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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Battles” in the Church (Part 1 of 2)

Andrew Leung · June 11, 2015

CTL Battles in the Church AST WEEK, one of the big news in the World of Sacred Music and Liturgy was the Resignation of Mr. John Romeri. According to reports, the resignation was due to different views on liturgical music between him and the Archbishop Chaput. While it was very sad to hear this new, I realize that tensions like this one are very common in the Church nowadays. There are people being labeled as “traditional” and others are accused of being “progressive”. I would like to share some of my observations and humble opinions on these “battles”. But before that, I want to be clear about my intention of this post. I am not trying to divide the Church, nor to start fights. I just want to point out these tensions and we can all work on solving the problems.

From my observation, tensions over the Liturgy can be summarize into these three “battles”:

(1) Theocentric Vs. Anthropocentric — Jeff Ostrowski shared a video the other day. In the video, we can see that the action of the priest was anthropocentric, regarding human being as the central. The Catholic Liturgy is supposed to be the exactly opposite, the Mass is a Sacred Mystery. It is not the work of man that has primacy in the celebration but the work of God, the Lord’s Death and Resurrection. We, the Christian faithful, are invited to participate in this mystery, the anticipation of the heavenly banquet. Therefore, God must be the center of the Liturgy and entertainment, whether it is in the form of music, speech/homily or dancing, should not be brought into the Liturgy.

(2) Liturgy Vs. Devotions — Since the Liturgy is the Sacred Mystery, the Church gave us some liturgical norms to help us enter into the Sacrifice of the Mass. These rubrics for the public Worship are not external appendices, but they express the reality of the Mystery and reveal our faith. In order to celebrate the Mass well, we must humble ourselves and follow these instructions even though we might prefer to pray in some other ways. To be faithful to the Liturgy is a practice of humility and obedience. There are many beautiful devotions that help people deepen their relationships with Christ and devotions definitely have their place in the Church, but not necessarily in the Liturgy. For example, there are Christian music, like This Little Light of Mine, that are not meant to be sung in the Liturgy but can be good for devotional purpose. To avoid this battle, we need to learn more about the Liturgy by reading Church documents and other books about the theology of the Mass.

(3) Reformation Vs. Revolution — The Liturgical Movement started in the beginning of the last century and the Vatican II both called for reformation of the Liturgy. “Tradition” is a term that appears a lot with the term “reformation”. The Church always talks about reforming or renewing the Liturgy in light of tradition. A revolution is to overthrow and destroy the old things and a reformation is to modify and renew, but preserving the tradition. A lot of modern church art, architecture and music were created with the idea of “revolution”, but not “reformation”. Unfortunately, the chapel of my alma mater is one of those examples. As Catholic, we need to understand the difference between these two terms and reform the Liturgy in light of tradition.

Again, I am not proposing fights here. In order to end these “battles”, dialogues, debates and discussions need to happen. On the other hand, there are some “battles” that should be stopped and I will be posting about them next week.

“Battles” in the Church (Part 2 of 2)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“The chants of the Proper of the Mass—that is, the Introit, Gradual, Offertory, Communion—in sung Masses may be chanted in the vernacular to melodies legitimately approved.”

— Statement (20 April 1964) by the Consilium, the group Paul VI put in charge of inventing the New Mass

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  • What does this mean? “Pre-Urbanite”

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