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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update III

Fr. David Friel · June 3, 2015

HE FIRST lecture given on Wednesday came from Archbishop Cordileone, who spoke on “Liturgical Leadership in a Secular Society: A Bishop’s Perspective.” As the Ordinary of San Francisco, the archbishop’s reflections have particular significance.

One of the core points made by Archbishop Cordileone concerned the manner in which one should read Sacrosanctum Concilium. This document, he said, must not be read in isolation. It should, rather, be read in the light of the liturgical movement that preceded it and the liturgical documents that followed it. In this way, we are able truly to embrace the “hermeneutic of continuity” advocated by Cardinal Ratzinger/Pope Benedict XVI.

Another very interesting facet of the archbishop’s presentation was a brief reflection on the significance of veiling in Catholic tradition. “In Christian liturgy,” he observed, “the sacred is veiled.” We see this even in the activities of ordinary human life, wherein we veil birthday gifts, our bodies, etc. In addition to this natural sort of veiling, Catholics also veil things such as chalices and tabernacles. Traditionally, women have often veiled their heads during worship, in token of their special role as bearers of life. Archbishop Cordileone noted that, in former times, a screen would sometimes be hung between two pillars of the baldacchino to form a sort of “tent” around the holy of holies. He challenged us to recover an appreciation for the mysterious significance of veiling.

I was intrigued by a historical observation that Archbishop Cordileone shared with conference attendees. He acknowledged that the modern world largely did away with faith—a reality that is fairly easy to observe. He then suggested that our post-modern world, in which we now live, is doing away with reason. This is something that I think warrants further thought and discussion.

Another interesting presentation was given by Mr. Matthew Menendez, whose talk was entitled “Youth and the Liturgy.” A young man himself, Matt is the founder of Juventutem Boston and a graduate of Harvard University.

He explained how several priests had a significant role in his faith formation as a child. In particular, he recalls having been invited to special tasks, as part of a select group of servers whom the priests trained—rather, formed—in the liturgy. Matt encouraged us priests to learn from this model and to implement it in our pastoral ministry. By offering such special liturgical formation, we engage young people deeply and challenge them to become missionaries who share their formation with others. This model, Menendez noted, is the one Jesus chose for His public ministry.

Some attention was given during this lecture to the phenomenon of “youth Masses” attracting congregations largely composed of baby boomers. Menendez recommended that we not accept unquestioningly the “youth culture imposed by the elderly.” These are wise words. They reminded me of those two remarkable chapters from Jeffrey Tucker’s book, Sing Like A Catholic, “A Letter to Praise and Worship Musicians” and “The New Youth Mass.”

This lecture also spoke to the experience of the American Catholic millennial. In particular, Matt highlighted a contradiction that many millennials feel—a detrimental contradiction that needs to be addressed. On the one hand, we millennials look around and see how much the liturgy has changed since the Second Vatican Council; on the other hand, we are told that Church teaching on many controversial social issues cannot be changed. While I am personally able to reconcile this, many of my fellow millennials have (perhaps a bit subconsciously) left the Church on account of precisely this apparent contradiction. Indeed, the unchanging nature of church doctrine might be easier to accept if our liturgy had been subjected to less radical change in the post-conciliar period.

One day of Sacra Liturgia USA 2015 remains. I look forward to sharing a few more thoughts about the experience with you tomorrow.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

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