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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Power of Good Music

Dr. Lucas Tappan · October 6, 2015

LMT Ghent Altar Piece ECENTLY, MY FAMILY and I attended the funeral of a friend who succumbed to cancer at the early age of 54. She was the receptionist at the local university Catholic Center, a consecrated virgin in the Society of Our Lady of the Most Holy Trinity and one of the most joyful Christians one could hope to meet. Having received the Sacraments and the Apostolic Pardon, she died holding the same crucifix that her father and other family members had held at their deaths, with her mother holding one arm and her cousin, a priest, holding the other and reciting the Prayers for the Dying, while family members filled the room.

One of the most amazing things happened after the service at the grave. Everyone stood around talking—young families and children, elderly, priests, sisters and some who looked like they hadn’t seen the inside of a church in years—so the cemetery worker began to close the lid on the vault. Suddenly, someone began singing a hymn, and soon everyone, young and old, joined in. We sang hymn after hymn as the coffin was lowered into the grave. A brother of the deceased, showing that grief filled with hope, reached down and picked up a handful of dirt and threw it into the grave, and then gave handfuls of dirt to his nieces and nephews. Soon other parents did the same and passed dirt to their children (who provided us all with a bit of laughter as they joyfully threw in the dirt). Finally, someone intoned the Salve Regina and we left.

On the way back to the church for the luncheon, my 4-year-old son wanted to know why we threw dirt into the grave, so I asked him if he remembered the Mass (Ash Wednesday) when the priest put ashes on his head in the shape of a cross. The priest said “Remember you are dust and to dust you shall return.” I explained that God created man from the earth, and while at death our soul goes, pray God, to be with Him, our earthly body returns to the earth to await the joyful day of Resurrection, when Christ will come in all of His glory (my son has been asking about these things a lot lately, so my wife and I try not to let any of these beautiful catechetical moments pass by). I happened to have Handel’s Messiah in the van, so we listened to The Trumpet Shall Sound, Worthy is the Lamb and finished with the great Amen fugue. It amazed me how intently he listened and took it all in.

I guess the point I want to make in all of this is, please, please don’t ever underestimate the power of good music to touch hearts in either the work of evangelization or catechesis, and I look forward to that great day when we will all hopefully join in the final Amen that will resound for all eternity!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The plea that the laity as a body do not want liturgical change, whether in rite or in language, is, I submit, quite beside the point. … (it is) not a question of what people want; it is a question of what is good for them.”

— Dom Gregory A. Murray (14 March 1964)

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