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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Understanding the Sacred

Andrew Leung · December 10, 2015

CTL Understanding the Sacred 1 HE YEAR OF MERCY has officially begun this Tuesday on the Solemnity of the Immaculate Conception. And there has been a few events happened in the Vatican this week. I am really troubled by two of those. Usually, I try to write positively and say nice things, but these two things really upset me. So, please forgive me for writing out my complains here.

A light show was held in St. Peter’s Square on Tuesday night. Photographs were projected onto the façade and cupola of Saint Peter’s Basilica. These illuminations were supposed to present images inspired of mercy, of humanity, of the natural world, and of climate changes. The goal sounds pretty nice and cool, doesn’t it? I saw those images, they are really nice. But here is the problem: it is a sacrilege!

St. Peter’s Basilica is the heart of the Roman Catholic Church, a Papal Basilica that is blessed and consecrated to God. The church building itself is sacramental and sacred. It is also the tomb of St. Peter and many other saints and popes. And people used it as a projector screen. Just think about how ridiculous that is! Yes, those are nice pictures of God’s creatures, but those are also animals. We don’t bring animals to church! We human beings are designed in the image of God, with will and intellect, and we may choose to worship God. That is why we build churches, sacred and sacramental buildings, for the Liturgy. Churches are set apart from the rest of the buildings for us, human beings, to worship God and God alone. The reality is that these animals don’t belong there.

I also saw on the internet some pictures of similar projections on some other churches and cathedrals around the world. Most of them have protections of religious images. I am not sure what the goals are for those projections. Maybe they are using these images to decorate the outside of the church, or maybe the images will attract more people to the church. But I don’t think these goals can be an excuse of treating churches as projector screens. It’s not that hard to set up a screen outside the church. If they want to make the churches look nicer, why don’t they start building new churches that actually look beautiful. Maybe we can stop worshiping inside spaceships and rockets first!

Another danger of having these images projected to churches is that it will be impossible to control what will be projected in the future. Now people are projecting religious pictures and image or the nature, but who knows what kind of “arts” will be projected onto our churches in the future. This also leads to the second thing that troubles me.

CTL Understanding the Sacred 2 AM SURE that you have all seen the official logo for the Year of Mercy. If not, you can take a close look at it on my other post about the Year of Mercy. During the Opening Mass of the Jubilee Year, this image was printed on the Book of the Gospel and hung over the main door of St. Peter’s Basilica. This image borders me a lot and I am sure it borders many other people too. It is literally two men with three eyes. If you ask a young child what they see in the picture, they will probably give you that exact answer. The only “man” I know that has three eyes is a god from the Chinese legend. Why must artists design things that are weird and cannot be appreciated by everyone? Well, it’s sad that this picture has been chosen and we are going to see it hung around churches for the rest of the Jubilee Year.

Sacred Art and Sacred Music, like Sacred Architecture, should be holy; that is set apart from other art and music. Sacred Art and Sacred Music need to be objectively beautiful and universal, so that everyone can appreciate them; so that they can reflect the beauty and glory of God; and bring people closer to Him.

I think we, the Church, still have a long way to go in understanding the Sacred. But we must not loss hope and we must keep praying. I found this prayer online, not quite sure who wrote it, but it is perfect.

O Jesus, Thou the beauty art Of Angel worlds above! Thy Name is music to the heart, Enchanting it with love! Celestial sweetness unalloyed! Who eat Thee hunger still, Who drink of Thee still feel a void Which naught but Thou can fill! O my sweet Jesus! hear the sighs Which unto Thee I send! To Thee my inmost spirit cries, My being’s hope and end! Stay with us, Lord, and with Thy light Illume the soul’s abyss; Scatter the darkness of our night And fill the world with bliss. O Jesu! spotless Virgin flower! Our life and joy! to Thee Be praise, beatitude and power, Through all eternity! Amen.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“From the responses received, it is thus clear that by far the greater number of bishops feel that the present discipline [Communion on the tongue and not in the hand] should not be changed at all—indeed, that if it were changed, this would be offensive to the sensibility and spiritual appreciation of these bishops and of most of the faithful.”

— Sacred Congregation for Divine Worship (29 May 1969)

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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