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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A New Edition Of The 1962 Missal?

Jeff Ostrowski · September 7, 2015

078 Padre Pio Extraordinary Form HEN PEOPLE PUSH for a new edition of the 1962 Missale Romanum, their primary argument goes something like this: “A new edition is necessary because of all the saints canonized since the 1960s.” However, such an argument cannot be sustained.

Did you know Mass can be celebrated in honor of Padre Pio, who was declared a saint many years after the 1962 Missal was published? Here are the Propers:

    * *  PDF Download • 1962 Propers for Padre Pio

When no text is given in the Missal, the formularies are taken from the COMMONS. This was frequently done when a particular diocese or church was named after a saint lacking a feast day in the Missal. This coming Friday, you could even celebrate a votive Mass in honor of St. Godfrey Maurice Jones!

WILL THERE EVER BE a new edition of the 1962 Missale Romanum? I don’t think we’ll see that any time soon, but we might see some kind of APPENDIX with minor changes published by the Vatican. For example, the appropriate Vatican office might send out a questionnaire to all priests who offer the Extraordinary Form, asking if they frequently celebrate a votive Mass for Saint Pio of Pietrelcina. If an absolutely overwhelming number of them say “yes,” perhaps it would make sense to give him a feast date.

Several years ago, rumors were floating around about Pope Benedict XVI. One rumor said B16 would soon change the 1962 Missal into a type of “hybrid.” When a very important cleric—who promotes the Extraordinary Form at the highest levels—visited our home, I asked him about that rumor. He replied:

A very good bishop asked me to investigate that rumor, so my secretary and I spent considerable time on it. When all was said and done, the rumor was found to have originated from an anonymous source, propagated by an anonymous blog. Since that time, I have warned our people to be careful with internet rumors. The most common reason for people to hide their true identity is a lack of credentials; another is to avoid lawsuits. Neither of these is a good thing!

His advice contains great wisdom, and that’s one reason we have a general policy against linking to anonymous websites. For the record, traditional Catholic websites like this one don’t hold a monopoly on “Vatican gossip.” Several progressive liturgical websites are still wiping the egg from their faces after publicly claiming over and over that Archbishop Piero Marini would be appointed head of the CDW. They were dead wrong, and hopefully now recognize the danger of putting one’s faith in anonymous internet rumors.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Padre Pio, Saint Pio of Pietrelcina Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

At High Mass the Celebrant is not allowed to proceed with the Offertory while the “Credo” is being sung. Likewise he should not proceed with the Consecration until the singing of the “Sanctus” is completed.

— Father Carlo Rossini (1939)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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