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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Universal Music

Andrew Leung · April 9, 2015

CTL Universal Music T IS GOOD to be back on the blog after two weeks of silence. Some of you might know that this past Holy Week was pretty holy and crazy for me because it was my first one as a full-time music director. I have been serving in other area (not music) for the past few Holy Weeks. The Triduum this year was very fruitful and prayerful. As a musician, singing is such a natural way for me to pray. Being able to sing the pieces I picked based on beautiful and rich texts from the Triduum Liturgies deepened my prayer a lot!

Here is my little reflection on Holy Week. In many documents on Sacred Music, we see that the Church mentioned, over and over again, that universality being one of the three characteristics of Liturgical Music. I just want to share two personal experience of the universality of Sacred Music.

The first experience happened four years ago at World Youth Day 2011. I went to the World Youth Day in Madrid, Spain, in 2011 with a group from home. We were on the street attending the opening ceremony of WYD with thousands of youth from around the whole world. It was a hot summer day and it was really crowded. The unforgettable part was the end of the welcoming ceremony when the Gregorian Salve Regina was sung. Everyone on the streets were united by this chant and were praying in one voice. Chanting with all the youth and our beloved Pope Benedict was a very moving experience for me. That was the first time I experience the universality of Gregorian Chant.

The second experience happened this past weekend during the Triduum and is still happening. My parish is a very diverse parish and we have people with many different cultural backgrounds. Prayers of the Faithful were read in seven different languages on Holy Thursday and there are few music groups that provide different styles of music regularly on Sundays. During Holy Week, my choirs did a wonderful job with the music. In the four days, we chanted all the Propers of the Liturgies and sang more than ten motets. At a diverse parish like mine, Holy Week is the one time a year that everyone attends the same Liturgies and music is sung by the “one choir”. One of my concerns before Holy Week was whether people would understand and appreciate the traditional Sacred Music. Well, it turned out really well and I have been hearing a lot of positive comments from parishioners with different cultural backgrounds.

Both of these experiences show the reason, importance and the application of the universality of Sacred Music. The universality of Sacred Music allows everyone on earth to sing and pray together. And when the music is universal, everyone can appreciate it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

Recent Posts

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  • PDF • “Music List” (Xmas Midnight Mass)

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