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Views from the Choir Loft

Improve Your Parish’s Liturgy … Instantaneously!

Jeff Ostrowski · August 18, 2015

394 Donald Trump Hillary Clinton RAVELING BY CAR and bored, I turned on a popular radio talk show. The host kept screaming: “The Republican debate got 24 million viewers; who cares? Big deal. It wasn’t run correctly.” He insisted that debates shouldn’t have moderators, and I don’t disagree. The only “moderator” should be an hour glass, just like the Lincoln–Douglas debates of 1858. 1

But I soon switched off the radio, because his approach annoyed me. 2 It’s easy to scream into a microphone all day, but when it comes to forming a coalition to remove all moderators, he wouldn’t lift a finger. Provoking people and getting them riled up is one thing; bringing forth something positive is quite another.

Many liturgical “pundits” fall into the same category. They tell everyone else what to do, yet are unwilling to do the hard work in their own parish. Let’s be honest: working to improve liturgy at the local level—teaching real singers, educating real parishioners—is immensely challenging. Richard Clark and Aurelio Porfiri often share their stories about such difficulties, and I suspect anyone involved in Church music can relate. 3 However, a new publication has come along which should make this very tough job a little easier.

A SPECIAL TEAM OF CATHOLICS came together 4 to produce what I would suggest is the easiest way to instantly improve your parish liturgy. You’ve heard me talk about this pew book before. It’s called the JOGUES ILLUMINATED MISSAL, LECTIONARY, & GRADUAL.

996 Pentecost 995 Exterior 986 Creator Fulness


Even if your parish is nowhere near singing the Propers, this book will change lives. Rather than explain the Propers, it shows you the Propers each Sunday. Rather than explain how Catholics honor the Word of God, it shows you, by a unique & splendid formatting for the Readings. Complete keyboard accompaniments for the Gospel Acclamations & Responsorial Psalms are available online, and the book’s luscious artwork is a veritable catechism class. The formatting of the Order of Mass is unmatched, and includes ancient manuscripts demonstrating the astonishing antiquity of the Mass:

4494 Exsultet 985 4495 Petrus 001 992 Agnus 990 Per Ipsum 989 Therefore 987 Pange Lingua


The Jogues Missal avoids a “cut and paste” feel. Look at these images and see if you can understand what I’m getting at:

984 Cut And Paste 983 Cut And Paste 982 Cut And Paste


Congregations will simply ignore blobs of text like that. Moreover, such formatting is monotonous for the eye. On the contrary, the Jogues directs the eye:

997 Renovabis 993 Cease 988 For Seeing


Let me repeat: even if your parish doesn’t sing a single Mass Proper—and most do not—your congregation will still see the Propers each Sunday. Pastors can even make reference to the Entrance Chant or Offertory, e.g. during the homily. With the passage of time, your congregation will begin to wonder why the Propers are not being sung; and it’s all downhill from there!

Until we are blue in the face, we could repeat what Vatican II said about Gregorian chant. The Council declared that chant must be given “first place” in the liturgy 5 but five decades later, less than 1% of our parishes sing even 1% of the Propers. The Jogues Missal is the easiest way to begin fixing this situation.

P.S.

When discussing the sacred liturgy, always keep things on an adult level.



NOTES FROM THIS ARTICLE:

1   For the record, if this same radio host had been invited to ask the questions in front of 24 million viewers, he would have taken part (notwithstanding his objections). But that’s another story…involving sour grapes.

2   I’ve come to realize it’s unhealthy to spend time listening to those with unlimited energy to complain. Time is too precious a gift from God to spend it in such a way, in my humble opinion.

3   Learning to play an instrument is hard enough, but choirmasters must do so much more. Musicians are also very sensitive, so the smallest incidents cause us massive amounts of pain.

4   Our team included members of the Church Music Association of America, Corpus Christi Watershed, folks from Christendom College, experts in the Extraordinary Form, experts from the Anglican Ordinariate, and (of course) priests from the Ordinary Form.

5   Cf. Sacrosanctum Concilium, §116.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL New Translation of the Roman Missal Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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