• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

My Response To “Should Church Singers Be Paid?”

Jeff Ostrowski · August 4, 2015

439 paid singers stained glass ACK IN APRIL, I promised to write about the subject of paying singers at Church. At that time, I carefully avoided revealing my thoughts on the matter. Nevertheless, I received an avalanche of emails, with a few attacking me personally. Some were angry I had condemned paid singers, while others criticized me supporting paid singers. In fact, I made neither statement.

A great theologian has written:

There’s nothing wrong with paying singers at Mass. It is simply a recognition of the fact that a professional singer (or section leader) has a special role to play in the total event of a MISSA CANTATA, which deserves a special acknowledgement according to the Gospel: Dignus est operarius mercede sua (I Tim 5: 18).

I agree, but there’s more to the story…

EACH CHOIRMASTER MUST decide for himself the best course of action. During my career, I’ve worked with paid singers and volunteers. Everyone knows the challenges that can arise with volunteers, but did you know paid singers can also bring problems? In my experience, when singers are paid, it can (sometimes) be difficult to ascertain if they’re attending Mass for the right reasons. Moreover, feelings of jealousy can grow in the other singers’ hearts. 1

Some will think me a fool, but I prefer not to rely on paid section leaders. My preference is to find parishioners who already attend Mass for the right reasons, training them. If I had paid section leaders, the non-paid singers might feel “extra,” whereas the paid singers are all that’s necessary. Our current arrangement causes me sleepless nights filled with worry—it’s true—but in my humble opinion the singers appreciate being needed. 2

If I were to employ paid singers again—and I reserve the right to change my mind!—I would do so through an established program. I would avoid making statements like one I’ll never forget, directed at a section leader whose attendance was poor: “Remember, if you don’t show up on Holy Thursday, you won’t get your $40.00.” It would be understood that section leaders receive a stipend provided in a subtle, equitable, and dignified manner. 3

When the lights break in the church, we pay an electrician. Priests, of course, are always paid (salary, health insurance, living expenses, cost of transportation, and so on). Organists, too, are generally paid, which I think is appropriate. Yet, in all my years serving as an Altar Boy—acolyte, thurifer, torchbearer, and master of ceremonies—I only remember getting paid once: for a funeral. I suppose much depends on local custom.



NOTES FROM THIS ARTICLE:

1   With regard to paying the choirmaster, I have no issue with this, but I also worked for years as a volunteer choirmaster & organist. Justice would seem to demand compensation in this case, since preparing for Sunday can easily require 40+ hours of hard work each week.

2   I recall sharing my views while serving on a discussion panel in front of an audience. One of my colleagues muttered something like, “It’s a pity you don’t hold your choir to the highest standards.” However, one can still have high standards while following the program I’ve outlined, where volunteer singers are found in one’s parish. Furthermore, if there’s excess money, it could be spent on other things that would improve the sacred music, such as hiring a music teacher for children in the parish. In short, I disagree with that panelist’s statement.

3   I once worked at a large parish where the administration constantly forgot to pay me. Twice or thrice each month I was forced to beg the secretary for my paycheck; it was truly humiliating. But these same folks somehow consistently remembered to pay the electric bill.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

I want to say one thing to you strongly, especially today: virginity for the Kingdom of God is not a “no,” it is a “yes!”

— Pope Francis (10/4/2013)

Recent Posts

  • “Innsbruck Hymn” • Bach Saint Matthew Passion
  • Stumped by “Episcopalian Hymnal” (1910)
  • Dr. Tappan • Answers + Analysis: My “Inquiry” For Music Directors (3,087 words)
  • Eucharistic Hymns for Your Choir
  • Fulton J. Sheen • “24-Hour Catechism”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.