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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Power of Good Music

Dr. Lucas Tappan · October 6, 2015

LMT Ghent Altar Piece ECENTLY, MY FAMILY and I attended the funeral of a friend who succumbed to cancer at the early age of 54. She was the receptionist at the local university Catholic Center, a consecrated virgin in the Society of Our Lady of the Most Holy Trinity and one of the most joyful Christians one could hope to meet. Having received the Sacraments and the Apostolic Pardon, she died holding the same crucifix that her father and other family members had held at their deaths, with her mother holding one arm and her cousin, a priest, holding the other and reciting the Prayers for the Dying, while family members filled the room.

One of the most amazing things happened after the service at the grave. Everyone stood around talking—young families and children, elderly, priests, sisters and some who looked like they hadn’t seen the inside of a church in years—so the cemetery worker began to close the lid on the vault. Suddenly, someone began singing a hymn, and soon everyone, young and old, joined in. We sang hymn after hymn as the coffin was lowered into the grave. A brother of the deceased, showing that grief filled with hope, reached down and picked up a handful of dirt and threw it into the grave, and then gave handfuls of dirt to his nieces and nephews. Soon other parents did the same and passed dirt to their children (who provided us all with a bit of laughter as they joyfully threw in the dirt). Finally, someone intoned the Salve Regina and we left.

On the way back to the church for the luncheon, my 4-year-old son wanted to know why we threw dirt into the grave, so I asked him if he remembered the Mass (Ash Wednesday) when the priest put ashes on his head in the shape of a cross. The priest said “Remember you are dust and to dust you shall return.” I explained that God created man from the earth, and while at death our soul goes, pray God, to be with Him, our earthly body returns to the earth to await the joyful day of Resurrection, when Christ will come in all of His glory (my son has been asking about these things a lot lately, so my wife and I try not to let any of these beautiful catechetical moments pass by). I happened to have Handel’s Messiah in the van, so we listened to The Trumpet Shall Sound, Worthy is the Lamb and finished with the great Amen fugue. It amazed me how intently he listened and took it all in.

I guess the point I want to make in all of this is, please, please don’t ever underestimate the power of good music to touch hearts in either the work of evangelization or catechesis, and I look forward to that great day when we will all hopefully join in the final Amen that will resound for all eternity!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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