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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Beware Of Microphones!

Jeff Ostrowski · July 8, 2015

531 microphone image N THE PAST, I mentioned how choir directors must have the integrity to record their choirs “live” and carefully listen to the results. On the CCW Facebook page, someone made a very intelligent comment. He said the microphone will never give an accurate representation. Nevertheless, a few weeks ago, we placed a cheap microphone at the very front of the Church, behind a pillar. I wanted to see how our choir sounded to the congregation so we could make improvements.

The recording came out decent, but not stupendous … let me explain why.

The balance and tone as presented by the cheap microphone struck me as incorrect—and I was confused. Was I not present during this Mass? Did I not hear our choir with my own ears?

Somebody might respond, “Jeff, that just proves your ears aren’t very good; the microphone doesn’t lie.” However, my mother was present during that Mass and recorded brief snippets on her iPhone. Her recordings proved that my memory was correct—for instance, about the balance of voices. 1

HERE’S THE BOTTOM LINE: the guy on Facebook was correct. Microphones sometimes provide an inaccurate record. 2

I don’t have the clips from my mother’s cell phone, but I do have several clips captured by the cheap microphone (the one hidden behind a pillar). Feel free to listen to these clips, but please remember our choir sounds much nicer in real life!

    * *  Excerpt • ALLELUIA

    * *  Excerpt • COMMUNION

    * *  Excerpt • HOSANNA

    * *  Excerpt • GLORIA

    * *  Excerpt • CREDO

The final clip (“Credo”) really told me something was wrong with the recording because—as you can hear—the organ is almost too loud for the soloist. I can assure that was NOT the case!  But I would undoubtedly still be second-guessing myself if I hadn’t listened to my mother’s cell phone recording, which was located at the center of the nave.



NOTES FROM THIS ARTICLE:

1   I am sensitive to the balance between organ and voice. During the recording session for an audio CD back in 2003, the microphone was placed too close to the organ, so I had to reassemble the entire schola—including the organist—to redo the whole session. During my college years, I attended a local parish and the organist played so loudly throughout Mass my head hurt for a week.

2   Please note: I’m not here concerned with poor quality recordings per se. After all, I’m someone who grew up listening to scratchy, awful, distorted records of the Golden Age Pianists, and no one has a greater love for such things or spent more time enjoying them than I. One eventually learns to focus on the music beneath all the surface noise.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Subsequent changes were more radical than those intended by Pope John and the bishops who passed the decree on the liturgy.”

— John Cardinal Heenan (1974)

Recent Posts

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  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)
  • PDF Download • Simplified Keyboard Accompaniments for Lenten Hymns
  • Ending Good Friday on “Mi” … ?

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