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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reflections Upon The Death Of Francis Cardinal George This Morning At 10:45am

Jeff Ostrowski · April 17, 2015

904 Francis Cardinal George WAS SADDENED to hear of the death of Francis Cardinal George. I hope readers will permit me a few reflections about this great Church leader. Many will remember the courageous role he played in the creation of a more faithful translation of the Roman Missal. I enjoyed reading his comments—especially in the bishops’ meetings as recorded and printed by Helen Hull Hitchcock—which at times 1 could be rather pointed.

What I wish to relate, however, is my own memory of Francis Cardinal George, who offered Mass during a CMAA Colloquium in Chicago. Some of our readers know that not all CMAA liturgies attain the same level of perfection. This one happened early in the week. To be brutally honest, our singing was very poor. (If memory serves, it was a Wednesday Mass, which means the participants had only one day of training before this Mass.) Someone told me in advance that the cardinal was a trained musician; was he ever!

I’ll never forget when Cardinal George sang his parts. His singing was glorious! Only 2-3 other clerics I know could sing as nicely. Because our singing was so poor—for the reasons I’ve already explained—I felt like crawling underneath a rock!

By the way, this was quite a contrast to another high-ranking cleric, who shall remain nameless. His diocese paid me to present at a conference focusing on the music in MR3. During the Mass, it was obvious the bishop had done zero preparation, because he sang everything exactly as it was before MR3. Whereas Cardinal George had not missed a single note, this bishop sang not one note correctly. During the rest of the conference, we were forced to keep talking about “how amazing” and “how wonderful” the tones in MR3 sounded…and what an improvement they were!  Perhaps if I had more integrity, I would have pointed out that the bishop sang everything incorrectly, but I made the decision to “go with the flow.” (I suppose that makes me a hypocrite.)

Francis Cardinal George had a deep love for music, and personally called into his office several friends of mine. He told them how important their work was. He told them they must continue to fight for QUALITY church music…instead of the “garbage” (his word) so often thrust upon the faithful.

Cardinal George, in some ways, was very serious; he didn’t have time for nonsense. I remember seeing him on Meet the Press, speaking to David Gregory (who was not Catholic). Gregory said something like, “So, now that Pope Francis has been elected, I hear everything in your Church is going to change. Tell us, Cardinal George, about some radical changes Pope Francis will soon make.” Cardinal George’s response was something to the effect of, “As far as I know, David, his job is no different than it always has been: preach the Gospel.”

I hope my reflections don’t come across as too random. We at CCW don’t prepare comments in advance of someone’s death. From what I understand, Cardinal George has skirted death many times in the past, so I’m sure news organizations have their articles “primed and ready.”

Francis Cardinal George had a good sense of humor and probably would have enjoyed this skit, poking fun at people who prepare obituaries in advance:


(Many people dislike Dana Carvey, but his Tom Brokaw is excellent.)



NOTES FROM THIS ARTICLE:

1   If my memory is correct, one of the bishops was insisting that MR3 continue to be delayed, and Cardinal George said something to the effect of, “Our people have already waited a decade; a decade is long enough to delay.” (Remember that the Latin edition of MR3 came out around 2001, yet the American bishops took almost 10 years to release its translation!)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Francis Cardinal George Of Chicago Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

If it is the explicit will of the Council that the faithful are to be able to sing the “Gloria” or the “Credo” together in Latin [which it is] then indirectly there is being expressed here the obligation of regularly celebrating Mass with Latin Gregorian chant. And not merely occasionally, but with such frequency and constancy as to make the singing of these Latin texts a genuine possession of the faithful.

— Heinrich Flatten, Apostolic Protonotary & Canon Law Professor (Bonn)

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