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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Benedict XVI Institute Seeks Executive Director

Guest Author · December 14, 2015

937 Benedict XVI HE BENEDICT XVI INSTITUTE seeks a skilled, entrepreneurial, creative, energetic and faithful Catholic with managerial experience to organize and lead the Institute. The Executive Director of the Liturgical Institute is responsible for developing education and formation programs in sacred music and divine worship for musicians, cantors, music directors, lectors and ministers of Holy Communion. The Executive Director collaborates with the Archbishop and Board of Directors and provides leadership to promote excellence in the liturgical life of the Roman Catholic Church.

The Director is the liaison with—and resource for—local churches and beyond the Archdiocese. The Director is responsible for marshaling resources throughout the Archdiocese to develop a program of formation and instruction that promotes excellence in sacred music and worship, while fostering greater reverence in liturgical celebrations. The ideal candidate has training in liturgy, theology, or sacred music with a minimum of two (2) years’ experience in a diocese or parish. This person should possess a strong knowledge of—and commitment to—the Church liturgical norms and the Church’s documents on liturgy as well as a familiarity with sacred music.

RESPONSIBILITIES :

• Serves as the chief operating officer of the Corporation, and so implements the strategic direction as outlined by the Board of Directors through leading and managing the day-to-day activities of the organization

• Develops programs that are attractive to parishes in the Archdiocese and which can be readily adapted by other parishes outside the Archdiocese

• Provides structures through which diocesan liturgy personnel may contribute responsibly and effectively in articulating the voice of clergy, religious, and laity in the development of liturgy

• Implements liturgical directives issued by the Holy See and adapted to local circumstances as directed by the Board of Directors

• Sees to the development, implementation, and accomplishment of the organizational goals and plans as approved by the Board of Directors

• Monitors and evaluates all business activities and reports progress to the Board of Directors

• Exercises leadership to staff in the development and implementation of short and long term plans, policies and other activities

• Oversees accounting functions and processes

Qualified applicants should send résumé, cover letter, and references to:

      schmidtp@sfarch.org


ABOUT THE EMPLOYER :

The Benedict XVI Institute in the Archdiocese of San Francisco will educate Church musicians about sacred music and train lay ministers for their role. The Benedict XVI Institute is based at St. Patrick’s Seminary in Menlo Park, Ca.

Archdiocese of San Francisco
Patrick Schmidt, Associate Director of Human Resources.
1 Peter Yorke Way
San Francisco, Ca 94109

    * *  Read more HERE.


We hope you enjoyed this guest article by John Horton.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

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