Views from the Choir Loft

Archives for August 2015

Jeff Ostrowski · August 12, 2015

Cardinal Sarah’s Powerful Letter Available In English!

“Adoremus Bulletin” has uploaded a translation of the CDW Prefect’s document.

Jeff Ostrowski · August 11, 2015

Remarkable! • Amiens Cathedral During World War

There’s something scary about this image!

Jeff Ostrowski · August 11, 2015

Evelyn Waugh Requiem Panegyric Preached At Westminster By Fr. Caraman (21 April 1966)

“Evelyn was sad when he read of churches in which the old altar was taken down…”

Jeff Ostrowski · August 10, 2015

Carlo Rossini: “Exaltate Deum Hymnal” (1941)

115 Offertories, Motets, and Hymns for SATB choirs.

Jeff Ostrowski · August 9, 2015

Do You Like This German Hymn Tune?

Hymns in 3/4 can present problems, but this one really isn’t…

Fr. David Friel · August 9, 2015

Vesting Prayers • Part 6 of 9

The Maniple

Veronica Brandt · August 8, 2015

Three part motet for the Assumption by Ravanello

A little counterpoint gem with ramblings on solfege.

Richard J. Clark · August 7, 2015

That’s Entertainment, Folks!

Entertainment distracts from the Real Presence. We must lead. We must offer substance. Our spiritual lives depend upon it, as do those whom we serve.

Jeff Ostrowski · August 7, 2015

Propers for the Assumption (15 August)

Videos, Scores, & Mp3 Files

Jeff Ostrowski · August 6, 2015

Pope Paul VI Celebrates Ambrosian Rite At Vatican II

Cardinal Montini—later known as Pope Paul VI—celebrates Mass in the St. Peter’s Basilica during Vatican II.

Andrew Leung · August 6, 2015

Sacred Music as an Emotional Experience

Emotions and the field of Sacred Music

Jeff Ostrowski · August 5, 2015

Musical Resources • 11th Sunday after Pentecost (Extraordinary Form)

The Verdelot “Agnus Dei” gets better and better the more we explore its treasures.

Jeff Ostrowski · August 5, 2015

Help Needed From Organists Who Can Improvise!

Are you a composer?

Jeff Ostrowski · August 4, 2015

Why St. Josemaría Escrivá Only Celebrated The Extraordinary Form

“Such moments had been a part of his spiritual life since boyhood and through his priesthood.”

Jeff Ostrowski · August 4, 2015

The Easiest Way To Teach Your Choir Polyphony

What could be simpler or more fun than this?

(Part 2) • Did they simplify this hymn?

Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.

—Jeff Ostrowski

PDF • “Lectionary Comparison Chart”

Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.

—Corpus Christi Watershed

Monsignor Klaus Gamber Speaks!

An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

“Canonic” • Ralph Vaughan Williams

Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.

—Jeff Ostrowski