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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cake or Frosting?

Andrew Leung · August 27, 2015

CTL Cake AST WEEK, I posted about the danger of confusing Praise and Worship and the actual Worship, the Liturgy. My post and the article on the LifeTeen blog led to some intense discussions. The discussions were mainly on the meaning of the term “Worship”. The term itself might have different meanings based on different religions and dictionaries. But in the Roman Catholic tradition, it has always meant the Liturgy, that is the Mass, Liturgy of the Hours, Sacraments, Exposition and Benediction. Because of that, the term “Worship” should not be watered down to just any prayer meeting, like praise with guitars and drums.

During our discussion, this following line came up:

I find praise and worship odd when the Blessed Sacrament is not present.

I do not wish to discuss whether praise music should be sung during Exposition and other liturgies because that is not the point of this post. I would like to focus on the sentence above objectively. I have heard similar lines from people many times when I was in Steubenville. I totally understand what my friend was trying to say and some of you might think what I am about to do is just me being too picky. But bear with me.

After I read the line, I felt there is something wrong with it and it is disturbing. I tried to look at the sentence objectively and analyze the structure of the sentence: “praise and worship” is the subject and “Blessed Sacrament” is the object of the line. If the Eucharist is the source and summit, shouldn’t this sentence be reverse? Saying that the Eucharist makes praise and worship better is basically saying that praise and worship is the cake and the Eucharist is the frosting. But the truth is, the Eucharist is the cake, the source and summit, and praise and worship is the frosting, devotion that leads us to Christ.

Now, let’s apply the same idea to Sacred Music and the Liturgy. Sacred Music is the handmaid of the Liturgy. The Liturgy is the cake and Sacred Music is the frosting; Liturgical Music elevates the minds of the Faithful to God and add solemnity to the Liturgy.

OR MANY church musicians, now is the beginning of a new music season. We need to be careful not to reverse the cake and the frosting. We need to remember to “sing the Mass”, but not just “sing at Mass”. We must pray as we sing. It is not a performance, however, nice-looking frosting attracts people and “elevate people’s minds”; quality and certain level of perfection is still required. Similarly, quality and authentic Sacred Music (or as the Church said: Holy, Beautiful and Universal music) will lead people to our Lord.

Now would be a good time to learn or review how to Sing Prayerfully.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading into the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Archbishop Dwyer of Portland (26-Oct-1973)

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  • Dr. Mahrt explains the ‘Spoken’ Propers
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