• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Should the Liturgy Be Televised?

Fr. David Friel · November 15, 2015

NEW BOOK released in September 2015 is well worth your purchase and reading. From the pen of Fr. Uwe Michael Lang, it is entitled Signs of the Holy One: Liturgy, Ritual, and Expression of the Sacred. Like all of Fr. Lang’s writings, this book is timely and insightful.

Fr. Lang is a member of the Oratory of St. Philip Neri. In addition to his teaching at Heythrop College, he is also a board member of the Society for Catholic Liturgy and serves as editor of that society’s journal, Antiphon.

This new book wrestles with two separate questions. The first two chapters concern the various non-verbal “languages” through which the liturgy speaks. This section readily accepts that modern society has become what Ratzinger once called a “culture of images” (Introduction to the Compendium of the Catechism of the Catholic Church, xvii). The next three chapters deal more pointedly with issues confronting the disciplines of sacred architecture, sacred art, and sacred music.

N BETWEEN these two sections, the author includes what he calls an “excursus” on the topic of liturgy in the mass media. It is this brief (seven page) section on which I would chiefly like to focus.

The author first acknowledges three main reasons why the broadcasting of liturgical celebrations has been generally accepted:

1. First, telecast Masses sustain the presence of the Church in the public sphere, allowing a wide diffusion for her central and most significant act of divine worship.

2. Secondly, telecast Masses provide a service for those who are not able to take part physically at a liturgical celebration (those who are hospitalized, homebound, or imprisoned).

3. Thirdly, broadcasts of liturgical celebrations in the mass media can be a useful tool for evangelization and catechesis. (Lang, 63)

Like many other places, Philadelphia has a locally televised Mass that airs every Sunday morning. I have participated in these Masses numerous times over the years, originally as a musician and later as a priest. More recently, I was involved in televised Masses throughout the week of the World Meeting of Families (photos here, reflection here). Without a doubt, the airing of these liturgies has enabled many people to see the proceedings who would otherwise be unable to do so. This can certainly bear significant spiritual fruit while bringing about both healing & comfort. Nevertheless, my experiences with televised Masses have raised some concerns in my mind. The same appears to be true for Fr. Lang and others.

Karl Rahner and Josef Pieper—representatives of two very different Catholic perpectives—both rejected liturgical broadcasts outright. 1 According to Fr. Lang, the major objection raised by Pieper is that the liturgy “requires a threshold or even barrier that clearly distinguishes it from the sphere of the quotidian (the street and the marketplace). This threshold is mitigated, removed, or simply ignored by a telecast Mass” (Lang, 64). To televise the liturgy for all to see is certainly a far cry from the disciplina arcani embraced by Christians of the early centuries.

Another issue with liturgical broadcasts is that the sacred liturgy is designed to be “a unique event in time” (Lang, 65). Broadcasts, however, may be watched and re-watched without regard to the proper setting of the liturgy as it was celebrated in real time. Fr. Lang raises further questions about whether watching a televised Mass can in any way satisfy the demand for “full, conscious, and actual participation” (Sacrosanctum Concilium, #14). It is more natural to think of television viewers as spectators than as participants.

Finally, the excursus concludes with reference to the scant Church guidelines established for liturgical broadcasts, including a 1980 Instruction from the CDW entitled Inaestimabile Donum, which states: “Particular vigilance and special care are recommended with regard to Masses transmitted by the audio-visual media. Given their very wide diffusion, their celebration must be of exemplary quality” (#19). The other guidelines mentioned include the need for close governance by the local bishop, the preference for live telecasts, attention to proper ars celebrandi, and the need for discretion in accompanying the broadcast with commentary.

HESE ISSUES are fascinating to me. While I don’t think there are perfect answers to every pitfall of televised liturgies, these matters definitely warrant thoughtful consideration. What benefits or limitations do you see in the broadcasting of liturgies? Should such telecasts be encouraged or discouraged, permitted or forbidden? What other ecclesial guidelines might be useful? (Your input is again quite welcome via Facebook comments.)

This new book from Fr. Lang is easy to read, thoughtfully arranged, and rich in homage to the teachings of Cardinal Ratzinger/Pope Benedict XVI. I am certain that anyone who enjoys reading Views from the Choir Loft will also enjoy reading Signs of the Holy One.




NOTES FROM THIS ARTICLE:

1   K. Rahner, “Die Messe und das Fernsehen,” Orientierung 7 (1953): 179-83; J. Pieper, “Zur Fernseh-Ubertragung der Heiligen Messe (1953),” in Pieper, Werke, vol. 7, Religionsphilosophische Schriften, ed. B. Wald (Hamburg: Felix Meiner, 2000), 587-90.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Evangelization, Liturgical Abuse, Society for Catholic Liturgy Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

The Council of Trent taught: “In this divine sacrifice which takes place at Mass, the same Christ is present and is immolated in an unbloody manner, Who once on the Cross offered Himself in a bloody manner. For the victim is one and the same, now offering through the ministry of priests, Who then offered Himself on the Cross; only the manner of offering is different” (Session XXII, cap. 2, Denzinger, n. 940).

— Pope Pius XII (2 November 1954)

Recent Posts

  • PDF • “Music List” (4th Sunday of Advent)
  • PDF Download • “Santo Santo Santo”
  • Crucial Tips • “Teaching Children How to Sing”
  • Soloists in Gregorian Chant?
  • PDF • Our Lady of Guadalupe (12 Dec.)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.