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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reflections Upon The Death Of Francis Cardinal George This Morning At 10:45am

Jeff Ostrowski · April 17, 2015

904 Francis Cardinal George WAS SADDENED to hear of the death of Francis Cardinal George. I hope readers will permit me a few reflections about this great Church leader. Many will remember the courageous role he played in the creation of a more faithful translation of the Roman Missal. I enjoyed reading his comments—especially in the bishops’ meetings as recorded and printed by Helen Hull Hitchcock—which at times 1 could be rather pointed.

What I wish to relate, however, is my own memory of Francis Cardinal George, who offered Mass during a CMAA Colloquium in Chicago. Some of our readers know that not all CMAA liturgies attain the same level of perfection. This one happened early in the week. To be brutally honest, our singing was very poor. (If memory serves, it was a Wednesday Mass, which means the participants had only one day of training before this Mass.) Someone told me in advance that the cardinal was a trained musician; was he ever!

I’ll never forget when Cardinal George sang his parts. His singing was glorious! Only 2-3 other clerics I know could sing as nicely. Because our singing was so poor—for the reasons I’ve already explained—I felt like crawling underneath a rock!

By the way, this was quite a contrast to another high-ranking cleric, who shall remain nameless. His diocese paid me to present at a conference focusing on the music in MR3. During the Mass, it was obvious the bishop had done zero preparation, because he sang everything exactly as it was before MR3. Whereas Cardinal George had not missed a single note, this bishop sang not one note correctly. During the rest of the conference, we were forced to keep talking about “how amazing” and “how wonderful” the tones in MR3 sounded…and what an improvement they were!  Perhaps if I had more integrity, I would have pointed out that the bishop sang everything incorrectly, but I made the decision to “go with the flow.” (I suppose that makes me a hypocrite.)

Francis Cardinal George had a deep love for music, and personally called into his office several friends of mine. He told them how important their work was. He told them they must continue to fight for QUALITY church music…instead of the “garbage” (his word) so often thrust upon the faithful.

Cardinal George, in some ways, was very serious; he didn’t have time for nonsense. I remember seeing him on Meet the Press, speaking to David Gregory (who was not Catholic). Gregory said something like, “So, now that Pope Francis has been elected, I hear everything in your Church is going to change. Tell us, Cardinal George, about some radical changes Pope Francis will soon make.” Cardinal George’s response was something to the effect of, “As far as I know, David, his job is no different than it always has been: preach the Gospel.”

I hope my reflections don’t come across as too random. We at CCW don’t prepare comments in advance of someone’s death. From what I understand, Cardinal George has skirted death many times in the past, so I’m sure news organizations have their articles “primed and ready.”

Francis Cardinal George had a good sense of humor and probably would have enjoyed this skit, poking fun at people who prepare obituaries in advance:


(Many people dislike Dana Carvey, but his Tom Brokaw is excellent.)



NOTES FROM THIS ARTICLE:

1   If my memory is correct, one of the bishops was insisting that MR3 continue to be delayed, and Cardinal George said something to the effect of, “Our people have already waited a decade; a decade is long enough to delay.” (Remember that the Latin edition of MR3 came out around 2001, yet the American bishops took almost 10 years to release its translation!)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Francis Cardinal George Of Chicago Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Participation at Mass must be “above all internal” (§15), and: “The faithful must be taught to unite themselves interiorly to what the ministers or choir sing, so that by listening to them they may raise their minds to God.”

— Musicam Sacram (5 March 1967)

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