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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reflections Upon The Death Of Francis Cardinal George This Morning At 10:45am

Jeff Ostrowski · April 17, 2015

904 Francis Cardinal George WAS SADDENED to hear of the death of Francis Cardinal George. I hope readers will permit me a few reflections about this great Church leader. Many will remember the courageous role he played in the creation of a more faithful translation of the Roman Missal. I enjoyed reading his comments—especially in the bishops’ meetings as recorded and printed by Helen Hull Hitchcock—which at times 1 could be rather pointed.

What I wish to relate, however, is my own memory of Francis Cardinal George, who offered Mass during a CMAA Colloquium in Chicago. Some of our readers know that not all CMAA liturgies attain the same level of perfection. This one happened early in the week. To be brutally honest, our singing was very poor. (If memory serves, it was a Wednesday Mass, which means the participants had only one day of training before this Mass.) Someone told me in advance that the cardinal was a trained musician; was he ever!

I’ll never forget when Cardinal George sang his parts. His singing was glorious! Only 2-3 other clerics I know could sing as nicely. Because our singing was so poor—for the reasons I’ve already explained—I felt like crawling underneath a rock!

By the way, this was quite a contrast to another high-ranking cleric, who shall remain nameless. His diocese paid me to present at a conference focusing on the music in MR3. During the Mass, it was obvious the bishop had done zero preparation, because he sang everything exactly as it was before MR3. Whereas Cardinal George had not missed a single note, this bishop sang not one note correctly. During the rest of the conference, we were forced to keep talking about “how amazing” and “how wonderful” the tones in MR3 sounded…and what an improvement they were!  Perhaps if I had more integrity, I would have pointed out that the bishop sang everything incorrectly, but I made the decision to “go with the flow.” (I suppose that makes me a hypocrite.)

Francis Cardinal George had a deep love for music, and personally called into his office several friends of mine. He told them how important their work was. He told them they must continue to fight for QUALITY church music…instead of the “garbage” (his word) so often thrust upon the faithful.

Cardinal George, in some ways, was very serious; he didn’t have time for nonsense. I remember seeing him on Meet the Press, speaking to David Gregory (who was not Catholic). Gregory said something like, “So, now that Pope Francis has been elected, I hear everything in your Church is going to change. Tell us, Cardinal George, about some radical changes Pope Francis will soon make.” Cardinal George’s response was something to the effect of, “As far as I know, David, his job is no different than it always has been: preach the Gospel.”

I hope my reflections don’t come across as too random. We at CCW don’t prepare comments in advance of someone’s death. From what I understand, Cardinal George has skirted death many times in the past, so I’m sure news organizations have their articles “primed and ready.”

Francis Cardinal George had a good sense of humor and probably would have enjoyed this skit, poking fun at people who prepare obituaries in advance:


(Many people dislike Dana Carvey, but his Tom Brokaw is excellent.)



NOTES FROM THIS ARTICLE:

1   If my memory is correct, one of the bishops was insisting that MR3 continue to be delayed, and Cardinal George said something to the effect of, “Our people have already waited a decade; a decade is long enough to delay.” (Remember that the Latin edition of MR3 came out around 2001, yet the American bishops took almost 10 years to release its translation!)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Francis Cardinal George Of Chicago Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

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  • PDF Download • “Quasi Modo Sunday”

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