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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Vesting Prayers • Part 4 of 9

Fr. David Friel · July 26, 2015

HE WORD “ALB” is simply the Latin word for “white,” so it should be no surprise that the alb is always made with white fabric. Its basic purpose is to cover the minister’s secular clothing during the sacred liturgy, thereby reminding those present that what transpires in the sanctuary is a foretaste of the heavenly realm.

The imagery of the saints wearing white in heaven is scriptural. In the Book of Revelation, the bride of the Lamb is described wearing “a bright, clean linen garment” (Rev 19:8). Later in the same chapter, “the armies of heaven” are said to be riding horses and “wearing clean white linen.” The magnificent hymn, Te Deum, moreover, refers to the “white-robed army of martyrs” praising God (Te mártyrum candidátus laudat exércitus).

Another facet of the alb’s significance is that it should serve to remind us of our Baptismal identity. In this sense, the alb hearkens to mind the white garment we received at our first Sacrament, as well as the Pauline theme of “putting on” Christ (“All of you who were baptized into Christ have put on Christ,” Gal 3:27; “Clothe yourselves with the Lord Jesus Christ,” Rom 13:14; “Put on the new self,” Eph 4:24).

As the priest puts on his alb, he offers the following prayer:

Dealba me, Domine, et munda cor meum; ut, in sanguine Agni dealbatus, gaudiis perfruare sempiternis.

Cleanse me, O Lord, and purify my heart, that, washed in the Blood of the Lamb, I may attain unto everlasting joys.

There is a very surprising image used in this prayer, and it centers on the rich word dealbatus. The English translation I have provided above gives this word as “washed,” but it could more literally be translated as “having been made white.” The word “alb” even appears within this longer word. Isn’t it curious to suggest that, being washed in Blood, one may be made white? This unusual image, I believe, is meant to strike our ears strangely, leading us to deeper meditation on the cleansing power of Christ’s sacrifice.

In the latter portion of the prayer, a complex word appears. Perfruare is the second-person singular form of the present active subjunctive. It is, furthermore, a deponent verb (i.e., a verb that is active in meaning but passive in form). The use of the subjunctive here makes a beautiful theological point. The prayer asks that the one praying might become worthy/deserving of everlasting joys. Implicit in the prayer, therefore, is the notion that we are not, of ourselves, worthy or deserving of heavenly bliss. We may become so, though, by the sanctifying grace that comes to us by the action of the sacred liturgy.

Yet another phrase in this prayer warrants closer consideration. The words Munda cor meum appear not only in this vesting prayer, but also in one of the private prayers prayed inaudibly during Holy Mass. These are the opening words of the prayer of preparation offered by the deacon or priest before proclaiming the Gospel. At both of these moments, how fitting it is to offer a preparatory prayer for purity.

Like the other vestments we are considering in this series, the alb is traditionally a priestly vestment. In recent decades, this understanding has been eroded as the alb has been reinvented as the vesture for a variety of functions within the liturgy. JMO considers this topic HERE.

Next week, we shall consider the vesting prayer associated with the cincture.

Part 1 • Introduction

Part 2 • The Hand Washing

Part 3 • The Amice

Part 4 • The Alb

Part 5 • The Cincture

Part 6 • The Maniple

Part 7 • The Stole

Part 8 • The Chasuble

Part 9 • The Dalmatic

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditional Catholic Vestments, Vesting Prayers Last Updated: March 29, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

— Robert Cardinal Sarah (23-sep-2019), chosen by Pope Francis to be the Vatican’s chief liturgist

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