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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

SUPPORTING MATERIALS • Jogues Missal

Corpus Christi Watershed · September 1, 2015

+ Fact Sheet (PDF) • Overview on a single sheet of paper.

+ Special Home Video • How to open & use this book.

+ Table of Contents (PDF) • Familiarize yourself with the contents of this book.

+ Preface (PDF) • Should the Vatican II Gradual matter for today’s Catholics?

+ Congregational Mass Setting • Scores & Videos for organist, cantor, and SATB choir.

+ Gospel Acc. (1st Tune) • Download or buy all 172 pages!

+ Gospel Acc. (2nd Tune) • Download or buy all 172 pages!

+ Responsorial Psalms • Download or buy all 607 pages!



St. Isaac Jogues Daily Mass Companion

This permanent book eliminates the necessity of purchasing disposable Missalettes which must be thrown away every few months. It has been approved by the USCCB. It will save your parish thousands of dollars—which can then be given to the poor—and does not limit the priest’s options when it comes to Memorials, Votive Masses, and so forth.

      * *  PDF Download: Preface & Contents

      * *  PDF Download: Fact Sheet for Daily Companion

      * *  Important Essay: “The Real Problem With Missalettes”

USCCB choices (2015)   •   September   •   October   •   November   •   December

Purchase Softcover : 442 Pages (White Paper) — $11.95

Purchase Softcover : 442 Pages (Cream Paper) — $11.95



St. Jean de Brébeuf Parish Hymnal … coming in 2018

What was formerly referred to as the “Jogues Hymnal” was changed (in 2014) to honor his close associate in the missions. We apologize for any confusion. Learn more HERE.



Essays & Reviews about the Jogues Missal

JOGUES REVIEW : Fr. Brent Maher

JOGUES REVIEW : Dallas Area Catholic (Blog)

JOGUES REVIEW : Christine Sarti

JOGUES REVIEW : New Liturgical Movement

JOGUES REVIEW : Fr. Alan M. Guanella

JOGUES REVIEW : Fr. Jay Finelli

JOGUES REVIEW : John Sonnen

JOGUES REVIEW : Susan Benofy (ADOREMUS)

JOGUES REVIEW : Melanie Bettinelli

JOGUES REVIEW : Daniel Craig

Essay 1 • Which antiphon translations are approved by the Church?
Essay 2 • How long will our current Lectionary translations last?
Essay 3 • Documentation on why Missal antiphons don’t always match the Gradual.
Essay 4 • The purpose of “sung” vs. “spoken” antiphons.
Essay 5 • Possibilities until the Sequences are revised by Liturgiam Authenticam.
Essay 6 • Musical collections of Propers in English



To access the resources from the Vatican II Hymnal, click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Affordable Hymnal for Catholic Parishes Last Updated: January 1, 2020

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President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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