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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update IV

Fr. David Friel · June 4, 2015

NE OF THE MOST engaging talks we heard during this conference came from one of the co-organizers of the event, Rev. Richard Cipolla, now pastor of St. Mary’s Church in Norwalk, CT. Under the title “Liturgy as the Source of Priestly Identity,” Fr. Cipolla’s words were of interest to clergy & laity alike.

He remarked at one point about the poverty of the term “presider,” which ignores the essential character of priestly life. The priest, after all, is more than just a random person appointed to lead the assembly; he is the one charged with the duty of offering the sacrifice. In Fr. Cipolla’s words, “To refer to the priest as ‘presider’ surely does damage to his priestly identity.”

After making this point, Fr. Cipolla raised the topic of ad orientem worship, which he considers the natural consequence of reclaiming the sacrificial character of the priest. When the Holy Sacrifice is offered versus populum, this posture forces the priest to engage congregants as if “across the table,” instead of joining in the sacrifice as one of them (and as their leader). Fr. Cipolla encouraged us to reject “the positivism that says what has happened over the last fifty years is necessarily good and true and just.” I hope & expect that the experiment of versus populum Masses will be retired in the years ahead.

There was one more significant point made in this lecture, and it concerned papal infallibility. A convert from Anglicanism, himself, Fr. Cipolla is a well learned devotee of John Henry Cardinal Newman. Cardinal Newman feared the result of defining papal infallibility, not because he disbelieved it, but because of the resulting ultramontanism it might engender.

One could easily argue that the last century-and-a-half of Church history has been significantly influenced by various strains of ultramontanism. In the view of Fr. Cipolla, this is “one of the biggest challenges facing the Church in the 21st Century.”

LET ME CLOSE with a quick word about the beautiful conference liturgies. These celebrations were all held in the parish church of Saint Catherine of Siena in the Upper East Side, staffed by Dominicans.

On our first evening here, we joined in prayer at Solemn Vespers in the presence of a greater prelate, according to the Extraordinary Form. Vespers were sung by the Schola Dominicana of the parish, itself. His Eminence, Raymond Leo Cardinal Burke processed in cappa magna and sat upon a faldstool erected in the sanctuary.

Late on Tuesday afternoon, we assisted at a Solemn Votive Mass of the Holy Angels, celebrated in the Extraordinary Form by Father Sean Connolly, a newly-ordained priest of the Archdiocese of New York. During this Mass, the inimitable David Hughes served as organist, and his student schola sang the Gregorian propers & a playful polyphonic Mass (Missa Ego flos campi, Juan Gutiérrez de Padilla).

Wednesday concluded with the celebration of a Pontifical Mass in Latin in the Novus ordo. This Mass was offered by Archbishop Cordileone and a limited group of concelebrants. Music was provided by the professional Schola Cantorum of the Church of St. Agnes (where Bishop Fulton Sheen often preached). Led by organist & choirmaster James D. Wetzel, the choir sang Josef Rheinberger’s Mass in E Flat Major.

The final day of the conference fortuitously fell on the Solemnity of Corpus Christi, so a solemn Mass in the Extraordinary Form was celebrated by Most Reverend Joseph Perry, Auxiliary Bishop of Chicago. Musicians included a mix of those who were involved in the earlier liturgies. The conference concluded with a Eucharistic procession through the streets, including stops at St. John Nepomucene Church and St. Vincent Ferrer Church.

HIS WILL CONCLUDE my reporting on Sacra Liturgia USA 2015. There are also many other things that could be said about these wonderful days, but if these were to be described individually, I do not think Views from the Choir Loft could contain the posts that would be written. I am grateful to all the organizers & speakers who have made this conference so instructive, so timely, and so well worth attending. It is my hope that the Sacra Liturgia movement will grow, beginning in July 2016 in London. May the good work begun in these days bear fruit in many souls!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Blessed John Henry Cardinal Newman, Cappa Magna Liturgical Vestment, Extraordinary Form 1962 Missal, Raymond Cardinal Leo Burke, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Let the candle upon the reed be lighted, and let another candle be lighted at the same time, so that the candle upon the reed can be rekindled if it should chance to be blown out.”

— MS circa 1210 A.D. describing the Holy Saturday ‘Trident’

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