The Vatican II Hymnal • Old Website

The Vatican II Hymnal • Old Website

Corpus Christi Watershed · June 1, 2014

The Saint Jean de Brébeuf Hymnal is available!

* Jean de Brébeuf Hymnal • PURCHASE LINK

Purchase yours today!

Some Quick Facts:

* PDF Download • SEASONAL INDEX
(For personal use, uploaded by Veronica Moreno)

* PDF Download • COMPLETE INDICES
(Material from the Saint Jean de Brébeuf Hymnal)

* PDF Download • SNIPPETS INDEX (8,000 entries)
—Please be patient as this massively helpful page loads!

* Instructional Video • YOUTUBE
(“Using the Brébeuf Index Correctly”)

* YouTube Video • “Most Catholic Indexes”
—This shows the rationale behind the Brébeuf indices.

* CCWatershed Article • ORGAN ACCOMP.
(Additional info Re: the Organ Accompaniment volumes)

* PDF Download • ADDITIONAL ARTICLES
(Ten articles about the Saint Jean de Brébeuf Hymnal)

* Blog Article • SOURCE MATERIAL
(Many of the old Catholics hymnals we scanned can be downloaded here)

* PDF Download • EXECUTIVE SUMMARY
(Salient points about this hymnal on a single sheet)

* Photographs • CHORAL SUPPLEMENT
(The Brébeuf Choral Supplement has started to arrive in mailboxes!)

* PDF • “What People Are Saying”
(Testimonials from Catholics in the pews.)

* PDF • “What Experts Are Saying”
(Testimonials from authorities on Sacred Music.)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Myth Re: Johann Sebastian Bach

Some musicologists try to make a “splash” by saying that Bach was totally forgotten when he died—remembered only as an organ virtuoso—and that his sons were more famous than he was. Such an idea is indefensible. It is true that musical styles changed in 1750AD—but this is normal. Musical styles change constantly; e.g. much of the repertoire of Hofmann and Rachmaninov was considered “garbage” toward the end of their lives. But those who carefully study the lives of Wolfgang Amadeus Mozart, Franz Liszt, Hans von Bülow, Felix Mendelssohn, Frédéric Chopin, and countless others realize that Bach was revered. It’s true that his music was seldom played in public, but music by “dead composers” was generally speaking not played in public until approximately the middle of the 19th century.

—Jeff Ostrowski

Arthur Friedheim, Franz Liszt’s Secretary

Arthur Friedheim (d. 1932) has a very poor reputation as a pianist, and Liszt rejected him several times before finally accepting him as a pupil, yet the Liszt recordings he left are quite good—especially considering the transgressions by other Liszt pupils. Friedheim must have been an amazing musician; twice he was asked to become conductor of the New York Philharmonic (1898 + 1911) but he declined both times. Circa 1912, Friedheim was recording Chopin’s “Funeral March” but the record ran out, so he simply stopped in the middle of the piece. Things sure have changed! Pianists no longer stop in the middle of pieces, although Cortot would sometimes abridge pieces to make them fit on records (cf. Chopin’s Andante Spianato & Grande Polonaise Brilliante).

—Jeff Ostrowski

“A blast from the past”

Consilium document (“Instantibus Pluribus”) to presidents of the national liturgical commissions, on norms for translation of the Graduale Simplex, dated 23 January 1968: “The types of chant in the Graduale Simplex may be adapted to the style of music and song typical of individual peoples. But any sort of secular or profane melody is excluded.”

—Jeff Ostrowski