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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

SUPPORTING MATERIALS • Jogues Missal

Corpus Christi Watershed · September 1, 2015

+ Fact Sheet (PDF) • Overview on a single sheet of paper.

+ Special Home Video • How to open & use this book.

+ Table of Contents (PDF) • Familiarize yourself with the contents of this book.

+ Preface (PDF) • Should the Vatican II Gradual matter for today’s Catholics?

+ Congregational Mass Setting • Scores & Videos for organist, cantor, and SATB choir.

+ Gospel Acc. (1st Tune) • Download or buy all 172 pages!

+ Gospel Acc. (2nd Tune) • Download or buy all 172 pages!

+ Responsorial Psalms • Download or buy all 607 pages!



St. Isaac Jogues Daily Mass Companion

This permanent book eliminates the necessity of purchasing disposable Missalettes which must be thrown away every few months. It has been approved by the USCCB. It will save your parish thousands of dollars—which can then be given to the poor—and does not limit the priest’s options when it comes to Memorials, Votive Masses, and so forth.

      * *  PDF Download: Preface & Contents

      * *  PDF Download: Fact Sheet for Daily Companion

      * *  Important Essay: “The Real Problem With Missalettes”

USCCB choices (2015)   •   September   •   October   •   November   •   December

Purchase Softcover : 442 Pages (White Paper) — $11.95

Purchase Softcover : 442 Pages (Cream Paper) — $11.95



St. Jean de Brébeuf Parish Hymnal … coming in 2018

What was formerly referred to as the “Jogues Hymnal” was changed (in 2014) to honor his close associate in the missions. We apologize for any confusion. Learn more HERE.



Essays & Reviews about the Jogues Missal

JOGUES REVIEW : Fr. Brent Maher

JOGUES REVIEW : Dallas Area Catholic (Blog)

JOGUES REVIEW : Christine Sarti

JOGUES REVIEW : New Liturgical Movement

JOGUES REVIEW : Fr. Alan M. Guanella

JOGUES REVIEW : Fr. Jay Finelli

JOGUES REVIEW : John Sonnen

JOGUES REVIEW : Susan Benofy (ADOREMUS)

JOGUES REVIEW : Melanie Bettinelli

JOGUES REVIEW : Daniel Craig

Essay 1 • Which antiphon translations are approved by the Church?
Essay 2 • How long will our current Lectionary translations last?
Essay 3 • Documentation on why Missal antiphons don’t always match the Gradual.
Essay 4 • The purpose of “sung” vs. “spoken” antiphons.
Essay 5 • Possibilities until the Sequences are revised by Liturgiam Authenticam.
Essay 6 • Musical collections of Propers in English



To access the resources from the Vatican II Hymnal, click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Affordable Hymnal for Catholic Parishes Last Updated: January 1, 2020

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

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  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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