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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Universal Music

Andrew Leung · April 9, 2015

CTL Universal Music T IS GOOD to be back on the blog after two weeks of silence. Some of you might know that this past Holy Week was pretty holy and crazy for me because it was my first one as a full-time music director. I have been serving in other area (not music) for the past few Holy Weeks. The Triduum this year was very fruitful and prayerful. As a musician, singing is such a natural way for me to pray. Being able to sing the pieces I picked based on beautiful and rich texts from the Triduum Liturgies deepened my prayer a lot!

Here is my little reflection on Holy Week. In many documents on Sacred Music, we see that the Church mentioned, over and over again, that universality being one of the three characteristics of Liturgical Music. I just want to share two personal experience of the universality of Sacred Music.

The first experience happened four years ago at World Youth Day 2011. I went to the World Youth Day in Madrid, Spain, in 2011 with a group from home. We were on the street attending the opening ceremony of WYD with thousands of youth from around the whole world. It was a hot summer day and it was really crowded. The unforgettable part was the end of the welcoming ceremony when the Gregorian Salve Regina was sung. Everyone on the streets were united by this chant and were praying in one voice. Chanting with all the youth and our beloved Pope Benedict was a very moving experience for me. That was the first time I experience the universality of Gregorian Chant.

The second experience happened this past weekend during the Triduum and is still happening. My parish is a very diverse parish and we have people with many different cultural backgrounds. Prayers of the Faithful were read in seven different languages on Holy Thursday and there are few music groups that provide different styles of music regularly on Sundays. During Holy Week, my choirs did a wonderful job with the music. In the four days, we chanted all the Propers of the Liturgies and sang more than ten motets. At a diverse parish like mine, Holy Week is the one time a year that everyone attends the same Liturgies and music is sung by the “one choir”. One of my concerns before Holy Week was whether people would understand and appreciate the traditional Sacred Music. Well, it turned out really well and I have been hearing a lot of positive comments from parishioners with different cultural backgrounds.

Both of these experiences show the reason, importance and the application of the universality of Sacred Music. The universality of Sacred Music allows everyone on earth to sing and pray together. And when the music is universal, everyone can appreciate it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“As a little child, Christ is presented in the temple, the Lawgiver obeying His law. Here the Redeemer offers Himself and is redeemed at a pauper’s price.”

— Father Augustine Thomas Ricchini (d. 1779)

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