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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Should the Liturgy Be Televised?

Fr. David Friel · November 15, 2015

NEW BOOK released in September 2015 is well worth your purchase and reading. From the pen of Fr. Uwe Michael Lang, it is entitled Signs of the Holy One: Liturgy, Ritual, and Expression of the Sacred. Like all of Fr. Lang’s writings, this book is timely and insightful.

Fr. Lang is a member of the Oratory of St. Philip Neri. In addition to his teaching at Heythrop College, he is also a board member of the Society for Catholic Liturgy and serves as editor of that society’s journal, Antiphon.

This new book wrestles with two separate questions. The first two chapters concern the various non-verbal “languages” through which the liturgy speaks. This section readily accepts that modern society has become what Ratzinger once called a “culture of images” (Introduction to the Compendium of the Catechism of the Catholic Church, xvii). The next three chapters deal more pointedly with issues confronting the disciplines of sacred architecture, sacred art, and sacred music.

N BETWEEN these two sections, the author includes what he calls an “excursus” on the topic of liturgy in the mass media. It is this brief (seven page) section on which I would chiefly like to focus.

The author first acknowledges three main reasons why the broadcasting of liturgical celebrations has been generally accepted:

1. First, telecast Masses sustain the presence of the Church in the public sphere, allowing a wide diffusion for her central and most significant act of divine worship.

2. Secondly, telecast Masses provide a service for those who are not able to take part physically at a liturgical celebration (those who are hospitalized, homebound, or imprisoned).

3. Thirdly, broadcasts of liturgical celebrations in the mass media can be a useful tool for evangelization and catechesis. (Lang, 63)

Like many other places, Philadelphia has a locally televised Mass that airs every Sunday morning. I have participated in these Masses numerous times over the years, originally as a musician and later as a priest. More recently, I was involved in televised Masses throughout the week of the World Meeting of Families (photos here, reflection here). Without a doubt, the airing of these liturgies has enabled many people to see the proceedings who would otherwise be unable to do so. This can certainly bear significant spiritual fruit while bringing about both healing & comfort. Nevertheless, my experiences with televised Masses have raised some concerns in my mind. The same appears to be true for Fr. Lang and others.

Karl Rahner and Josef Pieper—representatives of two very different Catholic perpectives—both rejected liturgical broadcasts outright. 1 According to Fr. Lang, the major objection raised by Pieper is that the liturgy “requires a threshold or even barrier that clearly distinguishes it from the sphere of the quotidian (the street and the marketplace). This threshold is mitigated, removed, or simply ignored by a telecast Mass” (Lang, 64). To televise the liturgy for all to see is certainly a far cry from the disciplina arcani embraced by Christians of the early centuries.

Another issue with liturgical broadcasts is that the sacred liturgy is designed to be “a unique event in time” (Lang, 65). Broadcasts, however, may be watched and re-watched without regard to the proper setting of the liturgy as it was celebrated in real time. Fr. Lang raises further questions about whether watching a televised Mass can in any way satisfy the demand for “full, conscious, and actual participation” (Sacrosanctum Concilium, #14). It is more natural to think of television viewers as spectators than as participants.

Finally, the excursus concludes with reference to the scant Church guidelines established for liturgical broadcasts, including a 1980 Instruction from the CDW entitled Inaestimabile Donum, which states: “Particular vigilance and special care are recommended with regard to Masses transmitted by the audio-visual media. Given their very wide diffusion, their celebration must be of exemplary quality” (#19). The other guidelines mentioned include the need for close governance by the local bishop, the preference for live telecasts, attention to proper ars celebrandi, and the need for discretion in accompanying the broadcast with commentary.

HESE ISSUES are fascinating to me. While I don’t think there are perfect answers to every pitfall of televised liturgies, these matters definitely warrant thoughtful consideration. What benefits or limitations do you see in the broadcasting of liturgies? Should such telecasts be encouraged or discouraged, permitted or forbidden? What other ecclesial guidelines might be useful? (Your input is again quite welcome via Facebook comments.)

This new book from Fr. Lang is easy to read, thoughtfully arranged, and rich in homage to the teachings of Cardinal Ratzinger/Pope Benedict XVI. I am certain that anyone who enjoys reading Views from the Choir Loft will also enjoy reading Signs of the Holy One.




NOTES FROM THIS ARTICLE:

1   K. Rahner, “Die Messe und das Fernsehen,” Orientierung 7 (1953): 179-83; J. Pieper, “Zur Fernseh-Ubertragung der Heiligen Messe (1953),” in Pieper, Werke, vol. 7, Religionsphilosophische Schriften, ed. B. Wald (Hamburg: Felix Meiner, 2000), 587-90.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Evangelization, Liturgical Abuse, Society for Catholic Liturgy Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

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