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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Understanding the Sacred

Andrew Leung · December 10, 2015

CTL Understanding the Sacred 1 HE YEAR OF MERCY has officially begun this Tuesday on the Solemnity of the Immaculate Conception. And there has been a few events happened in the Vatican this week. I am really troubled by two of those. Usually, I try to write positively and say nice things, but these two things really upset me. So, please forgive me for writing out my complains here.

A light show was held in St. Peter’s Square on Tuesday night. Photographs were projected onto the façade and cupola of Saint Peter’s Basilica. These illuminations were supposed to present images inspired of mercy, of humanity, of the natural world, and of climate changes. The goal sounds pretty nice and cool, doesn’t it? I saw those images, they are really nice. But here is the problem: it is a sacrilege!

St. Peter’s Basilica is the heart of the Roman Catholic Church, a Papal Basilica that is blessed and consecrated to God. The church building itself is sacramental and sacred. It is also the tomb of St. Peter and many other saints and popes. And people used it as a projector screen. Just think about how ridiculous that is! Yes, those are nice pictures of God’s creatures, but those are also animals. We don’t bring animals to church! We human beings are designed in the image of God, with will and intellect, and we may choose to worship God. That is why we build churches, sacred and sacramental buildings, for the Liturgy. Churches are set apart from the rest of the buildings for us, human beings, to worship God and God alone. The reality is that these animals don’t belong there.

I also saw on the internet some pictures of similar projections on some other churches and cathedrals around the world. Most of them have protections of religious images. I am not sure what the goals are for those projections. Maybe they are using these images to decorate the outside of the church, or maybe the images will attract more people to the church. But I don’t think these goals can be an excuse of treating churches as projector screens. It’s not that hard to set up a screen outside the church. If they want to make the churches look nicer, why don’t they start building new churches that actually look beautiful. Maybe we can stop worshiping inside spaceships and rockets first!

Another danger of having these images projected to churches is that it will be impossible to control what will be projected in the future. Now people are projecting religious pictures and image or the nature, but who knows what kind of “arts” will be projected onto our churches in the future. This also leads to the second thing that troubles me.

CTL Understanding the Sacred 2 AM SURE that you have all seen the official logo for the Year of Mercy. If not, you can take a close look at it on my other post about the Year of Mercy. During the Opening Mass of the Jubilee Year, this image was printed on the Book of the Gospel and hung over the main door of St. Peter’s Basilica. This image borders me a lot and I am sure it borders many other people too. It is literally two men with three eyes. If you ask a young child what they see in the picture, they will probably give you that exact answer. The only “man” I know that has three eyes is a god from the Chinese legend. Why must artists design things that are weird and cannot be appreciated by everyone? Well, it’s sad that this picture has been chosen and we are going to see it hung around churches for the rest of the Jubilee Year.

Sacred Art and Sacred Music, like Sacred Architecture, should be holy; that is set apart from other art and music. Sacred Art and Sacred Music need to be objectively beautiful and universal, so that everyone can appreciate them; so that they can reflect the beauty and glory of God; and bring people closer to Him.

I think we, the Church, still have a long way to go in understanding the Sacred. But we must not loss hope and we must keep praying. I found this prayer online, not quite sure who wrote it, but it is perfect.

O Jesus, Thou the beauty art Of Angel worlds above! Thy Name is music to the heart, Enchanting it with love! Celestial sweetness unalloyed! Who eat Thee hunger still, Who drink of Thee still feel a void Which naught but Thou can fill! O my sweet Jesus! hear the sighs Which unto Thee I send! To Thee my inmost spirit cries, My being’s hope and end! Stay with us, Lord, and with Thy light Illume the soul’s abyss; Scatter the darkness of our night And fill the world with bliss. O Jesu! spotless Virgin flower! Our life and joy! to Thee Be praise, beatitude and power, Through all eternity! Amen.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

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