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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Hymns Of The Roman Liturgy” (Rev. Joseph Connelly, 1955)

Jeff Ostrowski · April 27, 2015

HOSE INTERESTED in hymns will want to download this extremely famous (yet rare) book by Fr. Joseph Connelly, which we make available online for the first time ever. This is being done as part of the preparation for an exciting Catholic hymnal that’s being created. Connelly’s work includes 154 hymns, chiefly from the Breviary. The hymns are given in Latin, along with English translations and commentary:

* *  PDF Download • Rev. Joseph Connelly HYMNS

This is a good book to have as a reference, although Msgr. Schmitt is correct when he says that Father Matthew Britt’s work 1 is even more valuable.

Msgr. Francis P. Schmitt mentioned Connelly’s work in the Spring of 1964 while talking about the liturgical changes in the wake of the Second Vatican Council:

The New Breviaries :

E CARRY NO REVIEW of the two Englished breviaries, partly because we haven’t received any (and don’t intend to buy any) and partly because some might think, as the publishers must, that such a review would be clean out of our domain. But we might be permitted to say a word about the hymns of the breviary—that other lingering vestige of sung common—and not necessarily monastic prayer. We can say it quickly, since we have seen only reviews and blurb samples. One review, which is also used as a blurb, waxes ecstatic over the fact that the translation used is from Father Connelly’s altogether worthwhile work, Hymns of the Roman Liturgy. The reviewer liked these especially because they were not in hymn form. The unfortunate samples cited in the blurb make less sense in English than the Latin originals would to a North Korean. No slight to Father Connelly’s valuable work (but not as valuable as Britt’s)—he makes it plain in his forward that the translations were added as an afterthought, without much scholarly concern, as a help to those who pressed him for this addition. Little could he have thought then that these addenda would one day become official vernacular “hymns.”

Readers are probably sick of me saying this, but the writings of Msgr. Schmitt are extremely valuable and interesting to church musicians who wish to know what life was like in the early years following the Council. For instance, read what Msgr. Schmitt has to say here.

Taken in 1945, this is the only photograph I have seen of Father Joseph Connelly, courtesy of Vincent James Byrne:

Father Joseph Connelly served as Dean of Music and Professor of Plainchant at St. Mary’s Seminary, New Oscott, Birmingham (1934-1956) according to The Catholic Directory of the Archdiocese of Birmingham.


NOTES FROM THIS ARTICLE:

1   The 1922 masterpiece by Fr. Matthew Britt, OSB, is called Hymns of the Breviary and Missal. It is readily available; just search Google.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: June 19, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Jeffrey Tucker: “What are your thoughts on what passes for sacred music in most Catholic parishes today?” Richard Morris: “There’s nothing sacred about it. The tunes, rhythms, and messages are drawn mainly from secular culture. When it isn’t aesthetically repugnant and downright offensive to the Faith, it is utterly forgettable.”

— James Richard Morris (concert organist)

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