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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Benedict XVI Institute Seeks Executive Director

Guest Author · December 14, 2015

937 Benedict XVI HE BENEDICT XVI INSTITUTE seeks a skilled, entrepreneurial, creative, energetic and faithful Catholic with managerial experience to organize and lead the Institute. The Executive Director of the Liturgical Institute is responsible for developing education and formation programs in sacred music and divine worship for musicians, cantors, music directors, lectors and ministers of Holy Communion. The Executive Director collaborates with the Archbishop and Board of Directors and provides leadership to promote excellence in the liturgical life of the Roman Catholic Church.

The Director is the liaison with—and resource for—local churches and beyond the Archdiocese. The Director is responsible for marshaling resources throughout the Archdiocese to develop a program of formation and instruction that promotes excellence in sacred music and worship, while fostering greater reverence in liturgical celebrations. The ideal candidate has training in liturgy, theology, or sacred music with a minimum of two (2) years’ experience in a diocese or parish. This person should possess a strong knowledge of—and commitment to—the Church liturgical norms and the Church’s documents on liturgy as well as a familiarity with sacred music.

RESPONSIBILITIES :

• Serves as the chief operating officer of the Corporation, and so implements the strategic direction as outlined by the Board of Directors through leading and managing the day-to-day activities of the organization

• Develops programs that are attractive to parishes in the Archdiocese and which can be readily adapted by other parishes outside the Archdiocese

• Provides structures through which diocesan liturgy personnel may contribute responsibly and effectively in articulating the voice of clergy, religious, and laity in the development of liturgy

• Implements liturgical directives issued by the Holy See and adapted to local circumstances as directed by the Board of Directors

• Sees to the development, implementation, and accomplishment of the organizational goals and plans as approved by the Board of Directors

• Monitors and evaluates all business activities and reports progress to the Board of Directors

• Exercises leadership to staff in the development and implementation of short and long term plans, policies and other activities

• Oversees accounting functions and processes

Qualified applicants should send résumé, cover letter, and references to:

      schmidtp@sfarch.org


ABOUT THE EMPLOYER :

The Benedict XVI Institute in the Archdiocese of San Francisco will educate Church musicians about sacred music and train lay ministers for their role. The Benedict XVI Institute is based at St. Patrick’s Seminary in Menlo Park, Ca.

Archdiocese of San Francisco
Patrick Schmidt, Associate Director of Human Resources.
1 Peter Yorke Way
San Francisco, Ca 94109

    * *  Read more HERE.


We hope you enjoyed this guest article by John Horton.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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