and some are not so helpful. I don’t know about you, but I think making changes to the Liturgy constantly is kind of distracting and confusing, especially when the changes are not always good. In the future, the two Forms might become one and that may be the birth of a better Liturgy, but that would be another topic. For now, I found the Old Mass being very prayerful and it definitely help me to focusing on worshiping God and become holier.

CTL Is the Latin Mass Dead 2 HY DID I MENTIONED all that? Because I realize that many people are disappointed with some decisions that were made by our Holy Father recently. I want to point out that the Vetus Ordo is a possible solution if people find it hard to stay focused on God during the Liturgy. It is very important that we are able to pray the Mass. The Mass, both the Old and the New, is the ultimate sacrifice, the Sacrifice of Love.

God desires mercy rather than sacrifices (Hos 6:6; Mt 12:7). And one of the greatest commandments that our Lord gave us is to love our neighbors as ourselves (Mt 22:39). No matter what Form of the Mass we would preferred, love is always the greatest commandment. Therefore, we all need to be charitable to one another, even when we have disagreements. Let us not forget about love, which is what happen at every Mass. If rubrics is all we care about, what is the difference between the pharisees and us? Rather than criticizing the Holy Father, we can pray for him. Maybe we can spend some time with the Blessed Sacrament instead of arguing with a fellow brother or sister in Christ. No matter what happens, we need to pray constantly, and receive God’s grace through the Sacraments. That is how we can grow in holiness. And that is the way to become more like Christ.

Holy Mary, Mother of the Church, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— Statement by the Supreme Pontiff (Sacramentum Caritatis, 22-feb-2007)

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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