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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Annibale Bugnini’s Commentary (June 1967)

Jeff Ostrowski · July 2, 2015

570 Hannibal Bugnini IMAGE HEN I FIRST READ Annibale Bugnini’s massive book, “The Reform of the Liturgy,” I recall being struck by his polemical—almost petulant—tone. It was as if all his pent-up ire finally had an opportunity to be released, and he reserved special contempt for one of the heroes of sacred music, Msgr. Johannes Overath. For Bugnini, there was no such thing as a valid criticism or suggestion; these were labeled as “attacks” (a word he uses constantly throughout the 974 pages of his book).

The tone is quite different this 1967 document in which Bugnini reflects on Tres Abhinc Annos (a.k.a. “The Second Instruction”) promulgated on 4 May 1967:

    * *  PDF • Commentary on TRES ABHINC ANNOS

This document is unimportant—since massive liturgical changes came two years later—but what’s interesting is Bugnini’s euphoric tone and overstated claims about liturgical changes. His testimony is 100% at odds with what I’ve been told by priests and laymen who experienced the reforms of the 1960s, yet Bugnini claims the changes have “been received everywhere with great satisfaction.” For instance:

The faithful everywhere have responded generously, and have greeted the “new” liturgy with great joy. There can be no doubt that interest in the liturgy has increased…

The recent “Second Instruction” on liturgical modifications has been received everywhere with great satisfaction and…with a spirit of joy…

Yet, you can see from his commentary that he desires more. For instance:

Our experience of the vernacular, and of celebrations versus populum, has shown that certain particular ceremonies are no longer of use; they can easily be changed, without altering the present liturgical books, in harmony with the guidelines of the renewal.

It’s also important to read Cardinal Antonelli’s testimony regarding Archbishop Bugnini.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

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