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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can You Love Liturgy Too Much?

Jeff Ostrowski · April 6, 2015

061 Tenebrae OLY WEEK with the FSSP here in Los Angeles was unforgettable. The Easter Vigil, which began at 11:00pm, was conducted in complete darkness (until the Gloria), except for the light of candles. The darkness helped our minds focus. As the Exsultet was being sung, these words caught my attention:

“O inæstimábilis diléctio caritátis: ut servum redímeres, Fílium tradidísti!”
The precious favor of Thy love delivered up to death Thine only Son to buy back a slave’s life.

Giving up one’s child can only be fully appreciated by a parent, and this hit me like never before. Moreover, I began to feel utterly unworthy to be in God’s presence. In a few moments, I would enter the Sanctuary—along with another cantor, both of us wearing cassock & surplice—kneel down, and begin leading the Litany of the Saints. I was quite uncomfortable entering the Sanctuary; I would have preferred to hide under a rock.

At that moment, I realized the Liturgy is a type of SHIELD, helping us approach God without being obliterated by His Purity. Nothing we sinners can do will “earn” our salvation according to strict justice. Yet, fulfilling our role in the liturgy—praising God according to the ancient rites of the Church—is pleasing to Him, and this gave me comfort. I did not run from the Church; I sang the Litany as best I could.

According to Rocco Palmo, someone associated with the Congregation for Divine Worship recently intimated they will take the following approach to liturgy:

“Go by the book. Don’t make a fuss about it. And remember that liturgy’s always a means to an end—not an end in itself.”

Anyone with a rudimentary theological knowledge understands that liturgy is not an end in itself. 1 On the other hand, we ought to pay careful attention to the liturgy and perform our actions as perfectly as we can.

I USED TO ASSUME THAT ANYONE who denigrates the Traditional Latin Mass de facto had evil intentions. In recent years, I’m more inclined to think it’s a misunderstanding. Those who have little experience with the Extraordinary Form often characterize things in way I find utterly perplexing. They’ll take innocent actions—such as receiving Holy Communion kneeling or wearing traditional Church vestments—and explain them in ways I never imagined after decades of attending the EF. It reminds me of the comedian who explained the etymology of MANKIND by breaking it into fundamental parts: “mank” and “ind.”

Consider the words of Msgr. Francis Mannion, who has been horrified 2 to observe the resurgence of the Traditional Mass:

“I must say that having attended a number of Tridentine celebrations in recent years, I have been left with the impression that it is the ritual—rather than God—who is being worshipped. There can be a kind of idolatry here.”

Imagine a young boy wishing to please his father by carefully polishing his shoes. Is it really “idolatry,” or is it a child showing love to the parent? More than 1,200 people attended our EF Holy Week services; I would be reluctant to accuse a single one of idolatry.



NOTES FROM THIS ARTICLE:

1   Traditionally, Catholics use the acronym “TARP” to remember the four ends: Thanksgiving, Adoration, Reparation, and Petition. Bishop Fulton J. Sheen has reminded us that “TARP” comes close to matching the order of importance, too!

2   To be fair, many critics of the Extraordinary Form went to the seminary at a time when the Old Testament was deëmphasized and are, therefore, unaware of the “ritualism” (to use one of Msgr. Mannion’s favorite words) of the Jewish ceremonies.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

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