• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Battles” in the Church (Part 1 of 2)

Andrew Leung · June 11, 2015

CTL Battles in the Church AST WEEK, one of the big news in the World of Sacred Music and Liturgy was the Resignation of Mr. John Romeri. According to reports, the resignation was due to different views on liturgical music between him and the Archbishop Chaput. While it was very sad to hear this new, I realize that tensions like this one are very common in the Church nowadays. There are people being labeled as “traditional” and others are accused of being “progressive”. I would like to share some of my observations and humble opinions on these “battles”. But before that, I want to be clear about my intention of this post. I am not trying to divide the Church, nor to start fights. I just want to point out these tensions and we can all work on solving the problems.

From my observation, tensions over the Liturgy can be summarize into these three “battles”:

(1) Theocentric Vs. Anthropocentric — Jeff Ostrowski shared a video the other day. In the video, we can see that the action of the priest was anthropocentric, regarding human being as the central. The Catholic Liturgy is supposed to be the exactly opposite, the Mass is a Sacred Mystery. It is not the work of man that has primacy in the celebration but the work of God, the Lord’s Death and Resurrection. We, the Christian faithful, are invited to participate in this mystery, the anticipation of the heavenly banquet. Therefore, God must be the center of the Liturgy and entertainment, whether it is in the form of music, speech/homily or dancing, should not be brought into the Liturgy.

(2) Liturgy Vs. Devotions — Since the Liturgy is the Sacred Mystery, the Church gave us some liturgical norms to help us enter into the Sacrifice of the Mass. These rubrics for the public Worship are not external appendices, but they express the reality of the Mystery and reveal our faith. In order to celebrate the Mass well, we must humble ourselves and follow these instructions even though we might prefer to pray in some other ways. To be faithful to the Liturgy is a practice of humility and obedience. There are many beautiful devotions that help people deepen their relationships with Christ and devotions definitely have their place in the Church, but not necessarily in the Liturgy. For example, there are Christian music, like This Little Light of Mine, that are not meant to be sung in the Liturgy but can be good for devotional purpose. To avoid this battle, we need to learn more about the Liturgy by reading Church documents and other books about the theology of the Mass.

(3) Reformation Vs. Revolution — The Liturgical Movement started in the beginning of the last century and the Vatican II both called for reformation of the Liturgy. “Tradition” is a term that appears a lot with the term “reformation”. The Church always talks about reforming or renewing the Liturgy in light of tradition. A revolution is to overthrow and destroy the old things and a reformation is to modify and renew, but preserving the tradition. A lot of modern church art, architecture and music were created with the idea of “revolution”, but not “reformation”. Unfortunately, the chapel of my alma mater is one of those examples. As Catholic, we need to understand the difference between these two terms and reform the Liturgy in light of tradition.

Again, I am not proposing fights here. In order to end these “battles”, dialogues, debates and discussions need to happen. On the other hand, there are some “battles” that should be stopped and I will be posting about them next week.

“Battles” in the Church (Part 2 of 2)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

Recent Posts

  • PDF Download • “Tantum Ergo” for 3 Voices (Kevin Allen) Paired with a Hymn for 2 Voices
  • Active Participation • “Participatio Actuosa”
  • “Holy Name Hymn” (2-Voice Arrangement)
  • PDF Download • Introit (3rd Sn. Ord.)
  • “New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.