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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Understanding the Sacred

Andrew Leung · December 10, 2015

CTL Understanding the Sacred 1 HE YEAR OF MERCY has officially begun this Tuesday on the Solemnity of the Immaculate Conception. And there has been a few events happened in the Vatican this week. I am really troubled by two of those. Usually, I try to write positively and say nice things, but these two things really upset me. So, please forgive me for writing out my complains here.

A light show was held in St. Peter’s Square on Tuesday night. Photographs were projected onto the façade and cupola of Saint Peter’s Basilica. These illuminations were supposed to present images inspired of mercy, of humanity, of the natural world, and of climate changes. The goal sounds pretty nice and cool, doesn’t it? I saw those images, they are really nice. But here is the problem: it is a sacrilege!

St. Peter’s Basilica is the heart of the Roman Catholic Church, a Papal Basilica that is blessed and consecrated to God. The church building itself is sacramental and sacred. It is also the tomb of St. Peter and many other saints and popes. And people used it as a projector screen. Just think about how ridiculous that is! Yes, those are nice pictures of God’s creatures, but those are also animals. We don’t bring animals to church! We human beings are designed in the image of God, with will and intellect, and we may choose to worship God. That is why we build churches, sacred and sacramental buildings, for the Liturgy. Churches are set apart from the rest of the buildings for us, human beings, to worship God and God alone. The reality is that these animals don’t belong there.

I also saw on the internet some pictures of similar projections on some other churches and cathedrals around the world. Most of them have protections of religious images. I am not sure what the goals are for those projections. Maybe they are using these images to decorate the outside of the church, or maybe the images will attract more people to the church. But I don’t think these goals can be an excuse of treating churches as projector screens. It’s not that hard to set up a screen outside the church. If they want to make the churches look nicer, why don’t they start building new churches that actually look beautiful. Maybe we can stop worshiping inside spaceships and rockets first!

Another danger of having these images projected to churches is that it will be impossible to control what will be projected in the future. Now people are projecting religious pictures and image or the nature, but who knows what kind of “arts” will be projected onto our churches in the future. This also leads to the second thing that troubles me.

CTL Understanding the Sacred 2 AM SURE that you have all seen the official logo for the Year of Mercy. If not, you can take a close look at it on my other post about the Year of Mercy. During the Opening Mass of the Jubilee Year, this image was printed on the Book of the Gospel and hung over the main door of St. Peter’s Basilica. This image borders me a lot and I am sure it borders many other people too. It is literally two men with three eyes. If you ask a young child what they see in the picture, they will probably give you that exact answer. The only “man” I know that has three eyes is a god from the Chinese legend. Why must artists design things that are weird and cannot be appreciated by everyone? Well, it’s sad that this picture has been chosen and we are going to see it hung around churches for the rest of the Jubilee Year.

Sacred Art and Sacred Music, like Sacred Architecture, should be holy; that is set apart from other art and music. Sacred Art and Sacred Music need to be objectively beautiful and universal, so that everyone can appreciate them; so that they can reflect the beauty and glory of God; and bring people closer to Him.

I think we, the Church, still have a long way to go in understanding the Sacred. But we must not loss hope and we must keep praying. I found this prayer online, not quite sure who wrote it, but it is perfect.

O Jesus, Thou the beauty art Of Angel worlds above! Thy Name is music to the heart, Enchanting it with love! Celestial sweetness unalloyed! Who eat Thee hunger still, Who drink of Thee still feel a void Which naught but Thou can fill! O my sweet Jesus! hear the sighs Which unto Thee I send! To Thee my inmost spirit cries, My being’s hope and end! Stay with us, Lord, and with Thy light Illume the soul’s abyss; Scatter the darkness of our night And fill the world with bliss. O Jesu! spotless Virgin flower! Our life and joy! to Thee Be praise, beatitude and power, Through all eternity! Amen.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“He would lecture early in the morning at St Edmund’s College, perhaps more than once, rush from thence to the British Museum, and toil there intensely for hours, all without a scrap of food, having pledged himself to dine with us.”

— A description of Father Adrian Fortescue

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