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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update III

Fr. David Friel · June 3, 2015

HE FIRST lecture given on Wednesday came from Archbishop Cordileone, who spoke on “Liturgical Leadership in a Secular Society: A Bishop’s Perspective.” As the Ordinary of San Francisco, the archbishop’s reflections have particular significance.

One of the core points made by Archbishop Cordileone concerned the manner in which one should read Sacrosanctum Concilium. This document, he said, must not be read in isolation. It should, rather, be read in the light of the liturgical movement that preceded it and the liturgical documents that followed it. In this way, we are able truly to embrace the “hermeneutic of continuity” advocated by Cardinal Ratzinger/Pope Benedict XVI.

Another very interesting facet of the archbishop’s presentation was a brief reflection on the significance of veiling in Catholic tradition. “In Christian liturgy,” he observed, “the sacred is veiled.” We see this even in the activities of ordinary human life, wherein we veil birthday gifts, our bodies, etc. In addition to this natural sort of veiling, Catholics also veil things such as chalices and tabernacles. Traditionally, women have often veiled their heads during worship, in token of their special role as bearers of life. Archbishop Cordileone noted that, in former times, a screen would sometimes be hung between two pillars of the baldacchino to form a sort of “tent” around the holy of holies. He challenged us to recover an appreciation for the mysterious significance of veiling.

I was intrigued by a historical observation that Archbishop Cordileone shared with conference attendees. He acknowledged that the modern world largely did away with faith—a reality that is fairly easy to observe. He then suggested that our post-modern world, in which we now live, is doing away with reason. This is something that I think warrants further thought and discussion.

Another interesting presentation was given by Mr. Matthew Menendez, whose talk was entitled “Youth and the Liturgy.” A young man himself, Matt is the founder of Juventutem Boston and a graduate of Harvard University.

He explained how several priests had a significant role in his faith formation as a child. In particular, he recalls having been invited to special tasks, as part of a select group of servers whom the priests trained—rather, formed—in the liturgy. Matt encouraged us priests to learn from this model and to implement it in our pastoral ministry. By offering such special liturgical formation, we engage young people deeply and challenge them to become missionaries who share their formation with others. This model, Menendez noted, is the one Jesus chose for His public ministry.

Some attention was given during this lecture to the phenomenon of “youth Masses” attracting congregations largely composed of baby boomers. Menendez recommended that we not accept unquestioningly the “youth culture imposed by the elderly.” These are wise words. They reminded me of those two remarkable chapters from Jeffrey Tucker’s book, Sing Like A Catholic, “A Letter to Praise and Worship Musicians” and “The New Youth Mass.”

This lecture also spoke to the experience of the American Catholic millennial. In particular, Matt highlighted a contradiction that many millennials feel—a detrimental contradiction that needs to be addressed. On the one hand, we millennials look around and see how much the liturgy has changed since the Second Vatican Council; on the other hand, we are told that Church teaching on many controversial social issues cannot be changed. While I am personally able to reconcile this, many of my fellow millennials have (perhaps a bit subconsciously) left the Church on account of precisely this apparent contradiction. Indeed, the unchanging nature of church doctrine might be easier to accept if our liturgy had been subjected to less radical change in the post-conciliar period.

One day of Sacra Liturgia USA 2015 remains. I look forward to sharing a few more thoughts about the experience with you tomorrow.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

Recent Posts

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  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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