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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

SUPPORTING MATERIALS • Jogues Missal

Corpus Christi Watershed · September 1, 2015

+ Fact Sheet (PDF) • Overview on a single sheet of paper.

+ Special Home Video • How to open & use this book.

+ Table of Contents (PDF) • Familiarize yourself with the contents of this book.

+ Preface (PDF) • Should the Vatican II Gradual matter for today’s Catholics?

+ Congregational Mass Setting • Scores & Videos for organist, cantor, and SATB choir.

+ Gospel Acc. (1st Tune) • Download or buy all 172 pages!

+ Gospel Acc. (2nd Tune) • Download or buy all 172 pages!

+ Responsorial Psalms • Download or buy all 607 pages!



St. Isaac Jogues Daily Mass Companion

This permanent book eliminates the necessity of purchasing disposable Missalettes which must be thrown away every few months. It has been approved by the USCCB. It will save your parish thousands of dollars—which can then be given to the poor—and does not limit the priest’s options when it comes to Memorials, Votive Masses, and so forth.

      * *  PDF Download: Preface & Contents

      * *  PDF Download: Fact Sheet for Daily Companion

      * *  Important Essay: “The Real Problem With Missalettes”

USCCB choices (2015)   •   September   •   October   •   November   •   December

Purchase Softcover : 442 Pages (White Paper) — $11.95

Purchase Softcover : 442 Pages (Cream Paper) — $11.95



St. Jean de Brébeuf Parish Hymnal … coming in 2018

What was formerly referred to as the “Jogues Hymnal” was changed (in 2014) to honor his close associate in the missions. We apologize for any confusion. Learn more HERE.



Essays & Reviews about the Jogues Missal

JOGUES REVIEW : Fr. Brent Maher

JOGUES REVIEW : Dallas Area Catholic (Blog)

JOGUES REVIEW : Christine Sarti

JOGUES REVIEW : New Liturgical Movement

JOGUES REVIEW : Fr. Alan M. Guanella

JOGUES REVIEW : Fr. Jay Finelli

JOGUES REVIEW : John Sonnen

JOGUES REVIEW : Susan Benofy (ADOREMUS)

JOGUES REVIEW : Melanie Bettinelli

JOGUES REVIEW : Daniel Craig

Essay 1 • Which antiphon translations are approved by the Church?
Essay 2 • How long will our current Lectionary translations last?
Essay 3 • Documentation on why Missal antiphons don’t always match the Gradual.
Essay 4 • The purpose of “sung” vs. “spoken” antiphons.
Essay 5 • Possibilities until the Sequences are revised by Liturgiam Authenticam.
Essay 6 • Musical collections of Propers in English



To access the resources from the Vatican II Hymnal, click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Affordable Hymnal for Catholic Parishes Last Updated: January 1, 2020

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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