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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Benedict XVI Institute Seeks Executive Director

Guest Author · December 14, 2015

937 Benedict XVI HE BENEDICT XVI INSTITUTE seeks a skilled, entrepreneurial, creative, energetic and faithful Catholic with managerial experience to organize and lead the Institute. The Executive Director of the Liturgical Institute is responsible for developing education and formation programs in sacred music and divine worship for musicians, cantors, music directors, lectors and ministers of Holy Communion. The Executive Director collaborates with the Archbishop and Board of Directors and provides leadership to promote excellence in the liturgical life of the Roman Catholic Church.

The Director is the liaison with—and resource for—local churches and beyond the Archdiocese. The Director is responsible for marshaling resources throughout the Archdiocese to develop a program of formation and instruction that promotes excellence in sacred music and worship, while fostering greater reverence in liturgical celebrations. The ideal candidate has training in liturgy, theology, or sacred music with a minimum of two (2) years’ experience in a diocese or parish. This person should possess a strong knowledge of—and commitment to—the Church liturgical norms and the Church’s documents on liturgy as well as a familiarity with sacred music.

RESPONSIBILITIES :

• Serves as the chief operating officer of the Corporation, and so implements the strategic direction as outlined by the Board of Directors through leading and managing the day-to-day activities of the organization

• Develops programs that are attractive to parishes in the Archdiocese and which can be readily adapted by other parishes outside the Archdiocese

• Provides structures through which diocesan liturgy personnel may contribute responsibly and effectively in articulating the voice of clergy, religious, and laity in the development of liturgy

• Implements liturgical directives issued by the Holy See and adapted to local circumstances as directed by the Board of Directors

• Sees to the development, implementation, and accomplishment of the organizational goals and plans as approved by the Board of Directors

• Monitors and evaluates all business activities and reports progress to the Board of Directors

• Exercises leadership to staff in the development and implementation of short and long term plans, policies and other activities

• Oversees accounting functions and processes

Qualified applicants should send résumé, cover letter, and references to:

      schmidtp@sfarch.org


ABOUT THE EMPLOYER :

The Benedict XVI Institute in the Archdiocese of San Francisco will educate Church musicians about sacred music and train lay ministers for their role. The Benedict XVI Institute is based at St. Patrick’s Seminary in Menlo Park, Ca.

Archdiocese of San Francisco
Patrick Schmidt, Associate Director of Human Resources.
1 Peter Yorke Way
San Francisco, Ca 94109

    * *  Read more HERE.


We hope you enjoyed this guest article by John Horton.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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