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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Improve Your Parish’s Liturgy … Instantaneously!

Jeff Ostrowski · August 18, 2015

394 Donald Trump Hillary Clinton RAVELING BY CAR and bored, I turned on a popular radio talk show. The host kept screaming: “The Republican debate got 24 million viewers; who cares? Big deal. It wasn’t run correctly.” He insisted that debates shouldn’t have moderators, and I don’t disagree. The only “moderator” should be an hour glass, just like the Lincoln–Douglas debates of 1858. 1

But I soon switched off the radio, because his approach annoyed me. 2 It’s easy to scream into a microphone all day, but when it comes to forming a coalition to remove all moderators, he wouldn’t lift a finger. Provoking people and getting them riled up is one thing; bringing forth something positive is quite another.

Many liturgical “pundits” fall into the same category. They tell everyone else what to do, yet are unwilling to do the hard work in their own parish. Let’s be honest: working to improve liturgy at the local level—teaching real singers, educating real parishioners—is immensely challenging. Richard Clark and Aurelio Porfiri often share their stories about such difficulties, and I suspect anyone involved in Church music can relate. 3 However, a new publication has come along which should make this very tough job a little easier.

A SPECIAL TEAM OF CATHOLICS came together 4 to produce what I would suggest is the easiest way to instantly improve your parish liturgy. You’ve heard me talk about this pew book before. It’s called the JOGUES ILLUMINATED MISSAL, LECTIONARY, & GRADUAL.

996 Pentecost 995 Exterior 986 Creator Fulness


Even if your parish is nowhere near singing the Propers, this book will change lives. Rather than explain the Propers, it shows you the Propers each Sunday. Rather than explain how Catholics honor the Word of God, it shows you, by a unique & splendid formatting for the Readings. Complete keyboard accompaniments for the Gospel Acclamations & Responsorial Psalms are available online, and the book’s luscious artwork is a veritable catechism class. The formatting of the Order of Mass is unmatched, and includes ancient manuscripts demonstrating the astonishing antiquity of the Mass:

4494 Exsultet 985 4495 Petrus 001 992 Agnus 990 Per Ipsum 989 Therefore 987 Pange Lingua


The Jogues Missal avoids a “cut and paste” feel. Look at these images and see if you can understand what I’m getting at:

984 Cut And Paste 983 Cut And Paste 982 Cut And Paste


Congregations will simply ignore blobs of text like that. Moreover, such formatting is monotonous for the eye. On the contrary, the Jogues directs the eye:

997 Renovabis 993 Cease 988 For Seeing


Let me repeat: even if your parish doesn’t sing a single Mass Proper—and most do not—your congregation will still see the Propers each Sunday. Pastors can even make reference to the Entrance Chant or Offertory, e.g. during the homily. With the passage of time, your congregation will begin to wonder why the Propers are not being sung; and it’s all downhill from there!

Until we are blue in the face, we could repeat what Vatican II said about Gregorian chant. The Council declared that chant must be given “first place” in the liturgy 5 but five decades later, less than 1% of our parishes sing even 1% of the Propers. The Jogues Missal is the easiest way to begin fixing this situation.

P.S.

When discussing the sacred liturgy, always keep things on an adult level.



NOTES FROM THIS ARTICLE:

1   For the record, if this same radio host had been invited to ask the questions in front of 24 million viewers, he would have taken part (notwithstanding his objections). But that’s another story…involving sour grapes.

2   I’ve come to realize it’s unhealthy to spend time listening to those with unlimited energy to complain. Time is too precious a gift from God to spend it in such a way, in my humble opinion.

3   Learning to play an instrument is hard enough, but choirmasters must do so much more. Musicians are also very sensitive, so the smallest incidents cause us massive amounts of pain.

4   Our team included members of the Church Music Association of America, Corpus Christi Watershed, folks from Christendom College, experts in the Extraordinary Form, experts from the Anglican Ordinariate, and (of course) priests from the Ordinary Form.

5   Cf. Sacrosanctum Concilium, §116.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL New Translation of the Roman Missal Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

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  • Music List • (1st Sunday of Lent)

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