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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Battles” in the Church (Part 1 of 2)

Andrew Leung · June 11, 2015

CTL Battles in the Church AST WEEK, one of the big news in the World of Sacred Music and Liturgy was the Resignation of Mr. John Romeri. According to reports, the resignation was due to different views on liturgical music between him and the Archbishop Chaput. While it was very sad to hear this new, I realize that tensions like this one are very common in the Church nowadays. There are people being labeled as “traditional” and others are accused of being “progressive”. I would like to share some of my observations and humble opinions on these “battles”. But before that, I want to be clear about my intention of this post. I am not trying to divide the Church, nor to start fights. I just want to point out these tensions and we can all work on solving the problems.

From my observation, tensions over the Liturgy can be summarize into these three “battles”:

(1) Theocentric Vs. Anthropocentric — Jeff Ostrowski shared a video the other day. In the video, we can see that the action of the priest was anthropocentric, regarding human being as the central. The Catholic Liturgy is supposed to be the exactly opposite, the Mass is a Sacred Mystery. It is not the work of man that has primacy in the celebration but the work of God, the Lord’s Death and Resurrection. We, the Christian faithful, are invited to participate in this mystery, the anticipation of the heavenly banquet. Therefore, God must be the center of the Liturgy and entertainment, whether it is in the form of music, speech/homily or dancing, should not be brought into the Liturgy.

(2) Liturgy Vs. Devotions — Since the Liturgy is the Sacred Mystery, the Church gave us some liturgical norms to help us enter into the Sacrifice of the Mass. These rubrics for the public Worship are not external appendices, but they express the reality of the Mystery and reveal our faith. In order to celebrate the Mass well, we must humble ourselves and follow these instructions even though we might prefer to pray in some other ways. To be faithful to the Liturgy is a practice of humility and obedience. There are many beautiful devotions that help people deepen their relationships with Christ and devotions definitely have their place in the Church, but not necessarily in the Liturgy. For example, there are Christian music, like This Little Light of Mine, that are not meant to be sung in the Liturgy but can be good for devotional purpose. To avoid this battle, we need to learn more about the Liturgy by reading Church documents and other books about the theology of the Mass.

(3) Reformation Vs. Revolution — The Liturgical Movement started in the beginning of the last century and the Vatican II both called for reformation of the Liturgy. “Tradition” is a term that appears a lot with the term “reformation”. The Church always talks about reforming or renewing the Liturgy in light of tradition. A revolution is to overthrow and destroy the old things and a reformation is to modify and renew, but preserving the tradition. A lot of modern church art, architecture and music were created with the idea of “revolution”, but not “reformation”. Unfortunately, the chapel of my alma mater is one of those examples. As Catholic, we need to understand the difference between these two terms and reform the Liturgy in light of tradition.

Again, I am not proposing fights here. In order to end these “battles”, dialogues, debates and discussions need to happen. On the other hand, there are some “battles” that should be stopped and I will be posting about them next week.

“Battles” in the Church (Part 2 of 2)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

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